Re: PESO: Birthday Cake

2013-11-27 Thread David Mann
Do you turn into a gremlin if fed after midnight? :)

Despite the late night I didn't sleep well, possibly due to the licking of 
spoons when I'd finished with the coloured coatings.  It's very sugary.  I also 
sampled some of the sponge cake offcuts along the way... ah the pleasures of 
baking :D

Cheers,
Dave

On Nov 27, 2013, at 6:44 pm, Ann Sanfedele ann...@nyc.rr.com wrote:

 It's adorable! but now I'm hungry and its after midnight
 
 ann
 
 On 11/26/2013 15:37, David Mann wrote:
 I was up until 11:30 last night making this cake for my wife's birthday :)
 
 http://gallery.multi.net.nz/photo/710/#peso
 
 Here it is with candles lit...
 
 http://gallery.multi.net.nz/photo/711/#peso
 
 I'd like to have used more pieces but that would have needed a lot more cake.
 
  Cutting the pieces smaller would have been a bit fiddly to cut and probably
 
 make them too fragile to coat.
 
 Cheers,
 Dave
 
 
 
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Re: PESO: Birthday Cake

2013-11-27 Thread Bob W
On 27 Nov 2013, at 04:13, David Mann dmann...@gmail.com wrote:
 
 On Nov 27, 2013, at 3:42 pm, John johnsess...@yahoo.com wrote:
 
 I get that it's a Tetris cake, but is there any specific meaning to that 
 fact that I'm missing?
 
 Nope, just a Tetris cake :)

Nothing is ever 'just' something.

The cake is a 3-dimensional simulacrum of something which only exists as an 
idea, embodied in 2 dimensions (if the virtual domain can be said to be 
dimensional). The contradiction is that the signifier is somehow more real than 
the signified, so that the inherent paradox of the sugary comestible becomes 
itself a double signifier, equally of meta-meaning in late postmodernism, and 
of the love you have for your wife, which embodies the courtly ideal. 

Tetris, of course, is a game of joining and of construction, which relies on 
the player being able to respond to randomness and from it construct meaning 
despite the difficulties. It is a kind of bricolage, making do with what life 
has dealt you, to construct as best you can what is, essentially, an idea. This 
quite unequivocally symbolises marriage, and by baking a Tetris cake rather 
than say a Battenberg, you have particularised the mathematical generic 
metanarrative, moving from the signifying domain to the realm of the signifier.

It's too obvious for me to point out that the photograph is a 3rd-order 
signifier, and this email is one step beyond.

Now, if you'd baked a cigar cake, well, that would have been just a cigar.

Anyway, whatever else you do, don't leave the cake out in the rain.

Bobrillard


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Re: PESO - Jesse and Moto (nsfw)

2013-11-27 Thread Bob W
I have a superb book called The Way of the Japanese Bath, by Mark Edward 
Harris. Well worth buying if you can find a copy. Otherwise have a look at some 
of the pictures on Google.

 On 27 Nov 2013, at 02:02, John johnsess...@yahoo.com wrote:
 
 Don't the Japanese have that communal bathing thing? That probably affects 
 how they perceive public nudity.
 
 On 11/25/2013 10:42 PM, knarf wrote:
 Only happens occasionally. And for some reason Japanese messengers do it 
 more than others. And Boston messengers too. Don't know why.
 
 I have one more. Will likely post in a day or two.
 
 Must address the imbalance.
 
 ;-)
 
 Cheers,
 frank
 
 

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Re: PESO 2013 - 165 - GDG

2013-11-27 Thread Attila Boros
On Wed, Nov 27, 2013 at 3:04 AM, Godfrey DiGiorgi
godfreydigio...@me.com wrote:

 Not my usual kind of photo, but I was up early this morning, doing something 
 in the kitchen, and all of a sudden there was a light as if the buildings 
 across the way had been lit on fire. I figured I should take a snap and find 
 it interesting …

 http://www.flickr.com/photos/gdgphoto/11076556733/

 The moment only lasted about 90 seconds or so, but that old star lit it up 
 nice out there.
 Thanks for looking.

Very nice! I've seen the most intense sunsets in stormy weather when
the sun illuminated the clouds from beneath, and the dust in the
atmosphere intensified the red and orange glow. But it lasts only a
few seconds.

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PESO - A nod to mr. Rowell

2013-11-27 Thread Alunfoto - Jostein Øksne

http://alunfoto.blogspot.no/2013/11/a-nod-to-mr-rowell.html

As a warning to the sensitive, this contains both nude rocks and a digitally 
compressed tonemap.


Jostein 



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Re: PESO - A nod to mr. Rowell

2013-11-27 Thread Steve Cottrell
On 27/11/13, Alunfoto - Jostein Øksne, discombobulated, unleashed:

http://alunfoto.blogspot.no/2013/11/a-nod-to-mr-rowell.html

As a warning to the sensitive, this contains both nude rocks and a digitally 
compressed tonemap.

Insert superlative here.

Wonderful.

-- 


Cheers,
  Cotty


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Re: PESO: Birthday Cake

2013-11-27 Thread Attila Boros
On Wed, Nov 27, 2013 at 10:38 AM, Bob W p...@web-options.com wrote:

 Nothing is ever 'just' something.

 The cake is a 3-dimensional simulacrum of something which only exists as an 
 idea, embodied in 2 dimensions (if the virtual domain can be said to be 
 dimensional). The contradiction is that the signifier is somehow more real 
 than the signified, so that the inherent paradox of the sugary comestible 
 becomes itself a double signifier, equally of meta-meaning in late 
 postmodernism, and of the love you have for your wife, which embodies the 
 courtly ideal.

 Tetris, of course, is a game of joining and of construction, which relies on 
 the player being able to respond to randomness and from it construct meaning 
 despite the difficulties. It is a kind of bricolage, making do with what life 
 has dealt you, to construct as best you can what is, essentially, an idea. 
 This quite unequivocally symbolises marriage, and by baking a Tetris cake 
 rather than say a Battenberg, you have particularised the mathematical 
 generic metanarrative, moving from the signifying domain to the realm of the 
 signifier.

 It's too obvious for me to point out that the photograph is a 3rd-order 
 signifier, and this email is one step beyond.

 Now, if you'd baked a cigar cake, well, that would have been just a cigar.

 Anyway, whatever else you do, don't leave the cake out in the rain.

 Bobrillard

Your philosophical treatise of the subject matter goes beyond cake and eating:)

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Eye contact

2013-11-27 Thread Derby Chang


I made a Blurb. There are probably a few more adjustments before I 
order, but this is essentially what it will look like.


http://members.iinet.net.au/~derbyc/13/11/eyecontact/index.html

Much regret missing the TA discussion. I had some thoughts along that 
subject while putting this together, and if some semi-cogent words form, 
I'll add my farthings worth.


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http://members.iinet.net.au/~derbyc


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Re: PESO: Bicycle racers from a couple of years ago

2013-11-27 Thread Derby Chang


I'm the farthest from a MAMIL, yet this shot gets me on many levels. 
Gorgeous





On 26/11/2013 1:58 PM, Mark Roberts wrote:

http://www.robertstech.com/pages/fotoblog/7d905610sq.htm

  



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Re: TA

2013-11-27 Thread Dario Bonazza

This could be a sensible contribution to the debate.
How to shoot the naked body (male and female, especially the latter) with 
great taste and creativity.

I'd say, look at nature and add your touch:
http://www.arno-rafael-minkkinen.com/man_and_woman.html

Dario 



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Re: PESO - Modesty (nsfw)

2013-11-27 Thread Derby Chang



I always look at your courier-on-bike shots, but haven't really 
commented. Skilled, and enjoyable, but I wanted to see their personality 
besides their speed on bikes. This shot, and the previous Jesse and 
Moto take it up a level. Too good.



On 27/11/2013 10:56 AM, knarf wrote:

More messenger follies:

http://knarfdummyblog.blogspot.ca/2013/11/modestly.html?m=1

Balancing, balancing...

;-)

Hope you enjoy.  Comments welcome.

Cheers,
frank
“Analysis kills spontaneity.” -- Henri-Frederic Amiel






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cheap batteries

2013-11-27 Thread Collin Brendemuehl
http://www.ebay.com/itm/300700521479?ssPageName=STRK:MEWAX:IT_trksid=p3984.
m1438.l2649

Just in case anyone besides me is looking at getting some.
(I ended up buying elsewhere, but this seller just had a good sale today.)


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Re: PESO - A nod to mr. Rowell

2013-11-27 Thread Attila Boros
On Wed, Nov 27, 2013 at 10:57 AM, Alunfoto - Jostein Øksne
p...@alunfoto.no wrote:
 http://alunfoto.blogspot.no/2013/11/a-nod-to-mr-rowell.html

 As a warning to the sensitive, this contains both nude rocks and a digitally
 compressed tonemap.

 Jostein

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Re: PESO - A nod to mr. Rowell

2013-11-27 Thread Attila Boros
On Wed, Nov 27, 2013 at 10:57 AM, Alunfoto - Jostein Øksne
p...@alunfoto.no wrote:

 http://alunfoto.blogspot.no/2013/11/a-nod-to-mr-rowell.html

 As a warning to the sensitive, this contains both nude rocks and a digitally
 compressed tonemap.

That is beautiful! Don't know what you have compressed, it looks
perfectly natural to me.

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Re: PESO - Brooklyn Diner

2013-11-27 Thread Rick Womer
Thanks, Paul.  Yup, 57th.

Rick

On Nov 26, 2013, at 22:59 , Paul Stenquist wrote:

 Nice shot. Is it on 57th? I think it was a Chinese restaurant when I worked 
 at Hearst. I recognize the stairs on the foreground.
 
