Re: wifi live view

2013-10-10 Thread Brian Walters

Quoting Larry Colen l...@red4est.com:


It just occured to me that if the K-3 has wifi live view, not just preview,
and it works with video camera mode, that could be a metric shit-ton  
of awesome.



That should be shit-tonne.

;-)

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++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



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Re: wifi live view

2013-10-10 Thread Larry Colen
On Thu, Oct 10, 2013 at 05:02:12PM +1100, Brian Walters wrote:
 Quoting Larry Colen l...@red4est.com:
 
 It just occured to me that if the K-3 has wifi live view, not just preview,
 and it works with video camera mode, that could be a metric
 shit-ton of awesome.
 
 
 That should be shit-tonne.

I thought it was Imperial shit-tonne, and a metric (technically an ISO)
shit-ton.  I believe ASA also uses shit-ton, but I could be mistaken.

 
 ;-)
 
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 Cheers
 
 Brian
 
 ++
 Brian Walters
 Western Sydney Australia
 http://lyons-ryan.org/southernlight/
 
 
 
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Re: wifi live view

2013-10-10 Thread Peter Loveday

That should be shit-tonne.


I thought it was Imperial shit-tonne, and a metric (technically an ISO)
shit-ton.  I believe ASA also uses shit-ton, but I could be mistaken.


Definitely Tonne in metric.

Of course it all depends..

If you have a metric 'ton' of shit, that's a shit-tonne.

But if you have an imperial ton of metric shit, that would be a shitte-ton.

Then for a metric 'ton' of metric shit, that would of course be one 
shitte-tonne.


- Peter


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Re: Aliasing question

2013-10-10 Thread Godfrey DiGiorgi
I have no problems getting clear hand-held shots with ASA 400 film at f/2.8, 
1/4-1/8 second, EV 3 on the chart you referenced. Without IS. 

With my G1, I find quite a number of excellent shots, even of people moving, at 
light levels which, according to your chart, is ISO -1. Heck, I have some very 
nice results with the older sensors in the L1 and E-1 at EV -1, 0 and 1 too. 
With the E-5, with IBIS, I have some work down in the -2 to -4 range; some of 
those were on client jobs. It looked great in publication ... That's why I 
bought the E-5, for the extra couple of stops of sensitivity when I was 
shooting events and editorial portraiture. 

I can't say what other people get with their cameras. I'm not them. But I 
suspect your notion of low light and how superior the K5 might be is somewhat 
arbitrary and suffers from a lack of experience with the FT/mFT cameras. They 
do better than you seem to think in low light. BTW: I'm not saying the K5 is 
bad, the sensor performance is actually darn good. But it's not the Holy Grail 
by any means. 

(Note: I don't own any of the f/0.95 lenses. My fastest lenses are f/1.4, most 
of my lenses are f/2 or f/2.8. A lot of my low light Pentax work was done with 
the excellent 20-35/4 and 21/3.2 Limited.)

I'll let you know how the E-M1 performs in dim light. ;-) 

G


On Oct 9, 2013, at 10:07 PM, Larry Colen l...@red4est.com wrote:

 On Wed, Oct 09, 2013 at 08:03:42PM -0700, Godfrey DiGiorgi wrote:
 Please define low light vs dim light for me. EV values would be useful 
 as a basis of comparison. 
 
 I guess I'd say that low light is in the range where it is
 challenging to get a clear photo, hand held, even with a K-5.
 
 Looking at this chart, which only goes up to  ISO 3200:
 http://www.fredparker.com/ultexp1.htm#EXPOSURE%20FACTOR%20RELATIONSHIP%20CHART%20B
 
 It looks like that's somewhere around EV -1, or EV 0, maybe as high as EV 1.
 ISO 3200, 1/8 second f/1.4 is EV -1
 
 I'd say that dim light is in the range where it would be 
 challenging to get a clear shot, hand held with one of my film cameras
 
 ISO 400, 1/30 second f/1.4 is is EV 4.
 
 It is my gut feeling that up until the current (soon to be previous)
 generation of u4/3 they were probably OK up to about EV 3.  
 The current generation is probably good to EV 2, maybe 1 before things
 start getting rough.  
 
 Most of my experience is based on looking at one or two other people's
 photos, so I'm not going say my figures are exact.  But with the current
 generation sensors, and the faster shorter lenses available in u4/3, their
 low light ability is close to that of a K-5 thanks to the extra stop of 
 speed you can get with the f/0.95 lens, and focus peaking for low light focus.


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Re: PESO 2013 - 097 - GDG

2013-10-10 Thread Bruce
For a minute I thought this was your entry in the America's Cup.   Little small 
though  ;-) 

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Godfrey DiGiorgi godfreydigio...@me.com wrote:
A new project beckons ...

  http://www.flickr.com/photos/gdgphoto/10169937905/lightbox

thanks for looking. comments always appreciated. 

Godfrey - www.flickr.com/photos/gdgphoto/


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Re: wifi live view

2013-10-10 Thread Boris Liberman
I can imagine a number of very humorous scenes, each of which I would
certainly like to photograph with my very lowly (by comparison with
K-3) Ricoh GXR + M-module.

On Thu, Oct 10, 2013 at 8:56 AM, Larry Colen l...@red4est.com wrote:
 It just occured to me that if the K-3 has wifi live view, not just preview,
 and it works with video camera mode, that could be a metric shit-ton of 
 awesome.

 --
 Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: wifi live view

2013-10-10 Thread Alan C

A most picturesque remark.

Alan

-Original Message- 
From: Larry Colen

Sent: Thursday, October 10, 2013 7:56 AM
To: Pentax-Discuss Mail List
Subject: wifi live view

It just occured to me that if the K-3 has wifi live view, not just preview,
and it works with video camera mode, that could be a metric shit-ton of 
awesome.


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Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: PESO - Look Ma, No Hands

2013-10-10 Thread Bob W
Nice shot.

That's the name of a bike cafe near where I work:
http://www.lookmumnohands.com

B

 On 10 Oct 2013, at 04:31, knarf knarftheria...@gmail.com wrote:
 
 Maybe my favourite of the series so far:
 
 http://mondociclismo.blogspot.ca/2013/10/look-ma-no-hands.html?m=1
 
 Hope you enjoy. Comments always welcome.
 

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Re: PESO - Look Ma, No Hands

2013-10-10 Thread Attila Boros
Nice trick, Ma will be proud:)

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On Thu, Oct 10, 2013 at 10:46 AM, Bob W p...@web-options.com wrote:
 Nice shot.

 That's the name of a bike cafe near where I work:
 http://www.lookmumnohands.com

 B

 On 10 Oct 2013, at 04:31, knarf knarftheria...@gmail.com wrote:

 Maybe my favourite of the series so far:

 http://mondociclismo.blogspot.ca/2013/10/look-ma-no-hands.html?m=1

 Hope you enjoy. Comments always welcome.


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Re: PESO - Look Ma, No Hands

2013-10-10 Thread Eric Weir

On Oct 10, 2013, at 3:46 AM, Bob W p...@web-options.com wrote:

 That's the name of a bike cafe near where I work:
 http://www.lookmumnohands.com

Cool. A nephew works in a place like this in Phoenix. Don't think there's one 
in Atlanta.

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eew...@bellsouth.net

The problem with the world is that the intelligent people are 
full of doubts while the stupid ones are full of confidence.  

- Charles Bukowski 





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Re: PESO: Bridge

2013-10-10 Thread Attila Boros
Thanks Brian! Good point about the sky, I'll keep that in mind.

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On Thu, Oct 10, 2013 at 6:34 AM, Brian Walters apathy...@lyons-ryan.org wrote:

 Excellent.  A very peaceful scene, well exposed. The sky's interesting -
 would have liked to haves seen more of it.

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Re: Aliasing question

2013-10-10 Thread Steve Cottrell
On 9/10/13, Godfrey DiGiorgi, discombobulated, unleashed:

(Psst: My new camera is on the way to me now, although I doubt anyone on
the PDML is interested to know that other than a couple of friends.
However, Cotty will gush over it when I carry it to the UK next year. It
is sexy. ];-)

Brute

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Re: PESO - Red Rocket

2013-10-10 Thread Attila Boros
Very nice paint, looks like new.

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Re: PESO - Look Ma, No Hands

2013-10-10 Thread knarf
Looks like my type of place.

Bikes and coffee!

Thanks for the nice words, Bob.

Cheers,
frank

Bob W p...@web-options.com wrote:
Nice shot.

That's the name of a bike cafe near where I work:
http://www.lookmumnohands.com

B

 On 10 Oct 2013, at 04:31, knarf knarftheria...@gmail.com wrote:
 
 Maybe my favourite of the series so far:
 
 http://mondociclismo.blogspot.ca/2013/10/look-ma-no-hands.html?m=1
 
 Hope you enjoy. Comments always welcome.
 

“Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: PESO 2013 - 097 - GDG

2013-10-10 Thread knarf
That's just lovely.

Beautifully composed, love the light.

Cheers,
frank

Godfrey DiGiorgi godfreydigio...@me.com wrote:
A new project beckons ...

  http://www.flickr.com/photos/gdgphoto/10169937905/lightbox

thanks for looking. comments always appreciated. 

Godfrey - www.flickr.com/photos/gdgphoto/

“Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: Aliasing question

2013-10-10 Thread mike wilson
On 09/10/2013, Bill anotherdrunken...@gmail.com wrote:

 I just ordered a K3, as well as the battery grip, 35-135 lens, flu-card
 and dongle from my local pusher.
 I think I need help.

You seem to be managing quite well.  Unless you mean that you need
help paying - in which case, I'll see you around.

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Re: wifi live view

2013-10-10 Thread CollinB
Definitely Tonne in metric.

Of course it all depends..

If you have a metric 'ton' of shit, that's a shit-tonne.

But if you have an imperial ton of metric shit, that would be a shitte-ton.

Then for a metric 'ton' of metric shit, that would of course be one 
shitte-tonne.

- Peter

The various language sections of the owner's manual will adapt accordingly,
you can be sure.


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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Bill

On 09/10/2013 8:03 PM, Larry Colen wrote:

On Wed, Oct 09, 2013 at 09:42:36PM -0400, Mark C wrote:

On 10/9/2013 9:03 PM, Larry Colen wrote:

On Wed, Oct 09, 2013 at 08:46:33PM -0400, Mark C wrote:

On 10/9/2013 8:41 PM, Darren Addy wrote:

Pentax marketing is being PRAISED?
http://petapixel.com/2013/10/09/attention-camera-marketing-departments-tell-sensor/
Pinch me, I must be dreaming.


