Both nice images, Eric - worth all the trouble!
I'm going through the same process myself, sorting, discarding or scanning
negatives from 1967 onwards...
John in Brisbane
-Original Message-
From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Eric Weir
Sent: Sunday, 29 October 2017
My sincere apology, Paul!
You are right: this is not the right venue for the literary discussion.
(After sending the message, I thought that I should have sent it off the
list, but it was too late.)
The reason I started asking you was that I was interested in your
professional opinion and
> > On Oct 28, 2017, at 6:56 PM, Eric Weir wrote:
> >
> > So far I’ve been working with “Color Control” with “Continuous auto
> > exposure” and “Display Gamma 2.2” turned on.
> >
> > These photos were shot by my brother, probably somewhere in the mid-70s. The
> > film is
CRASH!!
J
- Original Message -
From: "Paul Stenquist"
To: "Pentax-Discuss Mail List"
Sent: Saturday, October 28, 2017 7:02:25 PM
Subject: PESO: Contact
Shot during an elementary school
playoff game at Detroit’s Ford Field.
K-1 and 150-450.
Shot during an elementary school
playoff game at Detroit’s Ford Field.
K-1 and 150-450.
https://www.photo.net/photo/18432527/6897
Paulvia phone
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On 10/28/2017 19:18, Eric Weir wrote:
On Oct 28, 2017, at 6:56 PM, Eric Weir wrote:
So far I’ve been working with “Color Control” with “Continuous auto exposure”
and “Display Gamma 2.2” turned on.
These photos were shot by my brother, probably somewhere in the
On 10/28/2017 18:56, Eric Weir wrote:
On Oct 28, 2017, at 4:45 PM, Eric Weir
wrote:
I found it. Under “Configuration” I switch “Color” from “No Color
Correction” to either “Color Control” or “Color Sync.”
“Adjustments” comes on.
As you might expect, I have no idea what
The 6x7 is big, but I don’t remember it as being oppressively heavy. It was my
go to tool for a few years, and I had lenses from 45mm to 300mm plus a 2x
converter. Of course I was 15 years younger and pumping iron every day.
Paul via phone
> On Oct 28, 2017, at 5:57 PM, Daniel J. Matyola
Both very nice. Congratulations!
Paul via phone
> On Oct 28, 2017, at 7:32 PM, Eric Weir wrote:
>
>
>>> On Oct 28, 2017, at 7:28 PM, Eric Weir wrote:
>>>
>>> On Oct 28, 2017, at 7:22 PM, Paul Stenquist wrote:
>>>
>>> The
> On Oct 28, 2017, at 7:28 PM, Eric Weir wrote:
>
>> On Oct 28, 2017, at 7:22 PM, Paul Stenquist wrote:
>>
>> The grain would generally be a film issue. The only exception might be if
>> the scans are underexposed and you’re pushing the results hard
> On Oct 28, 2017, at 7:22 PM, Paul Stenquist wrote:
>
> The grain would generally be a film issue. The only exception might be if the
> scans are underexposed and you’re pushing the results hard when rendering.
Thanks, Paul. Most of the images were underexposed. Several
The grain would generally be a film issue. The only exception might be if the
scans are underexposed and you’re pushing the results hard when rendering.
Paul via phone
> On Oct 28, 2017, at 7:18 PM, Eric Weir wrote:
>
>
>> On Oct 28, 2017, at 6:56 PM, Eric Weir
> On Oct 28, 2017, at 6:56 PM, Eric Weir wrote:
>
> So far I’ve been working with “Color Control” with “Continuous auto exposure”
> and “Display Gamma 2.2” turned on.
>
> These photos were shot by my brother, probably somewhere in the mid-70s. The
> film is Kodak Safety
Rick Womer wrote:
Wandering about the Marquette University campus in MKE today, I rolled
20,000 exposures on my 5-year-old K-5. My shooting has slowed down a
lot this past year or so because of time pressure (work and house
renovations) and my trying to be more selective and careful in my
> On Oct 28, 2017, at 4:45 PM, Eric Weir wrote:
>
> I found it. Under “Configuration” I switch “Color” from “No Color Correction”
> to either “Color Control” or “Color Sync.” “Adjustments” comes on.