 Paul via phone
 
 On Nov 26, 2013, at 10:19 PM, Rick Womer rwomer1...@yahoo.com wrote:
 
 Thanks, Dan!  Several people walked by, but she fit my concept the best.
 
 (I didn't eat there either).
 
 Rick
 
 On Nov 26, 2013, at 22:15 , Daniel J. Matyola wrote:
 
 Ah, yes;  the Finer Diner.  I know it well, and have photographed it
 a number of times, although I have never eaten there.
 
 I like your image a lot.  I think the woman in the foreground is well
 positioned, and adds quite a bit of interest to the scene.
 
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
 
 On Tue, Nov 26, 2013 at 9:06 PM, Rick Womer rwomer1...@yahoo.com wrote:
 It's in Manhattan. Wanna make sumpin' of it?
 
 http://photo.net/photodb/photo?photo_id=17597035size=lg
 
 (K-5, DA 16-45)
 
 Comments?
 
 Rick
 
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Re: TA

2013-11-27 Thread Bruce Walker
Very sensible contribution. I enjoyed his work, Dario.

But I must admit to a strong feeling of unease at his series of nude
self-portraits with female models. He's walking a very thin tightrope
there, arguably one (mis-)step removed from Terry Richardson.

I do now fully understand how the photographer/model relationship is
based on trust and intent. If both parties agree on boundaries and
establish trust, then the session will be creative and enjoyable. But
even still there could be doubts in the minds of outside observers --
after all, they aren't privy to the intents or established boundaries.

I think that a lot of people would accuse Mr. Minkkinen of having
worked a very clever scheme to get nude models to let him touch them,
very high on the list of model no-no's. Oh dear, my inner prude is
showing. :-)


On Wed, Nov 27, 2013 at 5:25 AM, Dario Bonazza
dario.bona...@virgilio.it wrote:
 This could be a sensible contribution to the debate.
 How to shoot the naked body (male and female, especially the latter) with
 great taste and creativity.
 I'd say, look at nature and add your touch:
 http://www.arno-rafael-minkkinen.com/man_and_woman.html

 Dario

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Re: Eye contact

2013-11-27 Thread Bruce Walker
What a marvelous and delightful book, Derby! That shot on pg 56 is my
fave, but every page is simply terrific. I really like your choice of
a spare, white layout. It most resembles my favourite photo books and
I'm beginning to see why that works so well.

Ya done good! :-)


And I'm looking forward to your comments on the TA thread.


On Wed, Nov 27, 2013 at 5:24 AM, Derby Chang der...@iinet.net.au wrote:

 I made a Blurb. There are probably a few more adjustments before I order,
 but this is essentially what it will look like.

 http://members.iinet.net.au/~derbyc/13/11/eyecontact/index.html

 Much regret missing the TA discussion. I had some thoughts along that
 subject while putting this together, and if some semi-cogent words form,
 I'll add my farthings worth.

 --

 der...@iinet.net.au
 http://members.iinet.net.au/~derbyc


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Re: TA

2013-11-27 Thread Dario Bonazza
Hi Bruce. I didn't (and don't) give much importance to the self-portrait 
thing here. To be honest, I didn't read the bio and didn't suspect the 
photographer was included in the pictures.
Here is another set I like so much and free from the 'touch the model' 
thing:

http://www.arno-rafael-minkkinen.com/trees_and_forests.html

Dario

-Messaggio originale- 
From: Bruce Walker

Sent: Wednesday, November 27, 2013 2:09 PM
To: Pentax-Discuss Mail List
Subject: Re: TA

Very sensible contribution. I enjoyed his work, Dario.

But I must admit to a strong feeling of unease at his series of nude
self-portraits with female models. He's walking a very thin tightrope
there, arguably one (mis-)step removed from Terry Richardson.

I do now fully understand how the photographer/model relationship is
based on trust and intent. If both parties agree on boundaries and
establish trust, then the session will be creative and enjoyable. But
even still there could be doubts in the minds of outside observers --
after all, they aren't privy to the intents or established boundaries.

I think that a lot of people would accuse Mr. Minkkinen of having
worked a very clever scheme to get nude models to let him touch them,
very high on the list of model no-no's. Oh dear, my inner prude is
showing. :-)


On Wed, Nov 27, 2013 at 5:25 AM, Dario Bonazza
dario.bona...@virgilio.it wrote:

This could be a sensible contribution to the debate.
How to shoot the naked body (male and female, especially the latter) with
great taste and creativity.
I'd say, look at nature and add your touch:
http://www.arno-rafael-minkkinen.com/man_and_woman.html

Dario

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-
Nessun virus nel messaggio.
Controllato da AVG - www.avg.com
Versione: 2013.0.3426 / Database dei virus: 3629/6870 -  Data di rilascio: 
26/11/2013 



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Speaking of photo books

2013-11-27 Thread Mark Roberts
If anyone is planning on making their own photo book (or any other
kind of book) and wants an ISBN for it I'm about to purchase another
batch. I sell them for $25.00 each.
 
-- 
Mark Roberts - Photography  Multimedia
www.robertstech.com





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Re: PESO - A nod to mr. Rowell

2013-11-27 Thread Bruce Walker
On Wed, Nov 27, 2013 at 4:25 AM, Steve Cottrell co...@seeingeye.tv wrote:

 On 27/11/13, Alunfoto - Jostein Øksne, discombobulated, unleashed:

 http://alunfoto.blogspot.no/2013/11/a-nod-to-mr-rowell.html
 
 As a warning to the sensitive, this contains both nude rocks and a digitally
 compressed tonemap.

 Insert superlative here.

 Wonderful.

Cotty took the words right out of my mouth.

[Bad Cotty: get out of my shower! :-)]

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Re: PESO: Birthday Cake

2013-11-27 Thread Bruce Walker
On Wed, Nov 27, 2013 at 4:36 AM, Attila Boros attila.p...@gmail.com wrote:
 On Wed, Nov 27, 2013 at 10:38 AM, Bob W p...@web-options.com wrote:

 Nothing is ever 'just' something.

 The cake is a 3-dimensional simulacrum of something which only exists as an 
 idea, embodied in 2 dimensions (if the virtual domain can be said to be 
 dimensional). The contradiction is that the signifier is somehow more real 
 than the signified, so that the inherent paradox of the sugary comestible 
 becomes itself a double signifier, equally of meta-meaning in late 
 postmodernism, and of the love you have for your wife, which embodies the 
 courtly ideal.

 Tetris, of course, is a game of joining and of construction, which relies on 
 the player being able to respond to randomness and from it construct meaning 
 despite the difficulties. It is a kind of bricolage, making do with what 
 life has dealt you, to construct as best you can what is, essentially, an 
 idea. This quite unequivocally symbolises marriage, and by baking a Tetris 
 cake rather than say a Battenberg, you have particularised the mathematical 
 generic metanarrative, moving from the signifying domain to the realm of the 
 signifier.

 It's too obvious for me to point out that the photograph is a 3rd-order 
 signifier, and this email is one step beyond.

 Now, if you'd baked a cigar cake, well, that would have been just a cigar.

 Anyway, whatever else you do, don't leave the cake out in the rain.

 Bobrillard

 Your philosophical treatise of the subject matter goes beyond cake and 
 eating:)

It goes, indeed, to infinity and beyond.

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Re: PESO: Birthday Cake

2013-11-27 Thread Bruce Walker
So, how does one go about cleaning coffee stains off of both a
keyboard and screen again?


On Wed, Nov 27, 2013 at 3:38 AM, Bob W p...@web-options.com wrote:
 On 27 Nov 2013, at 04:13, David Mann dmann...@gmail.com wrote:

 On Nov 27, 2013, at 3:42 pm, John johnsess...@yahoo.com wrote:

 I get that it's a Tetris cake, but is there any specific meaning to that 
 fact that I'm missing?

 Nope, just a Tetris cake :)

 Nothing is ever 'just' something.

 The cake is a 3-dimensional simulacrum of something which only exists as an 
 idea, embodied in 2 dimensions (if the virtual domain can be said to be 
 dimensional). The contradiction is that the signifier is somehow more real 
 than the signified, so that the inherent paradox of the sugary comestible 
 becomes itself a double signifier, equally of meta-meaning in late 
 postmodernism, and of the love you have for your wife, which embodies the 
 courtly ideal.

 Tetris, of course, is a game of joining and of construction, which relies on 
 the player being able to respond to randomness and from it construct meaning 
 despite the difficulties. It is a kind of bricolage, making do with what life 
 has dealt you, to construct as best you can what is, essentially, an idea. 
 This quite unequivocally symbolises marriage, and by baking a Tetris cake 
 rather than say a Battenberg, you have particularised the mathematical 
 generic metanarrative, moving from the signifying domain to the realm of the 
 signifier.

 It's too obvious for me to point out that the photograph is a 3rd-order 
 signifier, and this email is one step beyond.

 Now, if you'd baked a cigar cake, well, that would have been just a cigar.

 Anyway, whatever else you do, don't leave the cake out in the rain.

 Bobrillard


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Re: TA

2013-11-27 Thread Paul Stenquist
I like some of the shots in this set -- not all -- but it's a good example of 
artful nude photography. I also like some of the shots in the other set you 
showed, which included photographer interaction. Nothing wrong with that. The 
photographer and model obviously have a relationship that enables that kind of 
work. Okay by me. And it's beautifully depicted in the photography. 