I think that's when you realize that it's Ricoh and not Pentax

OMG! Pentax is DOOOomed!




I think the Pentax brand has more going for it now than it has had
in years. thanks to Ricoh...

Watch the sarchasm, that first step is a doozy.


Pentax has been on it's way out since I was selling cameras 30 years 
ago. They went from being an industry leader to a wannabe in one 
generation of cameras.
All of a sudden, they have something to market that, in many ways, 
leapfrogs the competition rather than being two steps behind with their 
best.
There is no sarcasm in looking at what they have come up with here and 
saying they have more on the ball now than they have had for nearly 
three decades.

It seems to have worked out for Pentax, finally.

bill


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Re: wifi live view

2013-10-10 Thread Bill

On 09/10/2013 11:56 PM, Larry Colen wrote:

It just occured to me that if the K-3 has wifi live view, not just preview,
and it works with video camera mode, that could be a metric shit-ton of awesome.


Prepare to be buried, then.

bill

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Re: PESO - Look Ma, No Hands

2013-10-10 Thread Bruce
Good timing.   I think the other guy watching really adds to the shot.   The 
expression on his face is great. 

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Sent from Sony Tablet S

knarf knarftheria...@gmail.com wrote:
Maybe my favourite of the series so far:

http://mondociclismo.blogspot.ca/2013/10/look-ma-no-hands.html?m=1

Hope you enjoy. Comments always welcome.

Cheers,
frank
“Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Tom C
 From: Bill anotherdrunken...@gmail.com
 Pentax has been on it's way out since I was selling cameras 30 years
 ago. They went from being an industry leader to a wannabe in one
 generation of cameras.
 All of a sudden, they have something to market that, in many ways,
 leapfrogs the competition rather than being two steps behind with their
 best.
 There is no sarcasm in looking at what they have come up with here and
 saying they have more on the ball now than they have had for nearly
 three decades.
 It seems to have worked out for Pentax, finally.

 bill

I agree with much of what you say, but leapfrogs???

It's still a 24MP camera that's a year and a half to two years late.

It's amazing that 3 months ago the K-5/K-5II fulfilled everyone's
needs and 'why would one want more resolution?', and now it's goo-goo
ga-ga over the K-3.

Tom C.

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Re: wifi live view

2013-10-10 Thread Darren Addy
From the Urban Dictionary: Like a metric assload, a metric shit ton
is exactly 204.62262 pounds more than a shit ton.

On Thu, Oct 10, 2013 at 8:32 AM, Bill anotherdrunken...@gmail.com wrote:
 On 09/10/2013 11:56 PM, Larry Colen wrote:

 It just occured to me that if the K-3 has wifi live view, not just
 preview,
 and it works with video camera mode, that could be a metric shit-ton of
 awesome.

 Prepare to be buried, then.

 bill


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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Darren Addy
Wow. I thought that most of us had advanced beyond thinking that
megapixels was the only metric to use when comparing DSLR
capabilities.

On Thu, Oct 10, 2013 at 9:15 AM, Tom C caka...@gmail.com wrote:
 From: Bill anotherdrunken...@gmail.com
 Pentax has been on it's way out since I was selling cameras 30 years
 ago. They went from being an industry leader to a wannabe in one
 generation of cameras.
 All of a sudden, they have something to market that, in many ways,
 leapfrogs the competition rather than being two steps behind with their
 best.
 There is no sarcasm in looking at what they have come up with here and
 saying they have more on the ball now than they have had for nearly
 three decades.
 It seems to have worked out for Pentax, finally.

 bill

 I agree with much of what you say, but leapfrogs???

 It's still a 24MP camera that's a year and a half to two years late.

 It's amazing that 3 months ago the K-5/K-5II fulfilled everyone's
 needs and 'why would one want more resolution?', and now it's goo-goo
 ga-ga over the K-3.

 Tom C.

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Re: PESO - Look Ma, No Hands

2013-10-10 Thread Jack Davis
I suspect that near viewer is there to help keep the stunt rider from going 
over the edge. He may, actually, be too close to the action.
Well caught action moment, Frank.
 
Jack
 



On Thursday, October 10, 2013 7:00 AM, Bruce bkday...@daytonphoto.com wrote:
Good timing.   I think the other guy watching really adds to the shot.   The 
expression on his face is great. 

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knarf knarftheria...@gmail.com wrote:
Maybe my favourite of the series so far:

http://mondociclismo.blogspot.ca/2013/10/look-ma-no-hands.html?m=1

Hope you enjoy. Comments always welcome.

Cheers,
frank
“Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: Geso Camera Club trip on our heritage railway.

2013-10-10 Thread David J Brooks
Thanks Mark C and everyone else who comment or had a peek.

Dave

On Wed, Oct 9, 2013 at 8:44 PM, Mark C pdml-m...@charter.net wrote:
 That's a fine collection, Dave. Your compositions mesh well with the
 (apparently) gloomy and overcast day. My favorites are 9, 13, 14, and 17,
 but the whole set is excellent.

 Mark




 On 10/7/2013 6:56 PM, David J Brooks wrote:

 Back in May i did a steam train trip, in Tottenham,  and this past
 weekend eight of us from the club went on a fall colour trip by train
 to Uxbridge and return. Not much colour, lots of fog.

 Here is a gallery of 30 shots paired down from about 150.
 http://www.caughtinmotion.com/2013-YDHR1/album/index.html

 K-5 D FA 16-45

 Dave



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Re: PESO - Look Ma, No Hands

2013-10-10 Thread Bruce Walker
Excellent!

On Wed, Oct 9, 2013 at 11:31 PM, knarf knarftheria...@gmail.com wrote:
 Maybe my favourite of the series so far:

 http://mondociclismo.blogspot.ca/2013/10/look-ma-no-hands.html?m=1

 Hope you enjoy. Comments always welcome.

 Cheers,
 frank
 “Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Tom C
Darren Addy wrote:

 Wow. I thought that most of us had advanced beyond thinking that megapixels 
 was the only metric to use when comparing DSLR capabilities.

Dear Darren,

1. What are you comparing? You haven't touched it yet.
2. You beat the same old drum even when Pentax now has a higher resolution body.
3. MP is one of the few attributes that can be stated unequivocally as
a number and is a known metric.
4. If you don't believe imaging sensor resolution is not among the
most important metrics in determining the technical 'quality' of a
recorded image (along with the resolving power of the lens at X
aperture, and yes noise characteristics, etc.), then you're missing
something.

Your use of the word 'only' was presumptuous and mistaken.

Tom C.

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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread CollinB
Wow. I thought that most of us had advanced beyond thinking that
megapixels was the only metric to use when comparing DSLR
capabilities.

How soon we forget ... that the bigger the neg the better the image.
Pixel count is merely the digital equivalent of larger film formats --
except we get to keep our lenses.
So it's like the old 6-10Mp cameras equal shooting 125 and now we all have
blad equivalent bodies and still drool for more.
If there's one principle that defines American society it is embodied in the
term upgrade.  And we're all guilty.


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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Darren Addy
On Thu, Oct 10, 2013 at 10:24 AM, Tom C caka...@gmail.com wrote:
 Darren Addy wrote:

 Wow. I thought that most of us had advanced beyond thinking that megapixels 
 was the only metric to use when comparing DSLR capabilities.

 Dear Darren,

 1. What are you comparing? You haven't touched it yet.

What are bashing? You haven't touched it yet.

 2. You beat the same old drum even when Pentax now has a higher resolution 
 body.

Not sure what you are referring to when you say beat the same old
drum, and maybe you haven't been following the earlier threads on the
K-3 specs - but this camera is upgraded in wy more ways than just
a higher resolution sensor. To me the biggest thing that unlocks most
of its capabilities is the PRIME III image processor (Fujitsu
Milbeaut version 7). Others are intrigued by the innovative,
selectable AA. Others are happy that Pentax finally appears to be
catching up in the AF arena. ALL of these upgrades in one camera?

 3. MP is one of the few attributes that can be stated unequivocally as
 a number and is a known metric.

This is certainly true, but it is like judging a computer based only
on the speed of the processor and not looking at the other components
like bus speed, etc. etc. Cameras and computers are similar in that,
just because a new processor comes out (or a new sensor) there may not
be hardware and software that can take advantage of all of its
capabilities for a year or two. That is why the age of the processor
(even if it is 1-1/2 year old technology) doesn't matter. The PRIME
III can handle the data that sensor puts out. The Nikon D7100 is an
example of a camera with the same sensor, but crippled by using the
previous generation of image processor in concert with it. (Nikon -
and other manufacturers that use the Milbeaut v7 - will catch up, and
probably very soon, but there is a reason why Nikon guru Thom Hogan
was moaning about how the K-3 meets the needs of a certain demographic
of serious photographer that Nikon seems to be neglecting).

 4. If you don't believe imaging sensor resolution is not among the
 most important metrics in determining the technical 'quality' of a
 recorded image (along with the resolving power of the lens at X
 aperture, and yes noise characteristics, etc.), then you're missing
 something.

Where did you get the impression that I don't think it is among the
most important components?


 Your use of the word 'only' was presumptuous and mistaken.

[Rereads the message that I was replying to.] Yep. The higher
resolution sensor was the ONLY thing you mentioned.
Not that being presumptuous and mistaken is entirely foreign to me, however.
:)

-- 
Nothing is sure but death and Pentaxes.

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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Godfrey DiGiorgi

 Wow. I thought that most of us had advanced beyond thinking that
 megapixels was the only metric to use when comparing DSLR
 capabilities.
 
 How soon we forget ... that the bigger the neg the better the image.
 Pixel count is merely the digital equivalent of larger film formats --
 

Snore. Snore. Sno ... Wazzat?
Oh, did something interesting happen?

G

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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Darren Addy
You are oversimplifying things a bit Collin. In the film world there
was more than size, there was WHAT FILM you put in the camera. You had
your choice of different speed films and had to pay a price in the
grain (for example). Similarly, in the digital world more pixels does
not equal larger negative if the resolution is offset by greater noise
(which is what happens when you put more pixels on the SAME SIZE
SENSOR). Loss in the S/N ration department means loss of dynamic range
too. The camera's design has to mitigate those problems for there to
be a real improvement.

