#memewars
https://things.bleu255.com/memewars/
Before the 2016 American presidential elections, the subculture now
known as the "Alt-Right" waged an image meme propaganda war in support
of Donald Trump and white nationalist politics. Most memes were created
and published on the "/pol/" ("Politica
-legal libraries. Next year's themes (tbc) will be
publishing as policy, squatting, community book scanners, bots and
algorithmic publishing.
XPUB core and recurrent lecturers and tutors: Delphine Bedel,
André Castro, Florian Cramer, Aymeric Mansoux, Michael Murtaugh,
Steve Rushton, Femk
Hello!
Sorry for ><, please >>
//
The final deadline for applying to the new Media Design and
Communication Master study path Experimental Publishing is May 15th.
//
>From app stores to art book fairs and zine shops, from darknets to
sneakernets, from fansubs to on-demand services, and from tw
Hello!
Thanks Dave for the text and cheers to Furtherfield for publishing it as
well as hosting this discussion.
I'm very much looking forward to tomorrow's event. Actually, some of the
points discussed in this thread so far, relate quite closely to the
topic of my presentation for RWX, namely ho
Sorry for ><, please >>
///
FREE?!
A One-day Journey into the Cultures of Sharing
Rotterdam, The Netherlands
Het Nieuwe Instituut
29th November 2013
13:00-00:00
///
FREE?! investigates one of the great paradoxes of our times: While the
fast paced development of digital media and the Internet h
y debate).
I'll definitively keep you posted as soon as we get something to share!
See you!
a.
> On 06/11/2013 16:06, Aymeric Mansoux wrote:
> > Sorry for ><, please >>
> >
> > ///
> >
> > What is Free Culture? Three days workshop.
> > 1
cterize them?
* Where do these models fall short?
///
What is Free Culture? is a workshop facilitated by Eleanor Greenhalgh
and Dave Young, with an introduction from Eric Kluitenberg and Aymeric
Mansoux, and an experimentation on live visual documentation design by
Loes Claessens and Bor Smuld
Sorry for >< please >>
///
The Media Design and Communication Master is open for applications!
Piet Zwart Institute, Willem de Kooning Academie
Rotterdam, The Netherlands
///
* Free culture and free/libre and open source software prototyping
* A DIY / DIWO approach to media- and tool-making
*
Hi Mark,
mark cooley said :
> Anyone know of any college new media art programs that focus on using
> open source software. I'm doing some research.
At the Piet Zwart Institute (PZI), Rotterdam, the Netherlands, we have
a long history of integrating FLOSS and free culture as part of our
Media De
pro tip: cook with rice oil and invest in very good oil(s) (olive,
argan, pumpkin seed, sesame, etc) to flavour food once cooked with just
a few drops.
Simon Biggs said :
> Depends on the olive oil. There's oil for cooking and oil for drizzling.
>
> best
>
> Simon
>
>
> On 25 Oct 2012, at 13:1
r Tati Freeke-Suwarganda's message. Among the members of La
Société Anonyme's committee and others who played a major role in
devising The SKOR Codex are Dušan Barok, Danny van der Kleij, Aymeric
Mansoux, and Marloes de Valk, the book was hand bound by the Wilgenkamp
bindery. The book was commis
Sorry for >< Please >>
///
Exception Handling
Piet Zwart Institute
Master Media Design and Communication
Graduation Show 2012
///
Opening: Friday July 6, 19.00 hrs, Rotterdam, Netherlands
///
The show brings together Networked and Lens-Based digital media and
presents work across an expanded
CREATIVE NOW!
Creative Industries Fair
http://creativenow.nl/
///
June 30th 12-7pm at WORM, Rotterdam.
///
Join us for a one-day show at WORM Rotterdam. 14 Media Design &
Communication MA students from Piet Zwart Institute present 14
experimental factories for the new "Creative Industries".
/
Rob Myers said :
> On 05/02/2012 10:27 AM, Aymeric Mansoux wrote:
> >
> > http://su.kuri.mu/0001/2012MORPHOLOGY_OF_A_COPYRIGHT_TALE/
>
> Excellent!
>
> Since it's LaTeX, you could typeset the Propp forumla for that tale.
>
> It might make a good
A bit of procrastination...
# INFO:
#
# This text is based on the work from Vladimir Yakovlevich Propp in
# his 1928 essay "Morphology of the Folktale." By studying many
# Russian folktales, Propp was able to break down their narrative
# structure into several functions, literally exposing an unde
Hello netbehaviour,
Have you ever wondered what is going on “behind the scenes” on social
networks like Facebook? In this workshop we will explore our so-called
social data and get a glimpse at how it is viewed by the company and
third parties who access it. In order to break several myths about
F
Antonio Roberts said :
> Is there such a thing as networked video performance? If so, are there
> any examples or literature surrounding this topic?
oldies but goodies (?)