Paul
On Nov 27, 2013, at 8:26 AM, Dario Bonazza dario.bona...@virgilio.it wrote:

 Hi Bruce. I didn't (and don't) give much importance to the self-portrait 
 thing here. To be honest, I didn't read the bio and didn't suspect the 
 photographer was included in the pictures.
 Here is another set I like so much and free from the 'touch the model' thing:
 http://www.arno-rafael-minkkinen.com/trees_and_forests.html
 
 Dario
 
 -Messaggio originale- From: Bruce Walker
 Sent: Wednesday, November 27, 2013 2:09 PM
 To: Pentax-Discuss Mail List
 Subject: Re: TA
 
 Very sensible contribution. I enjoyed his work, Dario.
 
 But I must admit to a strong feeling of unease at his series of nude
 self-portraits with female models. He's walking a very thin tightrope
 there, arguably one (mis-)step removed from Terry Richardson.
 
 I do now fully understand how the photographer/model relationship is
 based on trust and intent. If both parties agree on boundaries and
 establish trust, then the session will be creative and enjoyable. But
 even still there could be doubts in the minds of outside observers --
 after all, they aren't privy to the intents or established boundaries.
 
 I think that a lot of people would accuse Mr. Minkkinen of having
 worked a very clever scheme to get nude models to let him touch them,
 very high on the list of model no-no's. Oh dear, my inner prude is
 showing. :-)
 
 
 On Wed, Nov 27, 2013 at 5:25 AM, Dario Bonazza
 dario.bona...@virgilio.it wrote:
 This could be a sensible contribution to the debate.
 How to shoot the naked body (male and female, especially the latter) with
 great taste and creativity.
 I'd say, look at nature and add your touch:
 http://www.arno-rafael-minkkinen.com/man_and_woman.html
 
 Dario
 
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Re: Speaking of photo books

2013-11-27 Thread Ann Sanfedele

I sent you something off list and it bounced.. let me in please

ann

On 11/27/2013 09:20, Mark Roberts wrote:

If anyone is planning on making their own photo book (or any other
kind of book) and wants an ISBN for it I'm about to purchase another
batch. I sell them for $25.00 each.




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Re: PESO - Modesty (nsfw)

2013-11-27 Thread Godfrey DiGiorgi
Absolutely! This is charming, frank. Intimate and genuine. 

Godfrey


 On Nov 27, 2013, at 2:36 AM, Derby Chang der...@iinet.net.au wrote:
 
 I always look at your courier-on-bike shots, but haven't really commented. 
 Skilled, and enjoyable, but I wanted to see their personality besides their 
 speed on bikes. This shot, and the previous Jesse and Moto take it up a 
 level. Too good.
 
 
 On 27/11/2013 10:56 AM, knarf wrote:
 More messenger follies:
 
 http://knarfdummyblog.blogspot.ca/2013/11/modestly.html?m=1
 
 Balancing, balancing...

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Re: TA

2013-11-27 Thread Daniel J. Matyola
Even The Grey Lady (New York Times) is getting into the TA business:
http://www.nytimes.com/images/2013/11/27/nytfrontpage/scan.pdf

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Wed, Nov 27, 2013 at 5:25 AM, Dario Bonazza
dario.bona...@virgilio.it wrote:
 This could be a sensible contribution to the debate.
 How to shoot the naked body (male and female, especially the latter) with
 great taste and creativity.
 I'd say, look at nature and add your touch:
 http://www.arno-rafael-minkkinen.com/man_and_woman.html

 Dario

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Re: Eye contact

2013-11-27 Thread David Savage
Damn fine collection of images mate!

DS

On 27 November 2013 18:24, Derby Chang der...@iinet.net.au wrote:

 I made a Blurb. There are probably a few more adjustments before I order,
 but this is essentially what it will look like.

 http://members.iinet.net.au/~derbyc/13/11/eyecontact/index.html

 Much regret missing the TA discussion. I had some thoughts along that
 subject while putting this together, and if some semi-cogent words form,
 I'll add my farthings worth.

 --

 der...@iinet.net.au
 http://members.iinet.net.au/~derbyc


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OT PESO - Time

2013-11-27 Thread David Savage
G'day All,

As is my habit, I regularly search back through my archive and tonight
I rediscoverd a shot taken back in '09 that I never did anything with:

http://500px.com/photo/53347142

D700, 70-200mm @ 86mm, 1 second @ f22, ISO 200

Enjoy.

Cheers,

Dave

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Re: PESO - A nod to mr. Rowell

2013-11-27 Thread Daniel J. Matyola
Quite nice, Jostein.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Wed, Nov 27, 2013 at 3:57 AM, Alunfoto - Jostein Øksne
p...@alunfoto.no wrote:
 http://alunfoto.blogspot.no/2013/11/a-nod-to-mr-rowell.html

 As a warning to the sensitive, this contains both nude rocks and a digitally
 compressed tonemap.

 Jostein

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Re: TA

2013-11-27 Thread DagT
Having followed Minkkinen for ages I would never accuse him of anything like 
that, but of course, there are always those who would.

Involving others is a fairly new thing for him, an extention og the self 
portraits he has been doing all the time. I think the models understand that, 
and you should not forget that he is from Finland, and we are not as prude 
around here :-)

DagT

Sendt fra min iPad

 Den 27. nov. 2013 kl. 14:09 skrev Bruce Walker bruce.wal...@gmail.com:
 
 Very sensible contribution. I enjoyed his work, Dario.
 
 But I must admit to a strong feeling of unease at his series of nude
 self-portraits with female models. He's walking a very thin tightrope
 there, arguably one (mis-)step removed from Terry Richardson.
 
 I do now fully understand how the photographer/model relationship is
 based on trust and intent. If both parties agree on boundaries and
 establish trust, then the session will be creative and enjoyable. But
 even still there could be doubts in the minds of outside observers --
 after all, they aren't privy to the intents or established boundaries.
 
 I think that a lot of people would accuse Mr. Minkkinen of having
 worked a very clever scheme to get nude models to let him touch them,
 very high on the list of model no-no's. Oh dear, my inner prude is
 showing. :-)
 
 
 On Wed, Nov 27, 2013 at 5:25 AM, Dario Bonazza
 dario.bona...@virgilio.it wrote:
 This could be a sensible contribution to the debate.
 How to shoot the naked body (male and female, especially the latter) with
 great taste and creativity.
 I'd say, look at nature and add your touch:
 http://www.arno-rafael-minkkinen.com/man_and_woman.html
 
 Dario
 
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Re: PESO - Brooklyn Diner

2013-11-27 Thread Don Guthrie
Rick I like this one. Good composition for a street shot plus great 
timing.



pdml-requ...@pdml.net wrote:

On Tue, Nov 26, 2013 at 9:06 PM, Rick Womerrwomer1...@yahoo.com  wrote:
It's in Manhattan. Wanna make sumpin' of it?

http://photo.net/photodb/photo?photo_id=17597035size=lg

(K-5, DA 16-45)

Comments?

Rick




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Re: Eye contact

2013-11-27 Thread Attila Boros
On Wed, Nov 27, 2013 at 12:24 PM, Derby Chang der...@iinet.net.au wrote:

 I made a Blurb. There are probably a few more adjustments before I order,
 but this is essentially what it will look like.

 http://members.iinet.net.au/~derbyc/13/11/eyecontact/index.html

Very good. Any reason to print only on the odd pages?

53 is my favorite, very fine portrait. I have no idea how could you
get that close without being noticed. I also like the last image, that
bus makes a nice background.

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Re: OT PESO - Time

2013-11-27 Thread Attila Boros
On Wed, Nov 27, 2013 at 6:33 PM, David Savage ozsav...@gmail.com wrote:

 G'day All,

 As is my habit, I regularly search back through my archive and tonight
 I rediscoverd a shot taken back in '09 that I never did anything with:

 http://500px.com/photo/53347142

I like the diagonal placement of the falls and the big rock in the foreground.

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Re: Upcoming trip: NOLA

2013-11-27 Thread Walt

Thanks, Ken.

Cafe Du Monde's beignets have been on the list for years as an absolute 
must if I should ever find myself in New Orleans. Looks like it's 
finally going to happen.


-- Walt

On 11/26/2013 11:30 PM, Ken Waller wrote:
You really must have a beignet from Cafe Du Monde 
http://www.cafedumonde.com/ a great place for a coffee, a pastry and 
some people watching.


Been to New Orleans for several trials, never had the time to explore 
the city much, but always had the time for Cafe Du Monde.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - From: Walt ldott...@gmail.com
Subject: Re: Upcoming trip: NOLA



On 11/26/2013 9:13 PM, Stan Halpin wrote:

On Nov 26, 2013, at 9:35 PM, Walt wrote:


Thanks for the ideas, John.

I've never been to New Orleans before, so I'm not quite sure what 
to expect. My only exposure to it has been via TV  film, and we 
all know how accurate those portrayals can be. (Though, if I do 
happen upon any vampires or voodoo priests, I'll do my best to get 
documentary evidence.)


I'd really like to try capturing the essence of the city rather 
than the parts that hit you over the head as a tourist. The 
architectural detail is something I'd been contemplating, so I'm 
going to do a little reading up on it in the meantime.


I was there a couple of years ago (3rd visit). There for a 
conference, no time on my own for photography beyond grab shots on 
Bourbon St  environs. Which is basically a pleasant enough 
amusement park. But what struck me as the essence of the city 2010 
version was the number of damaged and abandoned buildings that were 
relics of Katrina. Schools, hospitals, homes, neighborhoods... Look 
for the continuing signs of Katrina and, for balance, look for the 
rebuilding projects.


stan

Thank you, Stan.

I was wondering how much of the city had recovered from Katrina. No 
doubt there are plenty of reminders and some great successes in its 
wake.


-- Walt






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Re: Upcoming trip: NOLA

2013-11-27 Thread Walt

Thanks, Ann.