That's why I'm very interested to see what Pentax has done with this
sensor, especially in the dynamic range and high ISO noise
departments. Those are the two metrics that are the most important (to
me). I'm in no hurry to upgrade, in any event, but I'm happy to see
the patience of the Pentax community rewarded by what looks like what
will be the top APS-C camera on the market (for the moment, at least).
In any event, it should remain a very good buy for a good couple of
years, assuming it's performance is as exciting as its specs.

On Thu, Oct 10, 2013 at 10:28 AM, CollinB coll...@brendemuehl.net wrote:
Wow. I thought that most of us had advanced beyond thinking that
megapixels was the only metric to use when comparing DSLR
capabilities.

 How soon we forget ... that the bigger the neg the better the image.
 Pixel count is merely the digital equivalent of larger film formats --
 except we get to keep our lenses.
 So it's like the old 6-10Mp cameras equal shooting 125 and now we all have
 blad equivalent bodies and still drool for more.
 If there's one principle that defines American society it is embodied in the
 term upgrade.  And we're all guilty.


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Re: PESO - Red Rocket

2013-10-10 Thread Don Guthrie

Your photo brings out their classic look.


pdml-requ...@pdml.net wrote:

Message: 3
Date: Wed, 09 Oct 2013 19:04:21 -0400
From: knarfknarftheria...@gmail.com
To: Pentax-Discuss Mail Listpdml@pdml.net
Subject: PESO - Red Rocket
Message-ID:8ec7f3b8-ba2a-431c-ad00-f7d8194f1...@email.android.com
Content-Type: text/plain; charset=UTF-8

All Toronto transit vehicles are called red rockets now but originally it was 
just the old PCC streetcars.  Out of service for about 30 years now, they've 
spruced up one or two and use them for touristie things:

http://knarfdummyblog.blogspot.ca/2013/10/red-rocket.html?m=1

I think they can be chartered, too.

Hope you enjoy. Comments welcome.

Cheers,

frank
?Analysis kills spontaneity.? -- Henri-Frederic Amiel



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Re:PESO - Look Ma, No Hands

2013-10-10 Thread Don Guthrie
Definitely a winner. Should be cover shot of the book you are 
publishing. You are collecting these for a book? Aren't you.


pdml-requ...@pdml.net wrote:

Message: 10
Date: Wed, 09 Oct 2013 23:31:13 -0400
From: knarfknarftheria...@gmail.com
To: Pentax-Discuss Mail Listpdml@pdml.net
Subject: PESO - Look Ma, No Hands
Message-ID:3c5ff3a5-380a-4293-8275-8405d9673...@email.android.com
Content-Type: text/plain; charset=UTF-8

Maybe my favourite of the series so far:

http://mondociclismo.blogspot.ca/2013/10/look-ma-no-hands.html?m=1

Hope you enjoy. Comments always welcome.

Cheers,
frank
?Analysis kills spontaneity.? -- Henri-Frederic Amiel



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Re:Re: Peso The Game

2013-10-10 Thread Don Guthrie

Thanks Marnie, I had not looked at that way.



pdml-requ...@pdml.net wrote:

Message: 9
Date: Wed, 9 Oct 2013 21:20:48 -0400 (EDT)
From:eactiv...@aol.com
To:pdml@pdml.net
Subject: Re: Peso The Game
Message-ID:9f47d.3fd803c.3f875...@aol.com
Content-Type: text/plain; charset=US-ASCII

Interesting. Especially contrast between center  character and the others.
I like it.

Marnie aka Doe:-)

In a  message dated 10/7/2013 12:51:58 P.M. Pacific Daylight Time,
shark50...@gmail.com  writes:
Here is one I've been meaning to post for a week  or two. Don't ask me
what camera I used. It wasn't k-3. CC  etc.


https://plus.google.com/100687245332697763729/posts/GKQfMf8e9s7

http://www.flickr.com/photos/valdon/10143301786/



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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Tom C
 Darren Addy wrote:


 What are bashing? You haven't touched it yet.

You. :) Certainly not the K-3. I was reacting to the word leapfrogs
in Bill's post.

 Not sure what you are referring to when you say beat the same old
 drum, and maybe you haven't been following the earlier threads on the
 K-3 specs - but this camera is upgraded in wy more ways than just
 a higher resolution sensor. To me the biggest thing that unlocks most
 of its capabilities is the PRIME III image processor (Fujitsu
 Milbeaut version 7). Others are intrigued by the innovative,
 selectable AA. Others are happy that Pentax finally appears to be
 catching up in the AF arena. ALL of these upgrades in one camera?

When the topic has come up regarding the lack of a higher resolution
sensor you tend to downplay the desirability of one when Pentax
doesn't have one and make statements like 'it's not the only thing
that's important', which is true. Then when I mention just the 24MP
sensor, without mentioning other specifications, you infer my
'thinking has not advanced' regarding the importance of MP, as if it
was retarded. That's what I mean.

Yes I understood all that. I heard that AF was upgraded on the K-7,
the K-5, and the K-5II as well. I'm not saying it's not on the K-3. It
is on paper. We'll know when someone is able to objectively test it.

 This is certainly true, but it is like judging a computer based only
 on the speed of the processor and not looking at the other components
 like bus speed, etc. etc. Cameras and computers are similar in that,
 just because a new processor comes out (or a new sensor) there may not
 be hardware and software that can take advantage of all of its
 capabilities for a year or two. That is why the age of the processor
 (even if it is 1-1/2 year old technology) doesn't matter. The PRIME
 III can handle the data that sensor puts out. The Nikon D7100 is an
 example of a camera with the same sensor, but crippled by using the
 previous generation of image processor in concert with it. (Nikon -
 and other manufacturers that use the Milbeaut v7 - will catch up, and
 probably very soon, but there is a reason why Nikon guru Thom Hogan
 was moaning about how the K-3 meets the needs of a certain demographic
 of serious photographer that Nikon seems to be neglecting).

It's your assumption that it's the only thing I judge it on. The
sensor MP was the only thing I mentioned because it's an easy number
to reference and defines the camera in many ways. Manufacturers and
writers don't say the The K-3 is a PRIME III camera, or the K-3 is
a Milbeaut X camera, or 'the K-3 is an 8.3 FPS camera'. They say the
K-3 is a 24MP camera because the sensor is the preeminent component.
I wasn't planning on reiterating the entire list of specifications.

I read Thom Hogan also. As you say he's a Nikon afficiando. Much of
what he writes though is criticisms of Nikon in the hopes that it will
possibly influence their decision making. I suspect the use of image
processor is largely a case of 'what' was available 'when'.

 Where did you get the impression that I don't think it is among the
 most important components?

Really now Darren. :)

[Rereads the message that I was replying to.] Yep. The higher
resolution sensor was the ONLY thing you mentioned.
Not that being presumptuous and mistaken is entirely foreign to me, however.
:)

See above.

Tom C.

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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread CollinB
 You are oversimplifying things a bit Collin. 

Simplifying yes, but not, I would argue, oversimplifying.
Different films have the characteristic differences of changes to sensors
and firmware behind them.
Certainly nobody would argue that all DSLRs are functional equivalents.
What comes after that is how much information can be packed into an image.

I agree that the K3 looks to be a real leader.
Let's just hope that it is not orphaned like the last 2 outstanding
solutions from Pentax -- LX and MZ-S.



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Re: OM-D E-M5 (was Aliasing question)

2013-10-10 Thread Eactivist
Good point. No, I mean like wait a year (or  eight months or so) for a real 
drop and more used cameras on the market.  Buy some used Canon gear until 
then.

When it comes to cameras, I've  learned to be patient.

Marnie aka Doe -- The Former Pentaxian  ;-)

In a message dated 10/9/2013 10:37:40 P.M. Pacific Daylight Time,  
a...@pobox.com writes:
On Wed, Oct 09, 2013, eactiv...@aol.com  wrote:

 Pssst. I am still seriously interested in the   Olympus EM-5. BUT... 
going 
 to wait until I can get it used.  

keh.com currently has them for $695/LN- or $665/EX+ (I'd probably  go
ahead and spend the extra $30 for LN- but it really doesn't  matter
AFAICT).  They probably will drop a bit more once the E-M1 (note  the
correct hyphen placement) ships, but I bet much of the drop has  already
occurred (new is currently $950 at bhphoto).  


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Re: PESO - Look Ma, No Hands

2013-10-10 Thread Eactivist
Nice one, frank. Like the guy to the side, he  looks ticked off that the 
other is doing so well.

Marnie aka Doe  :-)

In a message dated 10/9/2013 8:31:46 P.M. Pacific Daylight Time,  
knarftheria...@gmail.com writes:
Maybe my favourite of the series so  far:

http://mondociclismo.blogspot.ca/2013/10/look-ma-no-hands.html?m=1

Hope  you enjoy. Comments always welcome.

Cheers,
frank
“Analysis kills  spontaneity.” -- Henri-Frederic Amiel



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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Darren Addy
  I was reacting to the word leapfrogs in Bill's post.

I know you were. The thing that, frankly, bugs me the most about your
criticisms, in particular, is that they come from someone who has no
personal experience with Pentax bodies since the K-7. What you cannot
know, from personal experience, is that Pentax leapfrogged the
competition in the APS-C world, in the metric that is important to
most people (Image Quality, even at higher ISOs) when they introduced
the K-5. In your mind, apparently it didn't happen. In fact, it has
been only relatively recently that anything APS-C has even come close
to SURPASSING it. And as they do, Pentax appears to be raising the bar
yet again with the K-3. (I'm not one of those people who just has to
have the latest/greatest of everything, but I'm happy to see that
after their ownership change and all of the wondering by the Pentax
faithful that the company answers the bell with so strong of a
product - according to the specs.

I realize it remains to be seen if the K-3 delivers on what its specs
promise, but if you can name another APS-C camera ( that has been
announced today) that comes out in front of the K-3 even if only in
specs, I think we'd all love to hear it. If you can't then the K-3
will become the APS-C front-runner. It will have gotten there by
leapfrogging the competition. Nothing wrong (at all) with Bill's
choice of words and thus nothing to react to, unless you have a
(severely dull) axe to grind.

Aside: If the switchable AA filter thing works as intended, it will be
something that Nikon and Canon *can't* easily replicate - since they
don't have sensor movement as part of their current design. Sony
might, some day.