>
> As you might expect, I have no idea what the difference is between
> On Oct 28, 2017, at 4:51 PM, Paul Sorenson wrote:
>
> In the upper left corner of the Epson Scan window there's a drop-down list
> for the "Mode". Selecting "Professional Mode" from that list should give you
> a bunch of adjustment options.
>
>
Wandering about the Marquette University campus in MKE today, I rolled
20,000 exposures on my 5-year-old K-5. My shooting has slowed down a
lot this past year or so because of time pressure (work and house
renovations) and my trying to be more selective and careful in my
shooting.
I continue to
Nice display of the cameras and their comparative sizws
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
On Sat, Oct 28, 2017 at 5:32 PM, Larry Colen wrote:
> I borrowed my neighbor's 55-150 for the 67 today, next step is to pick up
> a couple rolls of film.
>
> I
That’s correct.
Paul via phone
> On Oct 28, 2017, at 5:32 PM, Larry Colen wrote:
>
> I borrowed my neighbor's 55-150 for the 67 today, next step is to pick up a
> couple rolls of film.
>
> I don't know the angle of view equivalence off the top of my head, but these
> three
I borrowed my neighbor's 55-150 for the 67 today, next step is to pick
up a couple rolls of film.
I don't know the angle of view equivalence off the top of my head, but
these three lenses on these three bodies are fairly close:
16-50 on K3
28-75 on K1
55-150 on 67
It would have been more
Eric -
In the upper left corner of the Epson Scan window there's a drop-down
list for the "Mode". Selecting "Professional Mode" from that list
should give you a bunch of adjustment options.
https://app.box.com/s/rq2qcr7yk0e1yojzf7mvybkw84wdmpbu
-p (The other Paul)
On 10/28/2017 2:58 PM,
Excellent!
Paul via phone
> On Oct 28, 2017, at 4:45 PM, Eric Weir wrote:
>
>
> I found it. Under “Configuration” I switch “Color” from “No Color Correction”
> to either “Color Control” or “Color Sync.” “Adjustments” comes on.
>
> As you might expect, I have no idea
I found it. Under “Configuration” I switch “Color” from “No Color Correction”
to either “Color Control” or “Color Sync.” “Adjustments” comes on.
As you might expect, I have no idea what the difference is between these two.
“Color Control” has two options: “Continuous auto exposure” and
Not sure. Try zooming on the preview. Check the parameter settings. When I have
time I’ll try to duplicate this.
Paul via phone
> On Oct 28, 2017, at 3:58 PM, Eric Weir wrote:
>
>
> Thanks again, Paul. That was sort of where I was being led by what I was
> coming
Thanks again, Paul. That was sort of where I was being led by what I was coming
across on the web.
Do you have any idea why adjustments are turned off for me? The items appear
slightly greyed out and when I click on them nothing happens. Also have not
found anything else in the window that
This is a recent experiment. I hope to do better in the future.
https://www.photo.net/photo/18432629/Painted-LadyCaterpillar-4
K-5 IIs, FA 100 mm macro F 2.8
Comments are invited and greatly appreciated.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
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PDML Pentax-Discuss Mail
I don’t always make adjustments before scanning. I only do it when necessary to
get an image that is good enough to perfect in photoshop. In other words, an
image that records all the detail in the meg or transparency, but not
necessarily with ideal black point and white point. If the neg shows
Thanks, Paul. I take it that was in reference to the question about
adjustments, i.e., turning them on. I selected an image, in thumbnail view,
then did another preview. Adjustments are still turned off.
WIAI, reading on the web there seem to be different opinions about making
adjustments in
Bob W-PDML wrote:
I haven't read Paul's article, but I have read George Orwell's Politics and the
English Language, and one should always pay attention to his rule vi.
Does he also have a rule emacs?
--
Larry Colen l...@red4est.com (postbox on min4est) http://red4est.com/lrc
--
PDML
I too have read Orwell. Rule six is applicable to every communication, but many
of his other points remain valid as well. Clarity, brevity and active voice are
always better than pretentious language, padded prose and passive voice.
Paul via phone
> On Oct 28, 2017, at 1:18 PM, Bob W-PDML
After selecting one image create another preview.