I'll put those on the list, too. And I do plan on doing some eating (and 
likely a good bit of drinking) while I'm in town.


But, I'm going to have such a brief stay that I really, really want to 
get in as much photography as I possibly can.


-- Walt

On 11/26/2013 11:51 PM, Ann Sanfedele wrote:

Jackson Square is a must.

also, head for The Garden District for a nice walk-about.

I'll confess I haven't been there since the year before Katrina, but I 
think the French Quarter and the Garden District were not so much 
altered by that storm.


But the main thing to do in New Orleans is eat :-)

ann


On 11/26/2013 18:00, Steve Desjardins wrote:
Bourbon St and surroundings obviously. Also, pictures or not, I would 
strongly recommend the WWII museum. It's $30 but well worth it.


Steve Desjardins

On Nov 26, 2013, at 3:38 PM, Walt ldott...@gmail.com wrote:

So, it looks like I'll be going on a little road trip with a friend 
next week, to New Orleans.


Anybody have any suggestions for where to go for photographic 
purposes? (Hell isn't an option. Sorry.)


I'd like to get interesting shots, rather than provide a vicarious 
sight-seeing tour for potential viewers when I get back. So any 
interesting places you may be able to point me to would be much 
appreciated.


Thanks!

-- Walt

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Re: DXO does the K3....was..Fwd: Re: K-3 review as seen through the eyes of the PF

2013-11-27 Thread Zos Xavius
Sorry for the delayed reply Boris.

http://www.dpreview.com/forums/post/36834206

Also read the Imaging Resource and dxomarks reviews of the K-5. Pretty
much all the reviews noticed the RAW NR above 1600. Given the K-5's
output at 3200, Pentax made a good choice IMO. Their hardware NR is
pretty decent, very clean looking, and still retains a lot of detail,
especially after the raws are processed gently in lightroom. I never
once objected to the engineers' decisions on the K-5 when it came to
the sensor. Pentax seems to be very good at massaging maximum
performance out of a sensor. The K-3 IMO looks very good too. A 50%
increase in density with similar noise and DR over the previous
generation is very good IMO. The next round of chips will likely be
even better. What's not to like? The K-5 I have is very good in IQ.
I'll keep shooting it till it doesn't take pictures anymore.

On Tue, Nov 26, 2013 at 7:46 AM, Boris Liberman bori...@gmail.com wrote:
 The source of information that indicates that K-5 applies smoothing to
 RAW files even if I specifically set its settings not to do so.

 On Tue, Nov 26, 2013 at 1:52 PM, Zos Xavius zosxav...@gmail.com wrote:
 The source for K-5 raw smoothing? The source for resized K3 files?
 What source do you speak of Mr Boris? :P

 On Mon, Nov 25, 2013 at 11:45 PM, Boris Liberman bori...@gmail.com wrote:
 On 11/26/2013 6:38 AM, Zos Xavius wrote:

 Also I must add that the k-5 does some definite noise reduction to the
 raw files over iso 1600, whether that's in the imaging pipeline or the
 firmware is neither hear nor there at this point. At 3200 on the k-5
 you are most certainly trading resolution for image quality. I don't
 have any real figures, but I feel that looking at the files from my
 k-5, its easily giving up quite a bit of resolution due to noise
 smoothing. From what I can gather the K-3 is resolving more fine
 detail but yet showing similar amounts of noise when resized to k-5
 resolution. That's what I have seen with my own eyes at least. To be
 honest they are pretty close and careful raw processing will result
 with more detail in the k-3 files with similar noise levels. I find
 pentax's jpeg engine to be not the greatest at noise reduction, but
 honestly, its better than some other camera makers too.


 Zos, can you please point me to the source of that information? I'm
 extremely interested to *know*.

 Thanks.



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Re: December PUG Countdown

2013-11-27 Thread Ann Sanfedele



On 11/26/2013 09:49, Bruce Walker wrote:

Ann, it can't be worse than my basement. :-/


I may have to send you a photo off-list ..


How about looking at some localized chaos? Closeup of cream freshly
stirred into coffee kind of thing.
Actually I just submitted one - should have thought of this kind of 
thing immediately duh (you'll see)


ann




On Tue, Nov 26, 2013 at 9:40 AM, Ann Sanfedele ann...@nyc.rr.com wrote:

Well I could take a photo of my apartment...

May have to bow out of this month's theme as
I think of photography as a positive force for order in my life

ann


On 11/25/2013 16:43, Paul Sorenson wrote:


Hmmm.  Nothing comes to mind yet.  But with 20 people (four our whom are
under the age of 8) coming here for Thanksgiving there should be plenty
of chaos.  Maybe I'll get something then.  :]

-p

On 11/25/2013 3:24 PM, Brian Walters wrote:


G'day all

Only a few days left to submit for the December PUG. So far zero, nil,
nada submissions.

(well, there is one, but that's mine so it doesn't count...)

Theme: Chaos

Nom. closing date 30 Nov

Submit here:

http://pug.komkon.org/submit/

Submission Guidelines here:

http://pug.komkon.org/general/autosubmit.html

The main requirements are:
* Max. pixel dimensions: 800 x 800 pixels
* Max file size: 300k
* Third party equipment is acceptable provided either the camera body or
lens used is Pentax.
* If you embed a colour space in the image, it should be sRGB to ensure
that the image is displayed correctly on line.





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Re: Upcoming trip: NOLA

2013-11-27 Thread Walt

You're talking my language, Igor! Thanks!

I'd planned on making a special effort to get to Frenchman Street, but 
wasn't aware of Royal and St. Louis. I hope I'll be fairly fortunate in 
my timing as far as tourist crowds go. Maybe early December will be 
relatively slow.


I'll do my best to make it to Preservation Hall, but I'm going to be on 
a fairly compressed schedule, hoping to get as much done as possible in 
three days. I have a feeling I'm going to be dog-tired by the end of 
this little excursion. But, I've always wanted to go, and the 
opportunity just fell into my lap, so I'm going to make the most of it.


-- Walt

On 11/27/2013 12:22 AM, Igor Roshchin wrote:

Walt,

Here are some thoughts:

I would recommend going to Frenchman Street, - while this has many
tourists (which part of NOLA doesn't?), it has several interesting
musical bars, and you can find some interesting music most of the
days/nights. My personal preference would be The Spotted Cat:
http://www.spottedcatmusicclub.com/ - they have nice blues and jazz.

I would look for some small-house architecture that is of typical
Louisiana style.

Also, not far from Bourbon street, there is Royal Street that usually
has musicians playing daytime (at least on the weekend).
It's been a while, but close to the corner Royal and St. Louis there
used to live a couple of jazz bands (Loose Marbles and
G-Strings [G-String FAmily Orchestra/Quarter, - depending on the number
of people]). And you could find a piano in the entryway of one of the
buildings on Royal that belonged to those bands.
On a good day, that piano would come out onto the street.
And you would find people dancing swing on the street, e.g. like this:
http://www.youtube.com/watch?v=RZISKM9KaWA

http://www.youtube.com/watch?v=_HU1wgSQUME

I would also recommend going to Preservation Hall for an evening
performance you can make it.


HTH,

Igor






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Re: cheap batteries

2013-11-27 Thread Walt

Amazing. The local camera shop still sells the Promaster brand for $29.99!

-- Walt

On 11/27/2013 5:19 AM, Collin Brendemuehl wrote:

http://www.ebay.com/itm/300700521479?ssPageName=STRK:MEWAX:IT_trksid=p3984.
m1438.l2649



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Re: Upcoming trip: NOLA

2013-11-27 Thread Igor Roshchin

Just in case, - to clarify:
Royal and St.Louis  (and Royal street in general) is the place where
I've seen a bunch of musicians playing on the street.
That's in the heart of the French Quarter.
On Frenchman Street, sometimes there are people playing on the street,
but otherwise, it has several musical bars.


As for Bourbon Street, - it is colorful, and the main tourist
attraction, but it is somewhat sleazy, especially in the evening.
But it is famous.
It has a bunch of music bars, but I found only one that was consistently
good: Fritzel's European Jazz Pub http://www.fritzelsjazz.net/
733 Bourbon St, New Orleans, LA 70116.

I don't if you'll have a car while being in N.O., - keep in mind that
parking in French Quarter can be a problem. If you are lucky,
you might find some free or metered street parking mid-way between 
Frenchman Street and French quarters.

Igor



Wed Nov 27 12:30:28 EST 2013
Walt wrote:

You're talking my language, Igor! Thanks!

I'd planned on making a special effort to get to Frenchman Street, but 
wasn't aware of Royal and St. Louis. I hope I'll be fairly fortunate in 
my timing as far as tourist crowds go. Maybe early December will be 
relatively slow.

I'll do my best to make it to Preservation Hall, but I'm going to be on 
a fairly compressed schedule, hoping to get as much done as possible in 
three days. I have a feeling I'm going to be dog-tired by the end of 
this little excursion. But, I've always wanted to go, and the 
opportunity just fell into my lap, so I'm going to make the most of it.

-- Walt

On 11/27/2013 12:22 AM, Igor Roshchin wrote:
 Walt,

 Here are some thoughts:

 I would recommend going to Frenchman Street, - while this has many
 tourists (which part of NOLA doesn't?), it has several interesting
 musical bars, and you can find some interesting music most of the
 days/nights. My personal preference would be The Spotted Cat:
 http://www.spottedcatmusicclub.com/ - they have nice blues and jazz.

 I would look for some small-house architecture that is of typical
 Louisiana style.