I sincerely hope you are happy with your D800E and your Sony NEX-7.
They are both fine cameras and I understand your rationale for
choosing them (very valid, IMHO). But what I truly don't get is why it
makes you happy to urinate in the Cheerios of those who still like
Pentax products. What does that do for you? More than anybody on this
list, I'm sure that I've gained the most from your leaving Pentax for
Nikon/Sony. I've gained your Bigma, your DA 16-45mm, and a BG-4 grip.
I'm much obliged.

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Re: Must say my Good Bye's

2013-10-10 Thread Chris Mitchell
You meant to say You can check out any time you like, but you can never leave

Chris

On 9 October 2013 18:51, P.J. Alling webstertwenty...@gmail.com wrote:
 You'll be back, seems like no one ever leaves for good.


 On 10/9/2013 9:05 AM, Walter Hamler wrote:

 It's been nice for a while but I must move on. Wish you guys and gals
 all the best. You truly are some great photographers!

 Walt



 --
 A newspaper is a device for making the ignorant more ignorant, and the
 crazy, crazier.

  - H.L.Mencken



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Re: IR's self-potrait in IR (and other science-fun photos)

2013-10-10 Thread Daniel J. Matyola
Quite interesting, all of them.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Thu, Oct 10, 2013 at 12:51 AM, Igor Roshchin s...@komkon.org wrote:


 The title says it all.
 http://42graphy.org/science/2013-04-physfest/demos/_IR04201.html

 I don't remember if I had shown this one earlier.
 I thought I did, but I cannot find the photo on the website or the
 message that had sent.



 I am going through the photos taken at the Physics Festival earlier this
 year.
 If you are science-image-curious, - take a look at this plasma
 discharge:
 http://42graphy.org/science/2013-04-physfest/demos/_IR04476.html

 Larry, this is not moire, even though it is shot with K-5IIs camera:
 http://42graphy.org/science/2013-04-physfest/demos/_IR04850.html
 Rather, it is a standing wave - this is what happens when you generate
 sound by sliding your finger on the glass.


 Larry, - you may also want to see how I used the 8mm fisheye with this one:
 http://42graphy.org/science/2013-04-physfest/demos/_IR04821.html and
 surrounding photos.

 Igor


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PESO: Two Guitars, Two Weeks (2 photos)

2013-10-10 Thread Walt
Welp! As some of you may remember, I was recently bitten by the guitar 
bug, so I went out and got a Lâg Tramontane T66D, which struck me as a 
hell of a guitar for the money. And I loved it.


Fast-forward two weeks, and . . . well:

http://www.flickriver.com/photos/walt_gilbert/10192635745/

Seems in my haste to get out the door at the end of my shift the other 
night, I slung my gig bag over my shoulder without bothering to zip it 
first. I was fairly heartbroken -- the closest I'd come to tears in years.


So, in order to help mend the heartbreak, I started trawling around the 
local classifieds and Craigslist. And, as luck would have it, I happened 
upon what seemed like a great deal: a Jasmine S35 (Takamine's budget 
line) with a brand new set of unopened D'Addario strings, a Snark 
digital tuner, a Kyser cap, a Stage guitar stand -- all for the whopping 
total of $50. I'd owned a Jasmine years ago and really liked it, but had 
to give it to my uncle after a friend of mine tripped over and stepped 
on the one he'd loaned me at a party. This one, however, I like even 
more as it has a satin/natural finish:


http://www.flickriver.com/photos/walt_gilbert/10192719793/

So, my heart has mended quite a bit. I love the way it sounds, and after 
a good setup from the guitar shop, I think I'm going to really love the 
way it plays. The action is a bit high, but the tone is really nice.


As I see it, I got a good deal on some accessories I already wanted, and 
a damn nice guitar thrown in for free. Tough to beat that, huh?


As for my Lâg, I put some Gorilla Glue in the break and clamped it down 
for a bit. It still plays like new, and even still very good sustain. 
The repair job wasn't the tidiest, but the fact of the matter is, it's a 
$200 guitar with a broken headstock. It's not like I was going to be 
able to get good money out of it, irrespective of the aesthetics of the 
repair job.


-- Walt

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Re: Must say my Good Bye's

2013-10-10 Thread Walt

Sorry to hear you're leaving, Walt. I certainly do wish you the best.

-- (The Other) Walt


On 10/9/2013 8:05 AM, Walter Hamler wrote:

It's been nice for a while but I must move on. Wish you guys and gals
all the best. You truly are some great photographers!

Walt




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Re: PESO: Two Guitars, Two Weeks (2 photos)

2013-10-10 Thread Alan C
Rather sad, but glad you fixed it. All you need now is some fancy ornamental 
wood or metalwork to hide the break. (Perhaps a screw or two first).


Alan

-Original Message- 
From: Walt

Sent: Thursday, October 10, 2013 8:07 PM
To: Pentax-Discuss Mail List
Subject: PESO: Two Guitars, Two Weeks (2 photos)

Welp! As some of you may remember, I was recently bitten by the guitar
bug, so I went out and got a Lâg Tramontane T66D, which struck me as a
hell of a guitar for the money. And I loved it.

Fast-forward two weeks, and . . . well:

http://www.flickriver.com/photos/walt_gilbert/10192635745/

Seems in my haste to get out the door at the end of my shift the other
night, I slung my gig bag over my shoulder without bothering to zip it
first. I was fairly heartbroken -- the closest I'd come to tears in years.

So, in order to help mend the heartbreak, I started trawling around the
local classifieds and Craigslist. And, as luck would have it, I happened
upon what seemed like a great deal: a Jasmine S35 (Takamine's budget
line) with a brand new set of unopened D'Addario strings, a Snark
digital tuner, a Kyser cap, a Stage guitar stand -- all for the whopping
total of $50. I'd owned a Jasmine years ago and really liked it, but had
to give it to my uncle after a friend of mine tripped over and stepped
on the one he'd loaned me at a party. This one, however, I like even
more as it has a satin/natural finish:

http://www.flickriver.com/photos/walt_gilbert/10192719793/

So, my heart has mended quite a bit. I love the way it sounds, and after
a good setup from the guitar shop, I think I'm going to really love the
way it plays. The action is a bit high, but the tone is really nice.

As I see it, I got a good deal on some accessories I already wanted, and
a damn nice guitar thrown in for free. Tough to beat that, huh?

As for my Lâg, I put some Gorilla Glue in the break and clamped it down
for a bit. It still plays like new, and even still very good sustain.
The repair job wasn't the tidiest, but the fact of the matter is, it's a
$200 guitar with a broken headstock. It's not like I was going to be
able to get good money out of it, irrespective of the aesthetics of the
repair job.

-- Walt

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Re: PESO: Two Guitars, Two Weeks (2 photos)

2013-10-10 Thread Chris Mitchell
Oh dear! The Jasmine looks good - a slightly rounded shoulder
Dreadnought. Good that you're able to do a fix on the Lâg as well.

You seem to be a little accident prone with your guitars...

Chris

On 10 October 2013 19:07, Walt ldott...@gmail.com wrote:
 Welp! As some of you may remember, I was recently bitten by the guitar bug,
 so I went out and got a Lâg Tramontane T66D, which struck me as a hell of a
 guitar for the money. And I loved it.

 Fast-forward two weeks, and . . . well:

 http://www.flickriver.com/photos/walt_gilbert/10192635745/

 Seems in my haste to get out the door at the end of my shift the other
 night, I slung my gig bag over my shoulder without bothering to zip it
 first. I was fairly heartbroken -- the closest I'd come to tears in years.

 So, in order to help mend the heartbreak, I started trawling around the
 local classifieds and Craigslist. And, as luck would have it, I happened
 upon what seemed like a great deal: a Jasmine S35 (Takamine's budget line)
 with a brand new set of unopened D'Addario strings, a Snark digital tuner, a
 Kyser cap, a Stage guitar stand -- all for the whopping total of $50. I'd
 owned a Jasmine years ago and really liked it, but had to give it to my
 uncle after a friend of mine tripped over and stepped on the one he'd loaned
 me at a party. This one, however, I like even more as it has a satin/natural
 finish:

 http://www.flickriver.com/photos/walt_gilbert/10192719793/

 So, my heart has mended quite a bit. I love the way it sounds, and after a
 good setup from the guitar shop, I think I'm going to really love the way it
 plays. The action is a bit high, but the tone is really nice.

 As I see it, I got a good deal on some accessories I already wanted, and a
 damn nice guitar thrown in for free. Tough to beat that, huh?

 As for my Lâg, I put some Gorilla Glue in the break and clamped it down for
 a bit. It still plays like new, and even still very good sustain. The repair
 job wasn't the tidiest, but the fact of the matter is, it's a $200 guitar
 with a broken headstock. It's not like I was going to be able to get good
 money out of it, irrespective of the aesthetics of the repair job.

 -- Walt

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Re: Must say my Good Bye's

2013-10-10 Thread Chris Mitchell
Or alternatively:

We hear you're leaving, that's ok
I thought our little wild time had just begun
I guess you kind of scared yourself, you turn and run
But if you have a change of heart...

Walter don't lose that number etc.

On 10 October 2013 18:42, Chris Mitchell chris.mitch...@which.net wrote:
 You meant to say You can check out any time you like, but you can never 
 leave

 Chris

 On 9 October 2013 18:51, P.J. Alling webstertwenty...@gmail.com wrote:
 You'll be back, seems like no one ever leaves for good.


 On 10/9/2013 9:05 AM, Walter Hamler wrote:

 It's been nice for a while but I must move on. Wish you guys and gals
 all the best. You truly are some great photographers!

 Walt



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Re: PESO: Two Guitars, Two Weeks (2 photos)

2013-10-10 Thread Walt

Thanks, Alan.

The ornamental metalwork sounds like a great idea. I may just have to 
look into that.


There are a couple of luthiers in the area, one is a friend-of-a-friend. 
Maybe I'll give him a call.


-- Walt

On 10/10/2013 1:23 PM, Alan C wrote:
Rather sad, but glad you fixed it. All you need now is some fancy 
ornamental wood or metalwork to hide the break. (Perhaps a screw or 
two first).