Very old Pd HOWTO for networked video feedback:
http://web.archive.org/web/20060621214337/http://yourmachines.org/tutorials/p
Thanks for the nice feedback Rob!
Rob Myers said :
> > Copyleft: This work is free, you can distribute and modify it under
> > the terms of the Free Art License. http://artlibre.org/licence/lal/en
>
> I'm overdue on blogging about this, but I'm not convinced that the LAL
> is better for art than
Edward Picot said :
> My first reaction was "Hang on a minute - I've seen something very
> similar to this before" - and after a bit of brain-racking I
> remembered what it was - /The Digital Artists' Handbook
> /(http://www.digitalartistshandbook.org/). Having just visited the
> site, however, alt
Rob Myers said :
> On 04/04/11 20:19, Aymeric Mansoux wrote:
> >
> > But what I was more thinking of is in the case where people have a
> > fairly good understanding of Free Culture, would you say it is possible,
> > desirable, or even a necessity, to make a distinctio
Rob Myers said :
> On 03/04/11 09:17, Aymeric Mansoux wrote:
> >
> > @rob: "Open Source culture / Free Culture tends to get mixed up with
> > appropriation art, collaborative art and other ideas". Can you point to
> > a text that develop this specifically,
>
Hey,
Pall Thayer said :
> I had my students read the paper by thor magnusson in FLOSS + Art and they
> loved. Its a wonderful introductory text to open source and how it may
> affect/pertain to the arts.
Yes Thor's text is really good.
Some more "FLOSS+Art" related texts here: http://su.kuri.mu/
anniea said :
> copied from [NEW-MEDIA-CURATING]
>
> "It's interesting that, as far as I am aware, no contemporary artist has yet
> harnessed this extraordinary technology to make a significant artwork. Of
> course, maybe I'm wrong and am missing something great - do you know of any
> net-based ar
Hey Marc,
sorry for digging out an old thread... I'm doing some winter INBOX
cleaning :)
marc garrett said :
> It is definately equal to Node.London's Media Mutandis publication via
> Mute. Although, Media Mutandis was accessible free online for download,
> it would be good to know why the FLOSS+
marc garrett said :
> Team records 'music' from stars - Like Aphex Twin music.
>
> By Pallab Ghosh
> Science correspondent, BBC News.
>
> Scientists have recorded the sound of three stars similar to our Sun
> using France's Corot space telescope.
>
> The subtly pulsating, haunting sounds are ver
Hi James,
james jwm-art net said :
> Hi Aymeric, everyone,
>
> Sorry reply is a bit late now..
mine too :)
> >Concerning Debian, I can't recall if I mentionned it previously, our
> >goal is also not to leave our packages in a nich repository, the mid
> >term plan for the pure:dyne team is to st
Hi Rob,
Rob Myers said :
> > To embrace FLOSS, artists must be able to see what is has to
> > offer that is not available elsewhere (from practical issues, to
> > social aspects and knowledge sharing) and this only needs curiosity
> > and a good dose of self motivation.
>
> Do you think that arti
Hi James,
james jwm-art net said :
> I'm curious about how pure:dyne might compare to other multimedia
> distributions. I have always gone back to Debian (stable) as my main OS,
> but have tried 64studio... and another, can't remember it's name, it
> used fluxbox as it's desktop but the distro di
Hi Marc,
marc garrett said :
> Perhaps East Germany is an easy target for declaring that social
> change is occuring, but there is something in the air. So, considering
> the current state of things and the impact of economies collapsing
> around us, do you think that this climate adds extra weigh
Hi Bob, Marc, list
> "Art forms have their technical aspects. Artists are forever learning,
> playing, working and experimenting with the technology at their
> disposal. Tools for the job. Means and ends. Artists are largely
> focused on the latter; the ability to use the tools is presumed."
>
>
Hi Rob,
> You mention that pure:dyne emerged from practical necessity and didn't
> have a grand plan. Did you design its user experience with any model
> or set of requirements in mind? It reminds me of the clean,
> pleasurable, no-nonsense environments of old Mac and SGI systems. Was
> that inten
Hi Everyone,
and thanks Marc for the invitation.
marc garrett said :
> So, I would like to kick off this discussion by asking Heather
> Corcoran or Aymeric Mansoux why they decided to get involved with
> pure:dyne and what it means to them, as practitioners in their own
> field, and w
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