 Also, not far from Bourbon street, there is Royal Street that usually
 has musicians playing daytime (at least on the weekend).
 It's been a while, but close to the corner Royal and St. Louis there
 used to live a couple of jazz bands (Loose Marbles and
 G-Strings [G-String FAmily Orchestra/Quarter, - depending on the
 number
 of people]). And you could find a piano in the entryway of one of the
 buildings on Royal that belonged to those bands.
 On a good day, that piano would come out onto the street.
 And you would find people dancing swing on the street, e.g. like this:
 http://www.youtube.com/watch?v=RZISKM9KaWA

 http://www.youtube.com/watch?v=_HU1wgSQUME

 I would also recommend going to Preservation Hall for an evening
 performance you can make it.


 HTH,

 Igor

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Re: Sony A7 and A7r reviewed by DigitalRev

2013-11-27 Thread Godfrey DiGiorgi
He's entertaining. Often times it's hard to tell whether he is just having fun 
or simply doesn't understand what he's looking at. But at least he makes no 
bones about being right or wrong … 

G

On Nov 26, 2013, at 3:33 PM, Miserere miser...@gmail.com wrote:

 I imagine some of you hate Kai's style of reviewing, but I thoroughly
 enjoy his irreverence. Anyway, he actually...well...I'll let you watch
 the review to find out what he thinks of these FF Sonys (or is it
 Sonies?):
 
 http://www.youtube.com/watch?v=wUJc83wV6iA
 
 If only their lenses weren't so humongous, they could be contenders
 for Miserere's stable of street cameras, especially at $1,700 for the
 A7.


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Re: PESO - The Flowering corn plant redux

2013-11-27 Thread Godfrey DiGiorgi
Nice, Ann! 
Now we need smell-o-vision to capture the flowers' scent as well as their look. 
;-)

G

On Nov 26, 2013, at 4:00 PM, Ann Sanfedele ann...@nyc.rr.com wrote:

 This year: In fact, Yesterday, 11/25
 
 http://annsan.smugmug.com/On-the-Road-or-On-Foot/Botanical-Gardens/7966405_SrB5XV/1/2933484629_FkVKwzX/Medium
 
 ISO 800, hand held AWB  Pentax k-5
 
 
 Last year:
 http://annsan.smugmug.com/On-the-Road-or-On-Foot/Botanical-Gardens/7966405_SrB5XV/1/2269117846_PqBcg7S/Medium
 
 ISO 800, tri-pod used, Pentax istD
 
 I'm hoping in a week or so there will be large blossoms and a heady fragrance


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Re: TA

2013-11-27 Thread John Francis
On Mon, Nov 25, 2013 at 11:37:18PM +0100, DagT wrote:

 Also I don?t agree that men are looking at women as objects when they take 
 nude photos. We may be programmed to this but I think most men look at women 
 with fascination. Not necessarily sexual, but graceful, beautiful or lots of 
 other feelings. 

Well, of course we do.  The advertising industry uses this as the basis for 
selling us things.  And I'm sure that how attractive I find the model weighs in 
to how much time I'll spend looking at any particular photograph (not 
necessarily limited to nudes).

I've only done nude photography once; a studio session with a group of 
photographers back in my university days.  I'm not sure all the photographers 
even had film in their cameras ...  I only considered two of my shots worth 
remembering; one was about the same pose as the 'flip' shot posted recently, 
although without the tutu; the other was a model's-eye-view of the cluster of 
photographers pointing cameras in her direction.

Apart from that, I believe the only other 'figure study' I can recall was a 
shot I took on Bourbon Street when I was there for SIGGRAPH 2000.  I intended 
to use the image as the thumbnail and/or low-key backdrop for a web page 
showing other shots from that trip (with the middle two zeroes of '2000' in the 
title being provided by the obvious features), but never got round to creating 
that gallery; in fact I'd forgotten it until my memory was jogged by the thread 
here about a trip to New Orleans.

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Re: TA

2013-11-27 Thread DagT

27. nov. 2013 kl. 19:40 skrev John Francis jo...@panix.com:

 On Mon, Nov 25, 2013 at 11:37:18PM +0100, DagT wrote:
 
 Also I don?t agree that men are looking at women as objects when they take 
 nude photos. We may be programmed to this but I think most men look at women 
 with fascination. Not necessarily sexual, but graceful, beautiful or lots of 
 other feelings. 
 
 Well, of course we do.  The advertising industry uses this as the basis for 
 selling us things.  And I'm sure that how attractive I find the model weighs 
 in to how much time I'll spend looking at any particular photograph (not 
 necessarily limited to nudes).
 
 I've only done nude photography once; a studio session with a group of 
 photographers back in my university days.  I'm not sure all the photographers 
 even had film in their cameras ...  I only considered two of my shots worth 
 remembering; one was about the same pose as the 'flip' shot posted recently, 
 although without the tutu; the other was a model's-eye-view of the cluster of 
 photographers pointing cameras in her direction.
 
 Apart from that, I believe the only other 'figure study' I can recall was a 
 shot I took on Bourbon Street when I was there for SIGGRAPH 2000.  I intended 
 to use the image as the thumbnail and/or low-key backdrop for a web page 
 showing other shots from that trip (with the middle two zeroes of '2000' in 
 the title being provided by the obvious features), but never got round to 
 creating that gallery; in fact I'd forgotten it until my memory was jogged by 
 the thread here about a trip to New Orleans.

I have done nude photography five times (I think), and once with a male model. 
Trying to work with a male model was interesting, but frustrating as I had a 
hard time finding the lines and shapes interesting enough to photograph. It was 
not the sexual part as the pictures were partially abstract, but the beautiful 
curves I would look for on a female mode were impossible to find so I had to 
try something different.

DagT
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Re: PESO - A nod to mr. Rowell

2013-11-27 Thread Godfrey DiGiorgi
Nice … I like it, but I wish the foreground was a bit brighter, had more 
contrast, or something like that. ;-)

G

On Nov 27, 2013, at 12:57 AM, Alunfoto - Jostein Øksne p...@alunfoto.no wrote:

 http://alunfoto.blogspot.no/2013/11/a-nod-to-mr-rowell.html
 
 As a warning to the sensitive, this contains both nude rocks and a digitally 
 compressed tonemap.


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Re: Speaking of photo books

2013-11-27 Thread Mark Roberts
Ann Sanfedele wrote:

I sent you something off list and it bounced.. let me in please

What address did you send to? (I shut off my mark@ address some time
ago due to excessive spam)
 
-- 
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www.robertstech.com





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Re: Upcoming trip: NOLA

2013-11-27 Thread John

On 11/26/2013 10:27 PM, Walt wrote:

On 11/26/2013 9:13 PM, Stan Halpin wrote:

On Nov 26, 2013, at 9:35 PM, Walt wrote:


Thanks for the ideas, John.

I've never been to New Orleans before, so I'm not quite sure what to
expect. My only exposure to it has been via TV  film, and we all
know how accurate those portrayals can be. (Though, if I do happen
upon any vampires or voodoo priests, I'll do my best to get
documentary evidence.)

I'd really like to try capturing the essence of the city rather than
the parts that hit you over the head as a tourist. The architectural
detail is something I'd been contemplating, so I'm going to do a
little reading up on it in the meantime.


I was there a couple of years ago (3rd visit). There for a conference,
no time on my own for photography beyond grab shots on Bourbon St 
environs. Which is basically a pleasant enough amusement park. But
what struck me as the essence of the city 2010 version was the
number of damaged and abandoned buildings that were relics of Katrina.
Schools, hospitals, homes, neighborhoods... Look for the continuing
signs of Katrina and, for balance, look for the rebuilding projects.

stan

Thank you, Stan.

I was wondering how much of the city had recovered from Katrina. No
doubt there are plenty of reminders and some great successes in its wake.

-- Walt



I believe the French Quarter was relatively unaffected by Katrina  
bounced back pretty quickly, as did the majority of the commercial 
districts.


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Re: TA

2013-11-27 Thread Godfrey DiGiorgi
one of the most beautiful figure studies i've seen:

https://dl.dropboxusercontent.com/u/25268645/Solitataire-3910.jpg
Solitaire by Naomi Stanley. 

I have a print of this photo that I bought sometime in the late 1980s. 

Is it Not Safe For Work? I dunno. I've used this snapshot of the print as a 
computer screen desktop image, now and then, both at home and at work for more 
than 20 years. No one has ever complained. Many have seen it and asked where 
they could buy a print...

G
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Re: Eye contact

2013-11-27 Thread John

On 11/27/2013 5:24 AM, Derby Chang wrote:


I made a Blurb. There are probably a few more adjustments before I
order, but this is essentially what it will look like.

http://members.iinet.net.au/~derbyc/13/11/eyecontact/index.html

Much regret missing the TA discussion. I had some thoughts along that
subject while putting this together, and if some semi-cogent words form,
I'll add my farthings worth.



It sez This book is currently not available for preview.

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Re: PESO: Birthday Cake

2013-11-27 Thread David Mann
On Nov 27, 2013, at 9:38 pm, Bob W p...@web-options.com wrote:

 On 27 Nov 2013, at 04:13, David Mann dmann...@gmail.com wrote:
 
 On Nov 27, 2013, at 3:42 pm, John johnsess...@yahoo.com wrote:
 
 I get that it's a Tetris cake, but is there any specific meaning to that 
 fact that I'm missing?
 
 Nope, just a Tetris cake :)
 
 Nothing is ever 'just' something.
 
 The cake is a 3-dimensional simulacrum of something which only exists as an 
 idea, embodied in 2 dimensions (if the virtual domain can be said to be 
 dimensional). The contradiction is that the signifier is somehow more real 
 than the signified, so that the inherent paradox of the sugary comestible 
 becomes itself a double signifier, equally of meta-meaning in late 
 postmodernism, and of the love you have for your wife, which embodies the 
 courtly ideal. 
 
