The crooked Greyfriars Bawbee
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Francis Wood
Sent: 06 August 2011 20:55
To: Dartmouth NPS
Subject: [NSP] Trivia
Since it's August . . . .
What tunes does your dog prefer?
Francis
To
I assume all this food based music will be played on a crumpet or a cornetto
--Original Message--
From: Gibbons, John
Sender: lute-...@cs.dartmouth.edu
To: 'Francis Wood'
To: Richard York
Cc: NSP group
Subject: [NSP] Re: Deaf/dead
Sent: Jun 21, 2011 4:36 PM
Or
poppaDOMpompompom
I assume all this food based music will be played on a crumpet or a cornetto
--Original Message--
From: Gibbons, John
Sender: lute-...@cs.dartmouth.edu
To: 'Francis Wood'
To: Richard York
Cc: NSP group
Subject: [NSP] Re: Deaf/dead
Sent: Jun 21, 2011 4:36 PM
Or
poppaDOMpompompom
Oh go on then.
Lamb Skinny
Four Bare Legs under the Coverlet
Cock o the North
--Original Message--
From: Francis Wood
Sender: lute-...@cs.dartmouth.edu
To: Richard York
Cc: NSP group
Subject: [NSP] Skinny-piping
Sent: Aug 16, 2010 3:52 PM
On 12 Aug 2010, at 09:55, Richard York wrote:
Hi Neil
Francis is very clear. I know that leaky pads have caused mine to squeak in the
past. I also found that if they were new pads it took a couple of oilings and
24 hours before the chanter was ok
Simon
-Original Message-
From: Francis Wood oatenp...@googlemail.com
Date: Thu, 18 Mar
I would certainly interested in this discussion, have kept mine in a sax gig
bag for years now with the chanter and drones inside plastic tubes (wrapped
in old scarves) this has been the most portable and enduring bag, however
after 13 years or so it is beginning to disintegrate. However I would
Expect you all know this but
http://www.concertina.net/tunes_convert.html
will convert his to dots etc.
regards
simon
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Julia Say
Sent: 06 February 2010 10:53
To: nsp
Subject: [NSP] Re
This topic has produced many exchanges so slightly hesitant to contribute,
however here goes.
Julia sums up my position with LP and I have been using it for some years.
Before that I used Almond oil and before that Neatsfoot both of which worked
well for me .
I play my instrument regularly and
with thick walls or a lot
or metal creating a Farady cage effect you might get away with it, but
probably not if BT is blasting away on the frequency.
Simon
-Original Message-
From: colin [mailto:cwh...@santa-fe.freeserve.co.uk]
Sent: Wednesday, November 18, 2009 7:29 PM
To: NSP group
You know that awful feeling when you look at an email and realise that what you
said was not what you had in mind. My last email concluding my list of those
who have helped and guided me
Should have read I hate lists, but also need to thank also I have to thank
the London Pipers and
that have similar
tunes or types of tune and that is interesting as well.
I find that hearing a sequence that might involve 5 or 6 styles makes me more
aware of technique, rhythm and ornamentation.
Just a thought.
Simon Leveaux
To get on or off this list see list information at
http
those who have organised, and
helped me.
I have always felt privileged to have access to such generously given advice
and guidance.
Simon Leveaux
--Original Message--
From: Francis Wood
Sender: lute-...@cs.dartmouth.edu
To: Anthony Robb
Cc: Dartmouth NPS
Subject: [NSP] Re: Old Guy
Sent
like the NPS and all those who have organised, and
helped me.
I have always felt privileged to have access to such generously given advice
and guidance.
Simon Leveaux
--Original Message--
From: Francis Wood
Sender: lute-...@cs.dartmouth.edu
To: Anthony Robb
Cc: Dartmouth NPS
Subject
Thankyou for opening up such a useful discussion Francis.
I must admit that the term chanter has always concerned me - what are
we if not individuals with our own individual styles...?
Boreishly
Simon
On Tue, Oct 20, 2009 at 10:16 AM, Francis Wood
[1]oatenp...@googlemail.com
*winces*
Francis - I think your on the wrong discssion group if you're
suggesting not setting up a working party...
On Tue, Oct 20, 2009 at 10:59 AM, Francis Wood
[1]oatenp...@googlemail.com wrote:
Changing the course of language is a slow and uncertain path. Before
The Halsway Course has regularly been advertised here Colin with many
of the same tutors ( including yourself) - what's the difference?
On Wed, Aug 12, 2009 at 12:41 PM, [1]rosspi...@aol.com wrote:
I wonder if this advert for a privately run course is allowed on
this list.
From Wikipedia:
Flaming is
a [1]hostile and [2]insulting [3]interaction between [4]Internet users.
Flaming usually occurs in the social context of a [5]discussion
board, [6]Internet Relay Chat (IRC) or even through [7]e-mail. An
Internet user typically generates a flame response
I don't often comment these days, but, like a lot of NPS Members, I'm
still lurking...
I'd support this
Simon
On Thu, May 21, 2009 at 9:40 AM, Helen Capes
[1]helen.ca...@paradise.net.nz wrote:
I agree with Anthony. I think Colin has to be one of the most
deserving
And the celebrated Hill tune the Allen Quay
-Original Message-
From: Barry Say [mailto:barr...@nspipes.co.uk]
Sent: 13 March 2009 11:20
To: Dartmouth NSP
Subject: [NSP] Re: J Allen (and Rants)
Dont Forget Jimmy's younger brother -
Woody
B
On 13 Mar 2009 at 9:59, Helen Fish wrote:
I'm not a lawyer, but my work involves intellectual property issues.
The law should be clear but in practice it isn't. In the US it as follows:
The copyright law of the United States provides for copyright protection in
musical works, including any accompanying words, that are fixed in some
, there is
then a potential claim for breach of copyright.
John
-Original Message-
From: Simon Knight [mailto:si...@setanta-inc.com]
Sent: 16 January 2009 14:30
To: 'NSP group'
Subject: [NSP] Re: Copyright issues
Publishing or recording a traditional tune or any tune in the public domain
does
I have one of John's 11 key sets and have been very happy with it. The
chanter reed and the drones are stable and the tuning is good. John is also
very helpful and I'm sure would support the set really well.
Simon
-Original Message-
From: Adam Westerly [mailto:[EMAIL PROTECTED]
Sent
to grow on me.
Simon
-Original Message-
From: Stephen Douglass [mailto:[EMAIL PROTECTED]
Sent: Saturday, October 28, 2006 9:02 AM
To: nsp@cs.dartmouth.edu
Subject: [NSP] Piping Modernism
Maxwell Davies comes from the musical influences of modernism, and
pieces like Schoenberg's Pierrot
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