Paul via phone
> On Oct 28, 2017, at 1:16 PM, Eric Weir wrote:
>
>
> I’m, very slowly, learning about scanning b images using Epson Scan. A
> couple of out-of-the-box puzzles:
>
> (1) With two strips of film in the
I haven't read Paul's article, but I have read George Orwell's Politics and the
English Language, and one should always pay attention to his rule vi.
> On 28 Oct 2017, at 17:11, Igor PDML-StR wrote:
>
>
>
> Paul,
>
> Thank you for the detailed response. I've learned some
I’m, very slowly, learning about scanning b images using Epson Scan. A couple
of out-of-the-box puzzles:
(1) With two strips of film in the holder I only get one set of images in the
scan.
(2) With one image selected, all the adjustment options—auto exposure,
histogram, tone, image, color
Okay, we’re done with this. I post photos here to be critiqued, and I
appreciate comments both positive and negative. But I don’t post my work here .
Ann posted a link to this article, because she thought it was a topic of
concern. And I appreciate her doing so. But it wasn't posted for a
Paul,
Thank you for the detailed response. I've learned some interesting things
about NYT's style.
My teachers/advisors (at all stages and levels) taught me that each
paragraph should contain one main thought/point. Then, if you were to
write down those main points, you get a reverse
Shows good DoF.
J
Sent from my iPhone
> On Oct 28, 2017, at 8:50 AM, Daniel J. Matyola wrote:
>
> One World Trade Center:
>
> http://dan-matyola.squarespace.com/danmatyolas-pesos/2017/10/28/tower
>
> K-5 IIs, DA 18-136
> Comment are invited and wiol be appreciated.
>
One World Trade Center:
http://dan-matyola.squarespace.com/danmatyolas-pesos/2017/10/28/tower
K-5 IIs, DA 18-136
Comment are invited and wiol be appreciated.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
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Thanks Stan. The purpose of the legislation is regulation. Again, space didn’t
allow, but the text of the senate amendment requires NHTSA to develop a
requirement for a warning device.
> On Oct 28, 2017, at 11:31 AM, Stanley Halpin
> wrote:
>
> Nice piece Paul.
On Fri, Oct 27, 2017 at 10:12 PM Daniel J. Matyola
wrote:
> From the 9/11 Memorial Museum:
>
> http://dan-matyola.squarespace.com/danmatyolas-pesos/2017/10/28/ix-xi
>
> Comments are appreciated.
You guys should get over it.
>
> Dan Matyola
>
Nice piece Paul.
I am quite a nitpicker myself but I do disagree with Igor’s stylistic comments;
I think it flows well as is.
However, one quibble I have is that you and the Auto Alliance people are
talking about two different things (legislation vs. regulation) and I wish you
could have
Janette’s site is kidsandcars.org
Paul via phone
> On Oct 28, 2017, at 9:52 AM, Paul Stenquist wrote:
>
> Thanks Dan, but Janette Fennell is the hero. She became involved in
> child/auto safety issues when her car was car jacked and she and her husband
> were locked in
Thanks Dan, but Janette Fennell is the hero. She became involved in child/auto
safety issues when her car was car jacked and she and her husband were locked
in the trunk — not knowing what had become of her baby who had been in the
backseat. The infant was recovered and the Fennell’s freed, but
Our Hero!
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
On Sat, Oct 28, 2017 at 4:09 AM, jtainter wrote:
> Congratulations, Paul. Good job, and a good bit of public service.
>
> Joe
>
>
>
> --
> PDML Pentax-Discuss Mail List
> PDML@pdml.net
>
Thanks Joe!
Paul via phone
> On Oct 28, 2017, at 4:09 AM, jtainter wrote:
>
> Congratulations, Paul. Good job, and a good bit of public service.
>
> Joe
>
>
>
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> http://pdml.net/mailman/listinfo/pdml_pdml.net
>
Guess I could have assumed that
these had been intentionally tinted,
but had to ask.
Thanks.
J
Sent from my iPhone
> On Oct 27, 2017, at 9:17 PM, Daniel J. Matyola wrote:
>
> Thanks, Jack!
>
> Pumpkins are orange.. everybody knows that. But they come in lots
>
Congratulations, Paul. Good job, and a good bit of public service.
Joe
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