 Tetris, of course, is a game of joining and of construction, which relies on 
 the player being able to respond to randomness and from it construct meaning 
 despite the difficulties. It is a kind of bricolage, making do with what life 
 has dealt you, to construct as best you can what is, essentially, an idea. 
 This quite unequivocally symbolises marriage, and by baking a Tetris cake 
 rather than say a Battenberg, you have particularised the mathematical 
 generic metanarrative, moving from the signifying domain to the realm of the 
 signifier.

Well, I figured all that was obvious to any half-educated viewer...

:)

Cheers,
Dave


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Re: FS - two like-new K-5

2013-11-27 Thread Bruce Walker
Don adds, make an offer.


On Mon, Nov 25, 2013 at 3:48 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 [I know it's not a Friday, sorry.]

 I'm posting this for a net acquaintance:

 Don Neal says: I have 2  K-5 bodies for sale - little use - purchased
 body #2 as an insurance policy for a large project.  Both come in
 boxes with all accessories  -  would like $1100.00 for the pair or
 $600.00 for a single.

 Please contact Don directly here: doncn...@yahoo.com

 Cheers!

 --
 -bmw



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Re: TA

2013-11-27 Thread Bruce Walker
On Wed, Nov 27, 2013 at 2:00 PM, DagT li...@thrane.name wrote:

 I have done nude photography five times (I think), and once with a male 
 model. Trying to work with a male model was interesting, but frustrating as I 
 had a hard time finding the lines and shapes interesting enough to 
 photograph. It was not the sexual part as the pictures were partially 
 abstract, but the beautiful curves I would look for on a female mode were 
 impossible to find so I had to try something different.

We're often told to shoot what we're passionate about. I'm fairly
passionate about admiring the comely female form. Males are part of
the background for me, and I just cannot imagine them as much other
than props for females to lean against or something (pretty much how
fashion shooters treat them too). So I'm not ready to shoot male nudes
until (and if) I'm better prepared.

Same with sports photography. I know nothing about sports, don't
appreciate it or care for it at all. I couldn't shoot sports to save
my life. You could say there's an imbalance there -- too many cats and
women, not enough grunting jocks. So be it.

-- 
-bmw

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Re: cheap batteries

2013-11-27 Thread Igor Roshchin

Just in case, - a word of caution:
The image shows two specs that I would be concerned about:
Voltage: 7.4 V and capacity: 1440 mAh.

Note that the original one from Pentax is 7.2 V and 1860 mAh
http://static.bhphoto.com/images/images500x500/634906.jpg

I see that a few other replacement batteries on Amazon are also 
listed as 7.4 V or 7.2 V.
While I was first concerned about this, I think it is just a marketing
ploy. I read somewhere that the lithium ion chemistry produces a 3.6v 
open current potential difference. Some bulk cell manufactures 
list there cells as 3.7v just to make them look a little better. 
(3.6*2 = 7.2, 3.7*2 = 7.4)

Now, the lower capacity means that I would be caring around a battery
that is as heavy but not as capable.

Some 3rd party batteries actually list the capacity that is higher than
that of those by Pentax: 2150 or 2300 mAh.
Of those that are currently available, Wasabi Power show 2300 mAh:
http://www.amazon.com/Wasabi-Power-Battery-Pentax-D-LI90/dp/B004U6KIJS/
They even make a point about that in the description.

(Ironically, they write: Japanese cells ... and the battery is still
made in China, probably at the same factory as the others.)

And Neewer-branded are rated at 2000 mAh:
http://www.amazon.com/NEEWER-D-LI90-Batteries-Pentax-Digital/dp/B003FHZ3OS/


In May of 2011, I bought Zeikos ZE-LI90 (for $17), which was rated for 
2800 mAh.  I never measured its capacity, but indeed, it seemed to be lasting
noticeably longer.
However, earlier this year, I noticed that its charge life became very
short, only about 20-30% of what I get from the original Pentax battery.
BuyDig that was selling them, discontinued them more than 1 year ago,
and the only place I see them available now is Amazon:
http://www.amazon.com/Zeikos-ZE-LI90-Lithium-Battery-Replaces/dp/B002ZRPWPY/
Also, within half a year one of the plastic pieces that is between
the contacts broke off on one end and became a prong.
It still worked after that, but I had to make sure I pushed it in when I was 
inserting the battery into the camera.

I hope this collection of information about D-LI90-format batteries is
helpful to some PDMLers.

Igor


PS. Ricoh-imaging is very uninformative about the battery on their
website:
http://www.us.ricoh-imaging.com/accessories/Li-Ion_battery_D-LI90#!product-specs
The webpage has no specifications, and the photos shows the butt
of the battery.
Boo! hociR!



On 11/27/2013 5:19 AM, Collin Brendemuehl wrote:
 http://www.ebay.com/itm/300700521479?ssPageName=STRK:MEWAX:IT_trksid=p3984.m1438.l2649
  

 Just in case anyone besides me is looking at getting some.
 (I ended up buying elsewhere, but this seller just had a good sale today.)




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Re: Eye contact

2013-11-27 Thread Godfrey DiGiorgi
Nicely done photos, sir! 

Like someone else intimated, it feels a little odd that you're using only one 
page out of two facing pages. The blank space on the left sometimes becomes a 
little overpowering—I want something to be there, even if it is just titling or 
simple graphic.

G

On Nov 27, 2013, at 2:24 AM, Derby Chang der...@iinet.net.au wrote:

 I made a Blurb. There are probably a few more adjustments before I order, but 
 this is essentially what it will look like.
 
 http://members.iinet.net.au/~derbyc/13/11/eyecontact/index.html
 
 Much regret missing the TA discussion. I had some thoughts along that 
 subject while putting this together, and if some semi-cogent words form, I'll 
 add my farthings worth.


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Re: Upcoming trip: NOLA

2013-11-27 Thread Charles Robinson
On Nov 27, 2013, at 13:11 , John johnsess...@yahoo.com wrote:
 
 I believe the French Quarter was relatively unaffected by Katrina  bounced 
 back pretty quickly, as did the majority of the commercial districts.
 

I was just there in March 2012 and it looked pretty good.

You had to walk South into some of the neighborhoods outside the quarter before 
you saw all kinds of wrecked buildings with the notations on the front walls 
left by rescue crews.  Such as:

http://charles.robinsontwins.org/photos/2012/NOLA/content/IMGP7377_large.html

We also had a nice breakfast at Cafe Beignet in the French Quarter.  Beignets 
without the ridiculous long lines of tourists! 

 -Charles

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http://www.facebook.com/charles.robinson


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OT: Bicycling video for Knarf other bikers

2013-11-27 Thread Mark Roberts
From my old stomping ground of Pittsburgh, the Dirty Dozen race:
http://youtu.be/ncieQ7fldSI

 
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www.robertstech.com





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Re: DXO does the K3....was..Fwd: Re: K-3 review as seen through the eyes of the PF

2013-11-27 Thread Miserere
K3 scores vs The Others:

http://photorumors.com/wp-content/uploads/2013/11/Pentax-K-3-camera-tested-by-DxOMark.jpg
http://photorumors.com/wp-content/uploads/2013/11/Pentax-K-3-tested-by-DxOMark.jpg

Images ruthlessly pulled from this Photo Rumors post:

http://photorumors.com/2013/11/27/what-else-is-new-52/

Cheers,


   —M.

\/\/o/\/\ -- http://WorldOfMiserere.com

http://EnticingTheLight.com
A Quest for Photographic Enlightenment



On 27 November 2013 12:24, Zos Xavius zosxav...@gmail.com wrote:
 Sorry for the delayed reply Boris.

 http://www.dpreview.com/forums/post/36834206

 Also read the Imaging Resource and dxomarks reviews of the K-5. Pretty
 much all the reviews noticed the RAW NR above 1600. Given the K-5's
 output at 3200, Pentax made a good choice IMO. Their hardware NR is
 pretty decent, very clean looking, and still retains a lot of detail,
 especially after the raws are processed gently in lightroom. I never
 once objected to the engineers' decisions on the K-5 when it came to
 the sensor. Pentax seems to be very good at massaging maximum
 performance out of a sensor. The K-3 IMO looks very good too. A 50%
 increase in density with similar noise and DR over the previous
 generation is very good IMO. The next round of chips will likely be
 even better. What's not to like? The K-5 I have is very good in IQ.
 I'll keep shooting it till it doesn't take pictures anymore.

 On Tue, Nov 26, 2013 at 7:46 AM, Boris Liberman bori...@gmail.com wrote:
 The source of information that indicates that K-5 applies smoothing to
 RAW files even if I specifically set its settings not to do so.

 On Tue, Nov 26, 2013 at 1:52 PM, Zos Xavius zosxav...@gmail.com wrote:
 The source for K-5 raw smoothing? The source for resized K3 files?
 What source do you speak of Mr Boris? :P

 On Mon, Nov 25, 2013 at 11:45 PM, Boris Liberman bori...@gmail.com wrote:
 On 11/26/2013 6:38 AM, Zos Xavius wrote:

 Also I must add that the k-5 does some definite noise reduction to the
 raw files over iso 1600, whether that's in the imaging pipeline or the
 firmware is neither hear nor there at this point. At 3200 on the k-5
 you are most certainly trading resolution for image quality. I don't
 have any real figures, but I feel that looking at the files from my
 k-5, its easily giving up quite a bit of resolution due to noise
 smoothing. From what I can gather the K-3 is resolving more fine
 detail but yet showing similar amounts of noise when resized to k-5
 resolution. That's what I have seen with my own eyes at least. To be
 honest they are pretty close and careful raw processing will result
 with more detail in the k-3 files with similar noise levels. I find
 pentax's jpeg engine to be not the greatest at noise reduction, but
 honestly, its better than some other camera makers too.