Alan

-Original Message- From: Walt
Sent: Thursday, October 10, 2013 8:07 PM
To: Pentax-Discuss Mail List
Subject: PESO: Two Guitars, Two Weeks (2 photos)

Welp! As some of you may remember, I was recently bitten by the guitar
bug, so I went out and got a Lâg Tramontane T66D, which struck me as a
hell of a guitar for the money. And I loved it.

Fast-forward two weeks, and . . . well:

http://www.flickriver.com/photos/walt_gilbert/10192635745/

Seems in my haste to get out the door at the end of my shift the other
night, I slung my gig bag over my shoulder without bothering to zip it
first. I was fairly heartbroken -- the closest I'd come to tears in 
years.


So, in order to help mend the heartbreak, I started trawling around the
local classifieds and Craigslist. And, as luck would have it, I happened
upon what seemed like a great deal: a Jasmine S35 (Takamine's budget
line) with a brand new set of unopened D'Addario strings, a Snark
digital tuner, a Kyser cap, a Stage guitar stand -- all for the whopping
total of $50. I'd owned a Jasmine years ago and really liked it, but had
to give it to my uncle after a friend of mine tripped over and stepped
on the one he'd loaned me at a party. This one, however, I like even
more as it has a satin/natural finish:

http://www.flickriver.com/photos/walt_gilbert/10192719793/

So, my heart has mended quite a bit. I love the way it sounds, and after
a good setup from the guitar shop, I think I'm going to really love the
way it plays. The action is a bit high, but the tone is really nice.

As I see it, I got a good deal on some accessories I already wanted, and
a damn nice guitar thrown in for free. Tough to beat that, huh?

As for my Lâg, I put some Gorilla Glue in the break and clamped it down
for a bit. It still plays like new, and even still very good sustain.
The repair job wasn't the tidiest, but the fact of the matter is, it's a
$200 guitar with a broken headstock. It's not like I was going to be
able to get good money out of it, irrespective of the aesthetics of the
repair job.

-- Walt




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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Tom C
 I know you were. The thing that, frankly, bugs me the most about your
 criticisms, in particular, is that they come from someone who has no
 personal experience with Pentax bodies since the K-7. What you cannot
 know, from personal experience, is that Pentax leapfrogged the
 competition in the APS-C world, in the metric that is important to
 most people (Image Quality, even at higher ISOs) when they introduced
 the K-5. In your mind, apparently it didn't happen. In fact, it has
 been only relatively recently that anything APS-C has even come close
 to SURPASSING it. And as they do, Pentax appears to be raising the bar
 yet again with the K-3. (I'm not one of those people who just has to
 have the latest/greatest of everything, but I'm happy to see that
 after their ownership change and all of the wondering by the Pentax
 faithful that the company answers the bell with so strong of a
 product - according to the specs.

And I say, so what if I didn't own a K-5? Whether I've owned a K-5 or
not has not been the basis for my camera purchasing decisions. You
make numerous claims about it's superiority yet I can figure you
haven't actually picked up the competition and examined the output
scientifically.

What criticisms? Not of the K-5. I've never said the K-5 is an
inferior camera in it's class. In fact by all accounts it's excellent
in terms of high ISO.

It seems to me that you take statistics and statements that are in
reality a 'splitting of hairs' and then make grandiose statements like
'Pentax leapfrogged the competition in the APS-C world, in the
metric that is important to most people (Image Quality, even at higher
ISOs) when they introduced the K-5'.

dpreview writes in it's K-5 review: The Pentax K-5's noise reduction
does a remarkably good job and is pretty much on par with the best
performing APS-C camera in low light that we've tested so far, the
Nikon D7000 (not that much of a surprise as both cameras are built
around the same sensor technology)... Generally the differences in
high ISO performance between the APS-C models of this latest
generation of digital SLRs is fairly small. The K-5 uses a slightly
more contrasty tone-curve than the Nikon D7000 but in terms of detail
the difference between the two cameras is marginal.

dxomark: gives the K-5 sensor a score of 82 and the D7000, a score of
80. The K-5 is clearly better, right? dxomark goes on to write:
Sensor Overall Score is logarithmic. A 5-point difference on the scale
corresponds to a gain or loss of sensitivity of 1/3 of a stop. So the
difference in real terms is less than 1/6 of a stop.

Luminous Landscape explains: Don't get hung up on score differences of
only a few points: 5 points is roughly the smallest visible difference
in actual photos (DxO says it is equivalent to 1/3 stop). The
measurements themselves appear to be repeatable in DxO’s lab to within
one or two points

Those and other reviews lead me to believe that the statement Pentax
leapfrogged the competition is inaccurate and exaggerated. The
reality is that the IQ between the K-5 and the D7000 at least, is
almost identical and if one does have an edge it's likely invisible to
the eye.

Pentax leapfrogged their prior model, and the prior generation of
sensors, not the competition.

 I realize it remains to be seen if the K-3 delivers on what its specs
 promise, but if you can name another APS-C camera ( that has been
 announced today) that comes out in front of the K-3 even if only in
 specs, I think we'd all love to hear it. If you can't then the K-3
 will become the APS-C front-runner. It will have gotten there by
 leapfrogging the competition. Nothing wrong (at all) with Bill's
 choice of words and thus nothing to react to, unless you have a
 (severely dull) axe to grind.

That's plain ridiculous Darren. If I can name another APS-C announced
TODAY? What about tomorrow? I don't think the K-3 leapfrogs the
competition. It's merely the newest Pentax model, to be followed by
newer models by others, and by Ricoh (Pentax).

If leapfrogging is something to be proud about then we might as well
admit it doesn't really matter because you know how the game works.

 Aside: If the switchable AA filter thing works as intended, it will be
 something that Nikon and Canon *can't* easily replicate - since they
 don't have sensor movement as part of their current design. Sony
 might, some day.

I frankly see that feature as a footnote that would not enter into a
purchasing decision.

 I sincerely hope you are happy with your D800E and your Sony NEX-7.
 They are both fine cameras and I understand your rationale for
 choosing them (very valid, IMHO). But what I truly don't get is why it
 makes you happy to urinate in the Cheerios of those who still like
 Pentax products. What does that do for you? More than anybody on this
 list, I'm sure that I've gained the most from your leaving Pentax for
 Nikon/Sony. I've gained your Bigma, your DA 16-45mm, and a BG-4 grip.
 I'm much obliged.

You're 

Re: PESO: Two Guitars, Two Weeks (2 photos)

2013-10-10 Thread Walt

Thanks, Chris.

And, yes -- I'm accident prone in all kinds of ways: cameras, lenses, 
guitars. But, believe it or not, I've only broken one glass as a bartender.


I'm very selective about the kind of things I break.

-- Walt


On 10/10/2013 1:51 PM, Chris Mitchell wrote:

Oh dear! The Jasmine looks good - a slightly rounded shoulder
Dreadnought. Good that you're able to do a fix on the Lâg as well.

You seem to be a little accident prone with your guitars...

Chris

On 10 October 2013 19:07, Walt ldott...@gmail.com wrote:

Welp! As some of you may remember, I was recently bitten by the guitar bug,
so I went out and got a Lâg Tramontane T66D, which struck me as a hell of a
guitar for the money. And I loved it.

Fast-forward two weeks, and . . . well:

http://www.flickriver.com/photos/walt_gilbert/10192635745/

Seems in my haste to get out the door at the end of my shift the other
night, I slung my gig bag over my shoulder without bothering to zip it
first. I was fairly heartbroken -- the closest I'd come to tears in years.

So, in order to help mend the heartbreak, I started trawling around the
local classifieds and Craigslist. And, as luck would have it, I happened
upon what seemed like a great deal: a Jasmine S35 (Takamine's budget line)
with a brand new set of unopened D'Addario strings, a Snark digital tuner, a
Kyser cap, a Stage guitar stand -- all for the whopping total of $50. I'd
owned a Jasmine years ago and really liked it, but had to give it to my
uncle after a friend of mine tripped over and stepped on the one he'd loaned
me at a party. This one, however, I like even more as it has a satin/natural
finish:

http://www.flickriver.com/photos/walt_gilbert/10192719793/

So, my heart has mended quite a bit. I love the way it sounds, and after a
good setup from the guitar shop, I think I'm going to really love the way it
plays. The action is a bit high, but the tone is really nice.

As I see it, I got a good deal on some accessories I already wanted, and a
damn nice guitar thrown in for free. Tough to beat that, huh?

As for my Lâg, I put some Gorilla Glue in the break and clamped it down for
a bit. It still plays like new, and even still very good sustain. The repair
job wasn't the tidiest, but the fact of the matter is, it's a $200 guitar
with a broken headstock. It's not like I was going to be able to get good
money out of it, irrespective of the aesthetics of the repair job.

-- Walt

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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Larry Colen
On Thu, Oct 10, 2013 at 12:57:21PM -0600, Tom C wrote:
 
 dpreview writes in it's K-5 review: The Pentax K-5's noise reduction
 does a remarkably good job and is pretty much on par with the best
 performing APS-C camera in low light that we've tested so far, the
 Nikon D7000 (not that much of a surprise as both cameras are built
 around the same sensor technology)... Generally the differences in
 high ISO performance between the APS-C models of this latest
 generation of digital SLRs is fairly small. The K-5 uses a slightly
 more contrasty tone-curve than the Nikon D7000 but in terms of detail
 the difference between the two cameras is marginal.

For whatever it's worth, the one time that I had a chance to compare 
a K-5 side by side with a D7000 in a low light situation (in the -2EV to 2EV 
range), the K-5 vastly outperformed the D7000 in every regard.

-- 
Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Darren Addy
Larry, you shoot with a Pentax, so what do YOU know.

On Thu, Oct 10, 2013 at 2:36 PM, Larry Colen l...@red4est.com wrote:
 On Thu, Oct 10, 2013 at 12:57:21PM -0600, Tom C wrote:

 dpreview writes in it's K-5 review: The Pentax K-5's noise reduction
 does a remarkably good job and is pretty much on par with the best
 performing APS-C camera in low light that we've tested so far, the
 Nikon D7000 (not that much of a surprise as both cameras are built
 around the same sensor technology)... Generally the differences in
 high ISO performance between the APS-C models of this latest
 generation of digital SLRs is fairly small. The K-5 uses a slightly
 more contrasty tone-curve than the Nikon D7000 but in terms of detail
 the difference between the two cameras is marginal.

 For whatever it's worth, the one time that I had a chance to compare
 a K-5 side by side with a D7000 in a low light situation (in the -2EV to 2EV
 range), the K-5 vastly outperformed the D7000 in every regard.

