On Sep 3, 2012, at 8:34 PM, Boris Liberman wrote:
Isn't there a way to adjust the color balance of shadows in
lightroom?
Well, I could use brushes and so on, but it is:
1. Laborsome
2. Imprecise
3. Ultimately I don't have any experience with that.
It turns out that it is done via an
On Mon, Sep 3, 2012 at 11:41 PM, Boris Liberman bori...@gmail.com wrote:
On 9/3/2012 5:00 PM, Bruce Walker wrote:
Boris, you can do a hell of a lot with Lr gradients, adjustment
brushes, etc. You are much less limited than you may think. Just
requires the time to play with these tools.
I
- Original Message -
From: Boris Liberman bori...@gmail.com
Other than that, I can only criticise that there are two women in the
picture that tends to draw my eye away from the composition... :-)
Jostein
Hmmm, they are walking into you, as a matter of fact :-).
You know, it won't
On Sun, Sep 2, 2012 at 11:59 PM, Boris Liberman bori...@gmail.com wrote:
I tried to play with the white balance quite a bit. The issue here is that
as long as I try to preserve and emphasize the light on the foreground,
given the way the scene was captured (sensor and all) I am rather limited
On Mon, Sep 3, 2012 at 2:45 AM, Jostein Øksne p...@alunfoto.no wrote:
- Original Message - From: Boris Liberman bori...@gmail.com
Other than that, I can only criticise that there are two women in the
picture that tends to draw my eye away from the composition... :-)
Jostein
Hmmm,
On Sep 2, 2012, at 8:50 PM, Boris Liberman wrote:
On 8/31/2012 8:29 AM, Larry Colen wrote:
I concur. Try setting the white balance on one of the white cars in
the background. That'll also make the foreground look more like
sunset lighting.
Sorry but no guitar.
Interesting turn of
On 9/3/2012 8:14 PM, Larry Colen wrote:
Interesting turn of phrase. I've always heard it as close but no
cigar, with the understanding that if you won at the carnival the
prize was a cigar.
Gee, nothing interesting here. I just made a mistake.
Isn't there a way to adjust the color balance
On 9/3/2012 9:45 AM, Jostein Øksne wrote:
Hmmm, they are walking into you, as a matter of fact :-).
Stupid mistake on my part - not into you but rather into the frame...
You know, it won't be long before I can count myself lucky if I still
remember _why_ my glance is drawn that way. So I
On 9/3/2012 4:50 PM, Bruce Walker wrote:
Kill me before I reach that point! :-)
Request denied.
:-)
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On 9/3/2012 5:00 PM, Bruce Walker wrote:
Boris, you can do a hell of a lot with Lr gradients, adjustment
brushes, etc. You are much less limited than you may think. Just
requires the time to play with these tools.
I know. I use gradients very often to correct exposure locally (usually
towards
On 9/3/2012 5:00 PM, Bruce Walker wrote:
Boris, you can do a hell of a lot with Lr gradients, adjustment
brushes, etc. You are much less limited than you may think. Just
requires the time to play with these tools.
Correction! Silly (or stupid - you choose) me. I just noticed that in
the
On 8/31/2012 8:26 AM, Chris Mitchell wrote:
Nice composition and foreground colour, but I think the blue cast
background is very wrong.
Chris
Thanks, Chris. Not to sound defensive or anything, I saw the background
and did not find the color cast objectionable... But now that you and
others
On 8/31/2012 8:29 AM, Larry Colen wrote:
I concur. Try setting the white balance on one of the white cars in
the background. That'll also make the foreground look more like
sunset lighting.
Sorry but no guitar. The whole picture becomes impossibly yellowish.
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On 8/31/2012 10:03 AM, Jostein Øksne wrote:
This looks like morning light.
I find it very difficult to use WB to balance the sunlight against the
shadows in morning light. It has a certain peachy quality to it which
is easily lost with the WB tool. :-(
Instead, I set the WB to render the sunlit
On 8/31/2012 3:47 PM, Bob Sullivan wrote:
Boris,
Like the colors and light.
Yes, it is a bit blue. Where is the golden morning light?
I like the girls where they are, coming into the scene and
comfortably placed in the open under the tree branch on the right.
Regards, Bob S.
Thanks, Bob. As
On 8/31/2012 4:28 PM, Bruce Walker wrote:
I like the colour: the warmth of the sun foreground, the coolness of
the shaded street in background. But I think that the cool background
is overexposed. The brightness of that area is out of proportion.
Pleasant image overall.
Thanks, Bruce!
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On 8/31/2012 8:26 PM, Daniel J. Matyola wrote:
Serenity abounds there.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
Thanks, Dan! That was one of the ideas behind this image - quiet city
park afternoon beneath the old trees.
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On 9/2/2012 5:30 AM, Mark C wrote:
Fabulous shot, Boris. You have two big trees, two benches, two
pedestrians,two long shadows running down the road and a great
background of the row of bikes with the front wheels just echoing one
after another. It's like you found the hidden order within an
This looks like morning light.
I find it very difficult to use WB to balance the sunlight against the
shadows in morning light. It has a certain peachy quality to it which is
easily lost with the WB tool. :-(
Instead, I set the WB to render the sunlit parts as I want them, and then
adjust the
Boris,
Like the colors and light.
Yes, it is a bit blue. Where is the golden morning light?
I like the girls where they are, coming into the scene and
comfortably placed in the open under the tree branch on the right.
Regards, Bob S.
On Thu, Aug 30, 2012 at 11:33 PM, Boris Liberman
I like the colour: the warmth of the sun foreground, the coolness of
the shaded street in background. But I think that the cool background
is overexposed. The brightness of that area is out of proportion.
Pleasant image overall.
On Fri, Aug 31, 2012 at 12:33 AM, Boris Liberman bori...@gmail.com
I'd probably use the White Balance eye-dropper tool to sample several
areas of the asphalt paving. That frequently makes for a good neutral grey.
From: Jostein ?ksne
This looks like morning light.
I find it very difficult to use WB to balance the sunlight against the
shadows in morning light.
Serenity abounds there.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
On Fri, Aug 31, 2012 at 12:33 AM, Boris Liberman bori...@gmail.com wrote:
Hi!
I find my interest in photographer sparkled again - with Ricoh GXR A50
module I find myself often looking specifically for light
Hi!
I find my interest in photographer sparkled again - with Ricoh GXR A50
module I find myself often looking specifically for light and color...
Here is an attempt:
http://pentax-ways.blogspot.co.il/2012/08/peso-2012-35-etude.html
Be brutal and honest, as always.
Cheers!
Boris
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On 31 August 2012 05:33, Boris Liberman bori...@gmail.com wrote:
Hi!
I find my interest in photographer sparkled again - with Ricoh GXR A50
module I find myself often looking specifically for light and color...
Here is an attempt:
On Aug 30, 2012, at 10:26 PM, Chris Mitchell wrote:
On 31 August 2012 05:33, Boris Liberman bori...@gmail.com wrote:
Hi!
I find my interest in photographer sparkled again - with Ricoh GXR A50
module I find myself often looking specifically for light and color...
Here is an attempt:
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