 Zos, can you please point me to the source of that information? I'm
 extremely interested to *know*.

 Thanks.



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Re: Sony A7 and A7r reviewed by DigitalRev

2013-11-27 Thread Miserere
Having watched way too many of his reviews (often just for the
entertainment, not because I cared about the camera or lens), I've
come to believe he does know his s*!t but will play dumb for the sake
of comedy. Plus, I'm 95% certain DigitalRev sees these videos as
advertising, not really as technical reviews :-)

In any case, when he doesn't like something, he's clear about it and
doesn't mince words, and I don't think I've ever seen him praise a
Sony product like he did the A7(r).

Cheers,

   —M.

\/\/o/\/\ -- http://WorldOfMiserere.com

http://EnticingTheLight.com
A Quest for Photographic Enlightenment



On 27 November 2013 13:31, Godfrey DiGiorgi godfreydigio...@me.com wrote:
 He's entertaining. Often times it's hard to tell whether he is just having 
 fun or simply doesn't understand what he's looking at. But at least he makes 
 no bones about being right or wrong …

 G

 On Nov 26, 2013, at 3:33 PM, Miserere miser...@gmail.com wrote:

 I imagine some of you hate Kai's style of reviewing, but I thoroughly
 enjoy his irreverence. Anyway, he actually...well...I'll let you watch
 the review to find out what he thinks of these FF Sonys (or is it
 Sonies?):

 http://www.youtube.com/watch?v=wUJc83wV6iA

 If only their lenses weren't so humongous, they could be contenders
 for Miserere's stable of street cameras, especially at $1,700 for the
 A7.


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Re: Eye contact

2013-11-27 Thread Igor Roshchin

Derby,

I had the same impressions (both), as described by Godfrey.

As for specific photos, - I thought that the one on p.57 appeared a bit
too dark. I especially liked photos on p.67 and 55.
A rather strange pose on p.35 caught my attention.


Please, excuse me, I will provide an additional comment about
something that makes my eye a bit uncomfortable is the crop in some
photos that cuts off some odd portion of the legs (feet).
There is some magic formula of how much of a limb one can cut off so
that it looks fine. I don't know how to formulate it, it's just how I 
feel. I actually remember seeing some website about a year ago that was
discussing what portion works and what does not. Unfortunately, I don't
remember where it was.
Those are photos: 37, 61, 45, and to a lesser extent 57, 55, 51.

Well, I just googled, and found this chart:
http://img.gawkerassets.com/img/18i6o34ozkql8jpg/ku-xlarge.jpg on this
page:
http://lifehacker.com/5991733/avoid-amputating-people-in-your-photos-with-this-cropping-cheat-sheet
I think it works along the lines (pun intended) of my intuition.


Best regards,

Igor



Wed Nov 27 17:04:23 EST 2013
Godfrey DiGiorgi wrote:

Nicely done photos, sir! 

Like someone else intimated, it feels a little odd that you're using only one 
page out of two facing pages. The blank space on the left sometimes becomes a 
little overpowering.I want something to be there, even if it is just titling or 
simple graphic.

G

On Nov 27, 2013, at 2:24 AM, Derby Chang derbyc at iinet.net.au wrote:

 I made a Blurb. There are probably a few more adjustments before I order, but 
 this is essentially what it will look like.
 
 http://members.iinet.net.au/~derbyc/13/11/eyecontact/index.html
 

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Re: Eye contact

2013-11-27 Thread Bruce Walker
Igor, I would take that chart with a _really_ healthy dose of salt.
Other than the basic rule of don't crop at joints, I wouldn't even
give that chart the time of day myself. I have seen very many great
shots that violate one of their red lines. Much fashion photography
seemingly breaks their guidelines repeatedly.

On Wed, Nov 27, 2013 at 5:55 PM, Igor Roshchin s...@komkon.org wrote:

 Derby,

 I had the same impressions (both), as described by Godfrey.

 As for specific photos, - I thought that the one on p.57 appeared a bit
 too dark. I especially liked photos on p.67 and 55.
 A rather strange pose on p.35 caught my attention.


 Please, excuse me, I will provide an additional comment about
 something that makes my eye a bit uncomfortable is the crop in some
 photos that cuts off some odd portion of the legs (feet).
 There is some magic formula of how much of a limb one can cut off so
 that it looks fine. I don't know how to formulate it, it's just how I
 feel. I actually remember seeing some website about a year ago that was
 discussing what portion works and what does not. Unfortunately, I don't
 remember where it was.
 Those are photos: 37, 61, 45, and to a lesser extent 57, 55, 51.

 Well, I just googled, and found this chart:
 http://img.gawkerassets.com/img/18i6o34ozkql8jpg/ku-xlarge.jpg on this
 page:
 http://lifehacker.com/5991733/avoid-amputating-people-in-your-photos-with-this-cropping-cheat-sheet
 I think it works along the lines (pun intended) of my intuition.


 Best regards,

 Igor



 Wed Nov 27 17:04:23 EST 2013
 Godfrey DiGiorgi wrote:

 Nicely done photos, sir!

 Like someone else intimated, it feels a little odd that you're using only one 
 page out of two facing pages. The blank space on the left sometimes becomes a 
 little overpowering.I want something to be there, even if it is just titling 
 or simple graphic.

 G

 On Nov 27, 2013, at 2:24 AM, Derby Chang derbyc at iinet.net.au wrote:

 I made a Blurb. There are probably a few more adjustments before I order, 
 but this is essentially what it will look like.

 http://members.iinet.net.au/~derbyc/13/11/eyecontact/index.html


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Re: Upcoming trip: NOLA

2013-11-27 Thread Stan Halpin

On Nov 27, 2013, at 2:11 PM, John wrote:

 On 11/26/2013 10:27 PM, Walt wrote:
 On 11/26/2013 9:13 PM, Stan Halpin wrote:
 On Nov 26, 2013, at 9:35 PM, Walt wrote:
 
 Thanks for the ideas, John.
 
 I've never been to New Orleans before, so I'm not quite sure what to
 expect. My only exposure to it has been via TV  film, and we all
 know how accurate those portrayals can be. (Though, if I do happen
 upon any vampires or voodoo priests, I'll do my best to get
 documentary evidence.)
 
 I'd really like to try capturing the essence of the city rather than
 the parts that hit you over the head as a tourist. The architectural
 detail is something I'd been contemplating, so I'm going to do a
 little reading up on it in the meantime.
 
 I was there a couple of years ago (3rd visit). There for a conference,
 no time on my own for photography beyond grab shots on Bourbon St 
 environs. Which is basically a pleasant enough amusement park. But
 what struck me as the essence of the city 2010 version was the
 number of damaged and abandoned buildings that were relics of Katrina.
 Schools, hospitals, homes, neighborhoods... Look for the continuing
 signs of Katrina and, for balance, look for the rebuilding projects.
 
 stan
 Thank you, Stan.
 
 I was wondering how much of the city had recovered from Katrina. No
 doubt there are plenty of reminders and some great successes in its wake.
 
 -- Walt
 
 
 I believe the French Quarter was relatively unaffected by Katrina  bounced 
 back pretty quickly, as did the majority of the commercial districts.
 

Right. Majority, but not all.
But Walt original query was about capturing the essence of NO. I think the 
essence is not the Disney-like few blocks of adult entertainment, but rather 
the larger community, much of which is still suffering. Hence my suggestions to 
look for such.

stan


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Re: cheap batteries

2013-11-27 Thread Igor Roshchin

Bruce,

I totally agree with you.
More over, - none of the ground rules in any form of art should be
taken as an absolute dogma. -- That's my sincere believe.
I didn't even have much time to analyze this image for the correctness.
I just used it as an example of the general trend/approach that I
usually follow based on my intuition.

Cheers,

Igor



Wed Nov 27 19:11:59 EST 2013
Bruce Walker wrote:

Igor, I would take that chart with a _really_ healthy dose of salt.
Other than the basic rule of don't crop at joints, I wouldn't even
give that chart the time of day myself. I have seen very many great
shots that violate one of their red lines. Much fashion photography
seemingly breaks their guidelines repeatedly.


On Wed, Nov 27, 2013 at 5:55 PM, Igor Roshchin str at komkon.org
wrote:

 Derby,

 I had the same impressions (both), as described by Godfrey.

 As for specific photos, - I thought that the one on p.57 appeared a
 bit
 too dark. I especially liked photos on p.67 and 55.
 A rather strange pose on p.35 caught my attention.


 Please, excuse me, I will provide an additional comment about
 something that makes my eye a bit uncomfortable is the crop in some
 photos that cuts off some odd portion of the legs (feet).
 There is some magic formula of how much of a limb one can cut off so
 that it looks fine. I don't know how to formulate it, it's just how I
 feel. I actually remember seeing some website about a year ago that
 was
 discussing what portion works and what does not. Unfortunately, I
 don't
 remember where it was.
 Those are photos: 37, 61, 45, and to a lesser extent 57, 55, 51.

 Well, I just googled, and found this chart:
 http://img.gawkerassets.com/img/18i6o34ozkql8jpg/ku-xlarge.jpg on this
 page:
 http://lifehacker.com/5991733/avoid-amputating-people-in-your-photos-with-this-cropping-cheat-sheet
 I think it works along the lines (pun intended) of my intuition.