 --
 Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Tom C
Larry wrote:

 For whatever it's worth, the one time that I had a chance to compare
 a K-5 side by side with a D7000 in a low light situation (in the -2EV to 2EV
 range), the K-5 vastly outperformed the D7000 in every regard.

I'm not here to argue the merits of a K-5 vs. D7000 Larry. Why would I?

But was it a scientific comparison or was it swapping cameras and
handling it for a few minutes? Too many variables involved to make
meaningful judgement calls (including lens) especially if it was just
one time.

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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Paul Stenquist

On Oct 10, 2013, at 3:55 PM, Tom C caka...@gmail.com wrote:

 Larry wrote:
 
 For whatever it's worth, the one time that I had a chance to compare
 a K-5 side by side with a D7000 in a low light situation (in the -2EV to 2EV
 range), the K-5 vastly outperformed the D7000 in every regard.
 
 I'm not here to argue the merits of a K-5 vs. D7000 Larry. Why would I?

But then you do:-)
 
 But was it a scientific comparison or was it swapping cameras and
 handling it for a few minutes? Too many variables involved to make
 meaningful judgement calls (including lens) especially if it was just
 one time.
 
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HDR as a genre?

2013-10-10 Thread Igor Roshchin

I just came across a website of a photographer who essentially refers to
HDR as a genre (or subject?) of photography (along with City
music band, and sports photography:
http://blueblockphotography.com/galleries/hdr-photos/

I thought some PDMLers will be sho... err. amused :-)

Igor


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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Tom C

 I'm not here to argue the merits of a K-5 vs. D7000 Larry. Why would I?

 But then you do:-)

That's BS Paul and you know it. :)

Tom C.

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OT: NASA Humanity Portrait

2013-10-10 Thread Eactivist
Every now and then AOL still coughs up an  interesting article.

This Single Portrait Would Explain Humanity to  Aliens -- a project by  
NASA.

http://www.tested.com/science/space/458434-portrait-humanity-was-nearly-sent
-titan/?icid=maing-grid7%7Chtmlws-main-bb%7Cdl10%7Csec1_lnk2%26pLid%3D389263

http://tinyurl.com/mu2o27y

Marnie  aka Doe :-)  


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Re: HDR as a genre?

2013-10-10 Thread Mark Roberts
Igor Roshchin wrote:


I just came across a website of a photographer who essentially refers to
HDR as a genre (or subject?) of photography (along with City
music band, and sports photography:
http://blueblockphotography.com/galleries/hdr-photos/

I thought some PDMLers will be sho... err. amused :-)

My eyes! The pain! Make it go away!
 
-- 
Mark Roberts - Photography  Multimedia
www.robertstech.com





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Re: HDR as a genre?

2013-10-10 Thread Doug Franklin

On 2013-10-10 16:49, Mark Roberts wrote:

Igor Roshchin wrote:



http://blueblockphotography.com/galleries/hdr-photos/

I thought some PDMLers will be sho... err. amused :-)


My eyes! The pain! Make it go away!


If you construe the term broadly enough, I guess Utter Crap is also a 
genre. :)


--
Doug Lefty Franklin
NutDriver Racing
http://NutDriver.org
Facebook NutDriver Racing
Sponsored by Murphy


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Re: HDR as a genre?

2013-10-10 Thread Larry Colen
On Thu, Oct 10, 2013 at 04:59:22PM -0400, Doug Franklin wrote:
 On 2013-10-10 16:49, Mark Roberts wrote:
 Igor Roshchin wrote:
 
 http://blueblockphotography.com/galleries/hdr-photos/
 
 I thought some PDMLers will be sho... err. amused :-)
 
 My eyes! The pain! Make it go away!
 
 If you construe the term broadly enough, I guess Utter Crap is
 also a genre. :)

Why not? Rap music is a genre.


-- 
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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Larry Colen
On Thu, Oct 10, 2013 at 01:55:52PM -0600, Tom C wrote:
 Larry wrote:
 
  For whatever it's worth, the one time that I had a chance to compare
  a K-5 side by side with a D7000 in a low light situation (in the -2EV to 2EV
  range), the K-5 vastly outperformed the D7000 in every regard.
 
 I'm not here to argue the merits of a K-5 vs. D7000 Larry. Why would I?

Because if nobody else were around you'd argue with your own shadow
whether the sun was shining.

 
 But was it a scientific comparison or was it swapping cameras and
 handling it for a few minutes? Too many variables involved to make
 meaningful judgement calls (including lens) especially if it was just
 one time.

It was not a scientific comparison, I was helping a friend learn how to use
his new D7000 for photographing blues dancing.  I was very excited to have
a chance to try it out. I was very tempted to buy one when they came out
because it was the first affordable nikon that would work well with 
my box of nikon mount lenses.  

We were both using glass that was around f/1.8.  

It was a very informal comparison, and could have been done a lot more
scientifically.  

-- 
Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: HDR as a genre?

2013-10-10 Thread Mark Roberts
Doug Franklin wrote:

If you construe the term broadly enough, I guess Utter Crap is also a 
genre. :)

The battle for Quotation of the year is looking to be fierce in
2013!

 
-- 
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www.robertstech.com





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Re: HDR as a genre?

2013-10-10 Thread Brian Walters

Quoting Igor Roshchin s...@komkon.org:


I just came across a website of a photographer who essentially refers to
HDR as a genre (or subject?) of photography (along with City
music band, and sports photography:
http://blueblockphotography.com/galleries/hdr-photos/

I thought some PDMLers will be sho... err. amused :-)





One or two of those look *almost* realistic, if you can ignore the  
highly saturated colours.


Most, though, are...er, interesting, in the way that a train wreck is  
interesting - but not something you'd wish on anybody.



--
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



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Re: HDR as a genre?

2013-10-10 Thread Paul Stenquist
It has become PC to hate HDR, but like all techniques it has value when used 
with discretion. Your example was appealing to an extent. In truth I found the 
cross filter star bursts more objectionable than the HDR rendering.

Paul via phone

 On Oct 10, 2013, at 5:09 PM, Mark Roberts postmas...@robertstech.com wrote:
 
 Doug Franklin wrote:
 
 If you construe the term broadly enough, I guess Utter Crap is also a 
 genre. :)
 
 The battle for Quotation of the year is looking to be fierce in
 2013!
 
 
 -- 
 Mark Roberts - Photography  Multimedia
 www.robertstech.com
 
 
 
 
 
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Re: HDR as a genre?

2013-10-10 Thread Mark Roberts
Paul Stenquist wrote:

It has become PC to hate HDR, but like all techniques it has value when used 
with discretion. Your example was appealing to an extent. In truth I found the 
cross filter star bursts more objectionable than the HDR rendering.

Funny. Because those stars were solely the result of pointing the
12-24 directly at point light sources at night. No filter used.


 
-- 
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www.robertstech.com





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Re: Must say my Good Bye's

2013-10-10 Thread Darren Addy
OK. Now, thanks to Chris, I just GOTTA dial up my Steely Dan channel on Pandora.


On Thu, Oct 10, 2013 at 1:53 PM, Chris Mitchell
chris.mitch...@which.net wrote:
 Or alternatively:

 We hear you're leaving, that's ok
 I thought our little wild time had just begun
 I guess you kind of scared yourself, you turn and run
 But if you have a change of heart...

 Walter don't lose that number etc.

 On 10 October 2013 18:42, Chris Mitchell chris.mitch...@which.net wrote:
 You meant to say You can check out any time you like, but you can never 
 leave

 Chris

 On 9 October 2013 18:51, P.J. Alling webstertwenty...@gmail.com wrote:
 You'll be back, seems like no one ever leaves for good.


 On 10/9/2013 9:05 AM, Walter Hamler wrote:

 It's been nice for a while but I must move on. Wish you guys and gals
 all the best. You truly are some great photographers!

 Walt



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Re: HDR as a genre?

2013-10-10 Thread Ann Sanfedele

On 10/10/2013 16:49, Mark Roberts wrote:

Igor Roshchin wrote:



I just came across a website of a photographer who essentially refers to
HDR as a genre (or subject?) of photography (along with City
music band, and sports photography:
http://blueblockphotography.com/galleries/hdr-photos/

I thought some PDMLers will be sho... err. amused :-)


My eyes! The pain! Make it go away!


Ditto ... _except_ , oddly , for the one log cabin that is just before 
the covered bridge.. that one doesn't look HDR'ed ... 7th photo,

on my monitor it is the third one in the second row.

ann

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Re: PESO - Red Rocket

2013-10-10 Thread Walt Gilbert

Very nice, Frank!

I think that's an excellent, charming attraction to have in the city.

-- Walt

On 10/9/2013 6:04 PM, knarf wrote:

All Toronto transit vehicles are called red rockets now but originally it was 
just the old PCC streetcars.  Out of service for about 30 years now, they've 
spruced up one or two and use them for touristie things:

http://knarfdummyblog.blogspot.ca/2013/10/red-rocket.html?m=1

I think they can be chartered, too.

Hope you enjoy. Comments welcome.

Cheers,

frank
“Analysis kills spontaneity.” -- Henri-Frederic Amiel






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Re: HDR as a genre?

2013-10-10 Thread Daniel J. Matyola
I don't like any of his images, but I see no harm in letting him call
HDR a genre.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Thu, Oct 10, 2013 at 4:16 PM, Igor Roshchin s...@komkon.org wrote:

 I just came across a website of a photographer who essentially refers to
 HDR as a genre (or subject?) of photography (along with City
 music band, and sports photography:
 http://blueblockphotography.com/galleries/hdr-photos/

 I thought some PDMLers will be sho... err. amused :-)

 Igor


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Re: HDR as a genre?

2013-10-10 Thread Paul Stenquist
I was thinking that might be the case. Still don't like them:-). 

Paul via phone

 On Oct 10, 2013, at 5:35 PM, Mark Roberts postmas...@robertstech.com wrote:
 
 Paul Stenquist wrote:
 
 It has become PC to hate HDR, but like all techniques it has value when used 
 with discretion. Your example was appealing to an extent. In truth I found 
 the 
 cross filter star bursts more objectionable than the HDR rendering.
 
 Funny. Because those stars were solely the result of pointing the
 12-24 directly at point light sources at night. No filter used.
 
