Hi Nils,
Great to hear from you,
I remember when you came and took part that day, the co-curatorial event
at HTTP - I enjoyed that day :-)
Here is a link to some Flickr images of the show (which is still on -
http://www.flickr.com/photos/http_gallery
Also, you may be interested in this link,
Blind Spots/Puntos Ciegos
SITAC VIII, 2010
8th International Symposium on Contemporary Art Theory
Mexico City, February 4, 5 6 2010
http://www.pac.org.mx/
contact - p...@pac.org.mx
Program
Thursday, February 4
15:00-15:15 Introduction by Gabriela Rangel (15 minutes)
15:15-16:35 Keynote
transmediale.10 FUTURITY NOW!
2 - 7 February 2010 House of World Cultures (HKW), Berlin
// title //
1] Dates
2] Conference Reminder
3] Performance Reminder
4] General Information – Public Transport Accomodation
1] Dates
17 – 23 January 2010 – Book Sprint
The Book Sprint, an intensive and
Artefact Festival in Leuven, Belgium.
9 - 14 February 2010
STUK arts centre Leuven.
On Gaps and Silent Documents uses ‘new’ and ‘old’ media and
technologies, such as the Internet, websites, Google, newspapers, texts,
books, film and video, photography, music scores, sound, telephones,
Hi Everyone,
I think most people on this list are familiar with my collection of
Microcodes, small artistically inspired, Perl codes (
http://pallit.lhi.is/microcodes ). In March, the entire collection of
Microcodes, as well as user contributed derivatives, will be exhibited
at the chmod +x
Animism at Extra City and M HKA.
Extra City, Tulpstraat 79, BE-2060 Antwerpen
M HKA, Leuvenstraat 32, BE-2000 Antwerpen
Phone: 0032 3 677 1655
Fax: 0032 3 677 1655
Contact: Lotte De Voeght
lotte.de.voe...@extracity.org
www.extracity.org
www.muhka.be
22 January – 2 May 2010
ANIMISM is a
Hi Bob,
Sorry not responding sooner to your post, it's been a bit busy at this
end...
I think education is what you find on a list like this. It's messy,
completely unplanned and often happens in unexpected ways. We're here
because we're learning from each other.
Well, this list can never
Hi Simon,
Just catching up,
Good to read a contextual and historical side about you. I find it
fascinating how people's creative ventures are influenced by their past
experiences, and how this can produce unique selves, that (thankfully)
define our differences, whether our accumalted
Hi Marc
Thanks, your comments wrap it up well. Right now I am up to my ears in the
down-side of academia, dealing with course development, associated
bureaucracy, institutional politics and ridiculous deadlines. My reply is
therefore very short.
Best
Simon
Simon Biggs
Research Professor
Hi Curt,
Sorry for the slow response, much happening lately with projects etc...
More than any craft (including artmaking, including writing) teaching
is a bottomless pit. You could devote an entire life to mastering the
craft and you would still have barely begun to scratch the surface.
But
{
north facing spike
}
http://jwm-art.net/mdz/output_images/north_facing_spike.png
{
a small section of the north facing spike in the M-set.
this was very tedious to produce. it took four hours or so.
the image is 8 pixels tall, by 48 wide. only a very small
section
distilled essence of stuff we've done foofwa d'imobilite azure carter kira
sedlock maud liardon alan sondheim intersection are weird
parables paraa parab parac parad parae paraf parag para para. parable car
baal bal nikuko ball ballet etc your loft on th nude behind i'm moving her
side effects
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