 Best regards,

 Igor



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Re: Eye contact

2013-11-27 Thread Igor Roshchin



Bruce,

I totally agree with you.
More over, - none of the ground rules in any form of art should be
taken as an absolute dogma. -- That's my sincere believe.
I didn't even have much time to analyze this image for the correctness.
I just used it as an example of the general trend/approach that I
usually follow based on my intuition.

Cheers,

Igor



Wed Nov 27 19:11:59 EST 2013
Bruce Walker wrote:

Igor, I would take that chart with a _really_ healthy dose of salt.
Other than the basic rule of don't crop at joints, I wouldn't even
give that chart the time of day myself. I have seen very many great
shots that violate one of their red lines. Much fashion photography
seemingly breaks their guidelines repeatedly.


On Wed, Nov 27, 2013 at 5:55 PM, Igor Roshchin str at komkon.org
wrote:

 Derby,

 I had the same impressions (both), as described by Godfrey.

 As for specific photos, - I thought that the one on p.57 appeared a
 bit
 too dark. I especially liked photos on p.67 and 55.
 A rather strange pose on p.35 caught my attention.


 Please, excuse me, I will provide an additional comment about
 something that makes my eye a bit uncomfortable is the crop in some
 photos that cuts off some odd portion of the legs (feet).
 There is some magic formula of how much of a limb one can cut off so
 that it looks fine. I don't know how to formulate it, it's just how I
 feel. I actually remember seeing some website about a year ago that
 was
 discussing what portion works and what does not. Unfortunately, I
 don't
 remember where it was.
 Those are photos: 37, 61, 45, and to a lesser extent 57, 55, 51.

 Well, I just googled, and found this chart:
 http://img.gawkerassets.com/img/18i6o34ozkql8jpg/ku-xlarge.jpg on this
 page:
 http://lifehacker.com/5991733/avoid-amputating-people-in-your-photos-with-this-cropping-cheat-sheet
 I think it works along the lines (pun intended) of my intuition.


 Best regards,

 Igor




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Re: cheap batteries

2013-11-27 Thread Igor Roshchin


Oops... this message belongs to a different thread/subject.
I resent it under the proper Subject line/thread response.
Please disregard it here... 

Igor

 Date: Wed, 27 Nov 2013 20:29:10 -0500 (EST)
 From: Igor Roshchin 
 Subject: Re: cheap batteries


 Bruce,

 I totally agree with you.
 More over, - none of the ground rules in any form of art should be
 taken as an absolute dogma. -- That's my sincere believe.
 I didn't even have much time to analyze this image for the correctness.
 I just used it as an example of the general trend/approach that I
 usually follow based on my intuition.

 Cheers,

 Igor



 Wed Nov 27 19:11:59 EST 2013
 Bruce Walker wrote:

 Igor, I would take that chart with a _really_ healthy dose of salt.
 Other than the basic rule of don't crop at joints, I wouldn't even
 give that chart the time of day myself. I have seen very many great
 shots that violate one of their red lines. Much fashion photography
 seemingly breaks their guidelines repeatedly.


 On Wed, Nov 27, 2013 at 5:55 PM, Igor Roshchin str at komkon.org
 wrote:
 
  Derby,
 
  I had the same impressions (both), as described by Godfrey.
 
  As for specific photos, - I thought that the one on p.57 appeared a
  bit
  too dark. I especially liked photos on p.67 and 55.
  A rather strange pose on p.35 caught my attention.
 
 
  Please, excuse me, I will provide an additional comment about
  something that makes my eye a bit uncomfortable is the crop in some
  photos that cuts off some odd portion of the legs (feet).
  There is some magic formula of how much of a limb one can cut off so
  that it looks fine. I don't know how to formulate it, it's just how I
  feel. I actually remember seeing some website about a year ago that
  was
  discussing what portion works and what does not. Unfortunately, I
  don't
  remember where it was.
  Those are photos: 37, 61, 45, and to a lesser extent 57, 55, 51.
 
  Well, I just googled, and found this chart:
  http://img.gawkerassets.com/img/18i6o34ozkql8jpg/ku-xlarge.jpg on this
  page:
  http://lifehacker.com/5991733/avoid-amputating-people-in-your-photos-with-this-cropping-cheat-sheet
  I think it works along the lines (pun intended) of my intuition.
 
 
  Best regards,
 
  Igor
 
 


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Re: PESO - Brooklyn Diner

2013-11-27 Thread Rick Womer
Thanks, Don!

Rick

On Nov 27, 2013, at 12:04 , Don Guthrie wrote:

 Rick I like this one. Good composition for a street shot plus great timing.
 
 
 pdml-requ...@pdml.net wrote:
 On Tue, Nov 26, 2013 at 9:06 PM, Rick Womerrwomer1...@yahoo.com  wrote:
 It's in Manhattan. Wanna make sumpin' of it?
 
 http://photo.net/photodb/photo?photo_id=17597035size=lg
 
 (K-5, DA 16-45)
 
 Comments?
 
 Rick
 
 
 
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Re: TA

2013-11-27 Thread Ken Waller

You could say there's an imbalance there -- too many cats and

women, not enough grunting jocks


YO - MARK!

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Bruce Walker bruce.wal...@gmail.com

Subject: Re: TA



On Wed, Nov 27, 2013 at 2:00 PM, DagT li...@thrane.name wrote:


I have done nude photography five times (I think), and once with a male 
model. Trying to work with a male model was interesting, but frustrating 
as I had a hard time finding the lines and shapes interesting enough to 
photograph. It was not the sexual part as the pictures were partially 
abstract, but the beautiful curves I would look for on a female mode were 
impossible to find so I had to try something different.


We're often told to shoot what we're passionate about. I'm fairly
passionate about admiring the comely female form. Males are part of
the background for me, and I just cannot imagine them as much other
than props for females to lean against or something (pretty much how
fashion shooters treat them too). So I'm not ready to shoot male nudes
until (and if) I'm better prepared.

Same with sports photography. I know nothing about sports, don't
appreciate it or care for it at all. I couldn't shoot sports to save
my life. You could say there's an imbalance there -- too many cats and
women, not enough grunting jocks. So be it.

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Black Friday Pentax sales are announced

2013-11-27 Thread Igor Roshchin

Just in case somebody is interested in buying Pentax cameras (or lenses) 
other than K-3, the Black Friday sale is already advertised on PF:
http://www.pentaxforums.com/cat/deals.html
E.g., K-5 goes for $599 until December 2, and there are some
substantial deals for lenses.

I don't know if there would be any additional deals posted later.

HTH,

Igor


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Re: DXO does the K3....was..Fwd: Re: K-3 review as seen through the eyes of the PF

2013-11-27 Thread Boris Liberman
Zos, two points that still keep me wondering:

1. I couldn't find any mention of RAW noise reduction in Imaging
resource review after this link:
http://www.imaging-resource.com/PRODS/K5/K5A.HTM

2. I see what the person on DPReview wrote, but I think there is a
confusion and (as explained in imaging resource review) the noise
reduction can be configured per ISO. I don't remember exactly, but it
stands to reason that ISO 3200 is where it is set to kick in by
default.

Specifically, once I learned about this setting, I went and configured
both of my cameras to apply no noise reduction until ISO 12800 or so.

So, I'm yet unconvinced that K5 applies noise reduction at ISO 3200
just because.

On Wed, Nov 27, 2013 at 7:24 PM, Zos Xavius zosxav...@gmail.com wrote:
 Sorry for the delayed reply Boris.

 http://www.dpreview.com/forums/post/36834206

 Also read the Imaging Resource and dxomarks reviews of the K-5. Pretty
 much all the reviews noticed the RAW NR above 1600. Given the K-5's
 output at 3200, Pentax made a good choice IMO. Their hardware NR is
 pretty decent, very clean looking, and still retains a lot of detail,
 especially after the raws are processed gently in lightroom. I never
 once objected to the engineers' decisions on the K-5 when it came to
 the sensor. Pentax seems to be very good at massaging maximum
 performance out of a sensor. The K-3 IMO looks very good too. A 50%
 increase in density with similar noise and DR over the previous
 generation is very good IMO. The next round of chips will likely be
 even better. What's not to like? The K-5 I have is very good in IQ.
 I'll keep shooting it till it doesn't take pictures anymore.

 On Tue, Nov 26, 2013 at 7:46 AM, Boris Liberman bori...@gmail.com wrote:
 The source of information that indicates that K-5 applies smoothing to
 RAW files even if I specifically set its settings not to do so.

 On Tue, Nov 26, 2013 at 1:52 PM, Zos Xavius zosxav...@gmail.com wrote:
 The source for K-5 raw smoothing? The source for resized K3 files?
 What source do you speak of Mr Boris? :P

 On Mon, Nov 25, 2013 at 11:45 PM, Boris Liberman bori...@gmail.com wrote:
 On 11/26/2013 6:38 AM, Zos Xavius wrote:

 Also I must add that the k-5 does some definite noise reduction to the
 raw files over iso 1600, whether that's in the imaging pipeline or the
 firmware is neither hear nor there at this point. At 3200 on the k-5
 you are most certainly trading resolution for image quality. I don't
 have any real figures, but I feel that looking at the files from my
 k-5, its easily giving up quite a bit of resolution due to noise
 smoothing. From what I can gather the K-3 is resolving more fine
 detail but yet showing similar amounts of noise when resized to k-5
 resolution. That's what I have seen with my own eyes at least. To be
 honest they are pretty close and careful raw processing will result
 with more detail in the k-3 files with similar noise levels. I find
 pentax's jpeg engine to be not the greatest at noise reduction, but
 honestly, its better than some other camera makers too.


 Zos, can you please point me to the source of that information? I'm
 extremely interested to *know*.

 Thanks.



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