 
 
 -- 
 Mark Roberts - Photography  Multimedia
 www.robertstech.com
 
 
 
 
 
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Re: HDR as a genre?

2013-10-10 Thread Darren Addy
The definition of genre is a category of artistic composition, as
in music or literature, characterized by similarities in form, style,
or subject matter. Therefore it is not controversial to call it a
genre; it is controversial to call it a satisfying one, thanks to
those who commit visual attrocities in its name.

On Thu, Oct 10, 2013 at 4:45 PM, Paul Stenquist pnstenqu...@comcast.net wrote:
 I was thinking that might be the case. Still don't like them:-).

 Paul via phone

 On Oct 10, 2013, at 5:35 PM, Mark Roberts postmas...@robertstech.com wrote:

 Paul Stenquist wrote:

 It has become PC to hate HDR, but like all techniques it has value when used
 with discretion. Your example was appealing to an extent. In truth I found 
 the
 cross filter star bursts more objectionable than the HDR rendering.

 Funny. Because those stars were solely the result of pointing the
 12-24 directly at point light sources at night. No filter used.



 --
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 www.robertstech.com





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Re: HDR as a genre?

2013-10-10 Thread Mark Roberts
Daniel J. Matyola wrote:

I don't like any of his images, but I see no harm in letting him call
HDR a genre.

You're spoiling our fun here, Dan!
 
-- 
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www.robertstech.com





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Re: HDR as a genre?

2013-10-10 Thread Bob W
On 10 Oct 2013, at 22:53, Mark Roberts postmas...@robertstech.com wrote:
 
 Daniel J. Matyola wrote:
 
 I don't like any of his images, but I see no harm in letting him call
 HDR a genre.
 
 You're spoiling our fun here, Dan!
 

I would have him horse-whipped on the steps of his club.

B

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Re: HDR as a genre?

2013-10-10 Thread Collin Brendemuehl
I've seen it done two ways.
The first is very pleasant.  Just a small amount of processing can open up
shadows nicely.
But the second is quite offensive.  Everything has a white outline.  Yuk.
So sterile and mechanical.


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Re: Must say my Good Bye's

2013-10-10 Thread Collin Brendemuehl
We must be patient with Walt.
His six-stringed affair will not last forever.
Sooner or later he will return and prove his faithfulness.


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Re: HDR as a genre?

2013-10-10 Thread Paul Stenquist
I don't hate these. In fact, I quite like some of them. They have a painterly 
look. Many resemble painted postcard pics of yesteryear. The covered bridge is 
the only really awful one. But I'm not PC, so it's okay for me to like HDR pics.

Paul
On Oct 10, 2013, at 5:07 PM, Larry Colen l...@red4est.com wrote:

 On Thu, Oct 10, 2013 at 04:59:22PM -0400, Doug Franklin wrote:
 On 2013-10-10 16:49, Mark Roberts wrote:
 Igor Roshchin wrote:
 
 http://blueblockphotography.com/galleries/hdr-photos/
 
 I thought some PDMLers will be sho... err. amused :-)
 
 My eyes! The pain! Make it go away!
 
 If you construe the term broadly enough, I guess Utter Crap is
 also a genre. :)
 
 Why not? Rap music is a genre.
 
 
 -- 
 Larry Colen  l...@red4est.com http://red4est.com/lrc
 
 
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Re: HDR as a genre?

2013-10-10 Thread Paul Stenquist

On Oct 10, 2013, at 6:00 PM, Collin Brendemuehl coll...@brendemuehl.net 
wrote:

 I've seen it done two ways.
 The first is very pleasant.  Just a small amount of processing can open up
 shadows nicely.
 But the second is quite offensive.  Everything has a white outline.  Yuk.
 So sterile and mechanical.
 

I don't see a white outline on any of these, although there are some that 
display a tonality I don't like. But then, I'm old, and my eyes are probably 
not as good as yours.

Paul
 
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Re: HDR as a genre?

2013-10-10 Thread Mark Roberts
Ann Sanfedele wrote:

On 10/10/2013 16:49, Mark Roberts wrote:
 Igor Roshchin wrote:


 I just came across a website of a photographer who essentially refers to
 HDR as a genre (or subject?) of photography (along with City
 music band, and sports photography:
 http://blueblockphotography.com/galleries/hdr-photos/

 I thought some PDMLers will be sho... err. amused :-)

 My eyes! The pain! Make it go away!

Ditto ... _except_ , oddly , for the one log cabin that is just before 
the covered bridge.. that one doesn't look HDR'ed ... 7th photo,
on my monitor it is the third one in the second row.

The last one in the bottom row (large rock) has halos so huge they
look bad in the *thumbnail*!

There are a couple that are tolerable, but most look the kind of
visions that would make you give up LSD.
 
-- 
Mark Roberts - Photography  Multimedia
www.robertstech.com





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Re: HDR as a genre?

2013-10-10 Thread Larry Colen
On Thu, Oct 10, 2013 at 10:58:55PM +0100, Bob W wrote:
 On 10 Oct 2013, at 22:53, Mark Roberts postmas...@robertstech.com wrote:
  
  Daniel J. Matyola wrote:
  
  I don't like any of his images, but I see no harm in letting him call
  HDR a genre.
  
  You're spoiling our fun here, Dan!
  
 
 I would have him horse-whipped on the steps of his club.

It seems that there is nothing that unites a group more than the 
opportunity to feel superior over someone else.

-- 
Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: HDR as a genre?

2013-10-10 Thread Eactivist
Oh? Are we hearing a tid bit from your past? V-e-r-y interesting.  ;-)

Actually, some of the photos don't look too bad to me. But others  look 
awful, with ghosting around the edges of things. I also think HDR could  easily 
be called a genre, regardless of subject matter.

Marnie aka Doe  

In a message dated 10/10/2013 3:12:16 P.M. Pacific Daylight Time,  
postmas...@robertstech.com writes:

There are a couple that are tolerable, but most look the kind  of
visions that would make you give up LSD.

-- 
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www.robertstech.com
 

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Re: HDR as a genre?

2013-10-10 Thread Ann Sanfedele

Collin's old too, Paul :-)

ann

On 10/10/2013 18:08, Paul Stenquist wrote:


On Oct 10, 2013, at 6:00 PM, Collin Brendemuehl coll...@brendemuehl.net 
wrote:


I've seen it done two ways.
The first is very pleasant.  Just a small amount of processing can open up
shadows nicely.
But the second is quite offensive.  Everything has a white outline.  Yuk.
So sterile and mechanical.



I don't see a white outline on any of these, although there are some that 
display a tonality I don't like. But then, I'm old, and my eyes are probably 
not as good as yours.

Paul


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Re: Must say my Good Bye's

2013-10-10 Thread Walt Gilbert

Sorry, Collin -- you guys can't get rid of me that easily.

Walt Hamler is the one leaving the group. I'm still around, although 
very intermittent in my posting.


-- Walt G.

On 10/10/2013 5:01 PM, Collin Brendemuehl wrote:

We must be patient with Walt.
His six-stringed affair will not last forever.
Sooner or later he will return and prove his faithfulness.




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Re: HDR as a genre?

2013-10-10 Thread Darren Addy
On Thu, Oct 10, 2013 at 5:11 PM, Mark Roberts
postmas...@robertstech.com wrote:
 There are a couple that are tolerable, but most look the kind of
 visions that would make you give up LSD.

The LSD comment reminded me of an anomaly I ran across earlier this
week: A YouTube comment that actually made sense.
It described this video by Kerala Tourism with the tagline:
Kerala: Your LSD fever dream.

http://youtu.be/axHn7KDxM8U

You WILL be entertained.

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Re: HDR as a genre?

2013-10-10 Thread Walt Gilbert

On 10/10/2013 5:14 PM, Larry Colen wrote:

On Thu, Oct 10, 2013 at 10:58:55PM +0100, Bob W wrote:

On 10 Oct 2013, at 22:53, Mark Roberts postmas...@robertstech.com wrote:

Daniel J. Matyola wrote:


I don't like any of his images, but I see no harm in letting him call
HDR a genre.

You're spoiling our fun here, Dan!


I would have him horse-whipped on the steps of his club.

It seems that there is nothing that unites a group more than the
opportunity to feel superior over someone else.

I always suspected that was the reason I was so readily accepted into 
the fold.


-- Walt

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Re: HDR as a genre?

2013-10-10 Thread Mark Roberts
Larry Colen wrote:

On Thu, Oct 10, 2013 at 10:58:55PM +0100, Bob W wrote:
 On 10 Oct 2013, at 22:53, Mark Roberts postmas...@robertstech.com wrote:
  
  Daniel J. Matyola wrote:
  
  I don't like any of his images, but I see no harm in letting him call
  HDR a genre.
  
  You're spoiling our fun here, Dan!
 
 I would have him horse-whipped on the steps of his club.

It seems that there is nothing that unites a group more than the 
opportunity to feel superior over someone else.

You mean it's not just the appeal of horse whipping?
 
-- 
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www.robertstech.com





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Re: HDR as a genre?

2013-10-10 Thread Ann Sanfedele



On 10/10/2013 18:05, Paul Stenquist wrote:

...  Many resemble painted postcard pics of yesteryear.


I think that was definitely true of the first one, actually - postcards 
from the so-called linen era...which make those buildings look like

something from the 30's as well.

though I really dislike 90% of HDR'ed photos.
The Covered bridge certainly was the most offensive - but not by a large 
margin

ann


 The covered bridge is the only really awful one. But I'm not PC, so 
it's okay for me to like HDR pics.


Paul
On Oct 10, 2013, at 5:07 PM, Larry Colen l...@red4est.com wrote:


On Thu, Oct 10, 2013 at 04:59:22PM -0400, Doug Franklin wrote:

On 2013-10-10 16:49, Mark Roberts wrote:

Igor Roshchin wrote:



http://blueblockphotography.com/galleries/hdr-photos/

I thought some PDMLers will be sho... err. amused :-)


My eyes! The pain! Make it go away!


If you construe the term broadly enough, I guess Utter Crap is
also a genre. :)


Why not? Rap music is a genre.


--
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Re: HDR as a genre?

2013-10-10 Thread Paul Stenquist
Then maybe he's imagining the white line:-)

Paul via phone

 On Oct 10, 2013, at 6:17 PM, Ann Sanfedele ann...@nyc.rr.com wrote:
 
 Collin's old too, Paul :-)
 
 ann
 
 On 10/10/2013 18:08, Paul Stenquist wrote:
 
 On Oct 10, 2013, at 6:00 PM, Collin Brendemuehl coll...@brendemuehl.net 
 wrote:
 
 I've seen it done two ways.
 The first is very pleasant.  Just a small amount of processing can open up
 shadows nicely.
 But the second is quite offensive.  Everything has a white outline.  Yuk.
 So sterile and mechanical.
 
 I don't see a white outline on any of these, although there are some that 
 display a tonality I don't like. But then, I'm old, and my eyes are probably 
 not as good as yours.
 
 Paul
 
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Re: PESO - Look Ma, No Hands

2013-10-10 Thread Godfrey DiGiorgi
 On 10 Oct 2013, at 04:31, knarf knarftheria...@gmail.com wrote:
 
 Maybe my favourite of the series so far:
 
 http://mondociclismo.blogspot.ca/2013/10/look-ma-no-hands.html?m=1

I don't have enough years left to mend the bones it would break to learn how to 
do that sort of thing...

G



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Re: wifi live view

2013-10-10 Thread Godfrey DiGiorgi
I don't know much about the scatological metrics, but the Olympus E-M1 has this 
ability to wirelessly shunt video while recording.

G

On Oct 9, 2013, at 10:56 PM, Larry Colen l...@red4est.com wrote:

 It just occured to me that if the K-3 has wifi live view, not just preview,
 and it works with video camera mode, that could be a metric shit-ton of 
 awesome.


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Re: HDR as a genre?

2013-10-10 Thread Larry Colen
On Thu, Oct 10, 2013 at 06:20:56PM -0400, Mark Roberts wrote:
 Larry Colen wrote:
 
 On Thu, Oct 10, 2013 at 10:58:55PM +0100, Bob W wrote:
  On 10 Oct 2013, at 22:53, Mark Roberts postmas...@robertstech.com wrote:
   
   Daniel J. Matyola wrote:
   
   I don't like any of his images, but I see no harm in letting him call
   HDR a genre.
   
   You're spoiling our fun here, Dan!
  
  I would have him horse-whipped on the steps of his club.
 
 It seems that there is nothing that unites a group more than the 
 opportunity to feel superior over someone else.
 
 You mean it's not just the appeal of horse whipping?

Not unless I'm replying to the *other* email list.


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Why I love the PDML

2013-10-10 Thread Mark Roberts
For all its faults, shortcomings, quirks, flamewars and other
idiosyncrasies, the PDML is still the best.

I just took a look at the DP Review Pentax forum and there's a thread
there about features people want on the *replacement* for the K3.
Sometimes I despair for humanity.
 
-- 
Mark Roberts - Photography  Multimedia
www.robertstech.com





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Re: Why I love the PDML

2013-10-10 Thread Yolanda Rowe
Surely, you aren't surprised? I expected that particular feature war
to start as soon as the official specs leaked. Many Pentaxians must be
part dove.

Yonnie

On Thu, Oct 10, 2013 at 6:10 PM, Mark Roberts
postmas...@robertstech.com wrote:
 For all its faults, shortcomings, quirks, flamewars and other
 idiosyncrasies, the PDML is still the best.

 I just took a look at the DP Review Pentax forum and there's a thread
 there about features people want on the *replacement* for the K3.
 Sometimes I despair for humanity.

 --
 Mark Roberts - Photography  Multimedia
 www.robertstech.com





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Re: PESO 2013 - 097 - GDG

2013-10-10 Thread Mark C

On 10/9/2013 9:44 AM, Godfrey DiGiorgi wrote:

A new project beckons ...

   http://www.flickr.com/photos/gdgphoto/10169937905/lightbox

thanks for looking. comments always appreciated.

Godfrey - www.flickr.com/photos/gdgphoto/


Beautiful image - great tonality and feel, excellent composition.

Mark

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Re: Why I love the PDML

2013-10-10 Thread Paul Stenquist
Ouch! That's truly weird. I'm really looking forward to the k-3. Had planned to 
wait but just wrapped some big jobs, so I figured I ought to ante up now. 
Thinking I might have gotten one or two more good frames of that heron in 
flight with better autofocus, wondering if I'll alter my technique given more 
focus points. Should be fun.

Paul via phone

 On Oct 10, 2013, at 7:10 PM, Mark Roberts postmas...@robertstech.com wrote:
 
 For all its faults, shortcomings, quirks, flamewars and other
 idiosyncrasies, the PDML is still the best.
 
 I just took a look at the DP Review Pentax forum and there's a thread
 there about features people want on the *replacement* for the K3.
 Sometimes I despair for humanity.
 
 -- 
 Mark Roberts - Photography  Multimedia
 www.robertstech.com
 
 
 
 
 
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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Re: HDR as a genre?

2013-10-10 Thread Bruce Walker
Anomaly? Greatest Understatement Ever. You're right though: entertaining.

The guy with the huge phallus headgear was my personal spit-take moment.


On Thu, Oct 10, 2013 at 6:19 PM, Darren Addy pixelsmi...@gmail.com wrote:
 On Thu, Oct 10, 2013 at 5:11 PM, Mark Roberts
 postmas...@robertstech.com wrote:
 There are a couple that are tolerable, but most look the kind of
 visions that would make you give up LSD.

 The LSD comment reminded me of an anomaly I ran across earlier this
 week: A YouTube comment that actually made sense.
 It described this video by Kerala Tourism with the tagline:
 Kerala: Your LSD fever dream.

 http://youtu.be/axHn7KDxM8U

 You WILL be entertained.

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-bmw

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PESO Mid-30s Ford V-8

2013-10-10 Thread Paul Sorenson
On display at our local Historical Society's Applefest last 
weekend...unfortunately, the owner wasn't around to close the hood for 
me.  Think it's a 1935...


http://studio1941.com/applefest/index.html

3947 printed as a 13x19 on Red River Polar Pearl Metallic paper.

K-5, Tamron 18-200mm

-p
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Being old doesn't seem so old now that I'm old.

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Re: Why I love the PDML

2013-10-10 Thread Larry Colen
On Thu, Oct 10, 2013 at 07:10:56PM -0400, Mark Roberts wrote:
 For all its faults, shortcomings, quirks, flamewars and other
 idiosyncrasies, the PDML is still the best.
 
 I just took a look at the DP Review Pentax forum and there's a thread
 there about features people want on the *replacement* for the K3.
 Sometimes I despair for humanity.

Shortly after buying my K100 I started hanging out on the DPR pentax 
forum.  There were maybe half a dozen clueful photographers on it,
swarms of people who thought they were clueful photographers because
they had figured out how to limit depth of field using a wide aperture,
and a constant influx of people who were in the process of learning
what an aperture was. 

And in relation to the first two lines: s/For/Because of/

-- 
Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: I seem to have stepped into an alternate universe...

2013-10-10 Thread Bill

On 10/10/2013 8:15 AM, Tom C wrote:

From: Bill anotherdrunken...@gmail.com
Pentax has been on it's way out since I was selling cameras 30 years
ago. They went from being an industry leader to a wannabe in one
generation of cameras.
All of a sudden, they have something to market that, in many ways,
leapfrogs the competition rather than being two steps behind with their
best.
There is no sarcasm in looking at what they have come up with here and
saying they have more on the ball now than they have had for nearly
three decades.
It seems to have worked out for Pentax, finally.

bill

I agree with much of what you say, but leapfrogs???
In some respects yes. Nikon has nothing that specs out to the K3 for 
example.


It's still a 24MP camera that's a year and a half to two years late.
That's one metric. I'm sure you know there is more to cameras than pixel 
count. It would have been nice if Hoya had done more with the brand in 
the five years or so they had it, but it is what it is.


It's amazing that 3 months ago the K-5/K-5II fulfilled everyone's
needs and 'why would one want more resolution?', and now it's goo-goo
ga-ga over the K-3.
I've never said i didn't want a higher res sensor, though whether I need 
it is another story. What I need is an AF system that works reliably in 
the studio. Pentax fell down, and fell down badly with the K5 in this 
regard.


bill


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Re: HDR as a genre?

2013-10-10 Thread Paul Stenquist
One of my most interesting LSD moments came while driving on chicago's dan Ryan 
expressway. The car remained stationery and the road rushed by below it.

Paul via phone

 On Oct 10, 2013, at 7:32 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 
 Anomaly? Greatest Understatement Ever. You're right though: entertaining.
 
 The guy with the huge phallus headgear was my personal spit-take moment.
 
 
 On Thu, Oct 10, 2013 at 6:19 PM, Darren Addy pixelsmi...@gmail.com wrote:
 On Thu, Oct 10, 2013 at 5:11 PM, Mark Roberts
 postmas...@robertstech.com wrote:
 There are a couple that are tolerable, but most look the kind of
 visions that would make you give up LSD.
 
 The LSD comment reminded me of an anomaly I ran across earlier this
 week: A YouTube comment that actually made sense.
 It described this video by Kerala Tourism with the tagline:
 Kerala: Your LSD fever dream.
 
 http://youtu.be/axHn7KDxM8U
 
 You WILL be entertained.
 
 --
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 to UNSUBSCRIBE from the PDML, please visit the link directly above and 
 follow the directions.
 
 
 
 -- 
 -bmw
 
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Re: Why I love the PDML

2013-10-10 Thread Bill

On 10/10/2013 5:10 PM, Mark Roberts wrote:

For all its faults, shortcomings, quirks, flamewars and other
idiosyncrasies, the PDML is still the best.

I just took a look at the DP Review Pentax forum and there's a thread
there about features people want on the *replacement* for the K3.
Sometimes I despair for humanity.
  
Yeah, Joe Tainter started it I believe. They are already whining about 
this and that, apparently the WiFi solution sucks toad bottoms.


bill

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Re: PESO Mid-30s Ford V-8

2013-10-10 Thread Godfrey DiGiorgi
#2 is the most appealing of these three to my eye. Nice forms and tones. 

G

On Oct 10, 2013, at 4:43 PM, Paul Sorenson pentax1...@gmail.com wrote:

 On display at our local Historical Society's Applefest last 
 weekend...unfortunately, the owner wasn't around to close the hood for me.  
 Think it's a 1935...
 
 http://studio1941.com/applefest/index.html
 
 3947 printed as a 13x19 on Red River Polar Pearl Metallic paper.
 
 K-5, Tamron 18-200mm


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