Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-29 Thread david
On 09/29/2012 04:44 AM, Abrolag wrote:
> On Mon, 24 Sep 2012 19:31:44 +0200
> Richard Bown  wrote:
>
>> On Mon, Sep 24, 2012 at 7:11 PM, Abrolagwrote:
>>
>>> On Sat, 22 Sep 2012 09:32:13 -1000
>>> david  wrote:
>>>
>>> Guitarists are like cats.
>>>
>>
>> Does this mean that managing software developers is like herding guitarists?
>>
>> R
>
> Now *there's* an interesting concept.

Life with Dennis Coffey and the Detroit Guitar Band?

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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-29 Thread Abrolag
On Mon, 24 Sep 2012 19:31:44 +0200
Richard Bown  wrote:

> On Mon, Sep 24, 2012 at 7:11 PM, Abrolag wrote:
> 
> > On Sat, 22 Sep 2012 09:32:13 -1000
> > david  wrote:
> >
> > Guitarists are like cats.
> >
> 
> Does this mean that managing software developers is like herding guitarists?
> 
> R

Now *there's* an interesting concept.

-- 
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.

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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread david
On 09/24/2012 07:31 AM, Richard Bown wrote:
> On Mon, Sep 24, 2012 at 7:11 PM, Abrolag wrote:
>
> On Sat, 22 Sep 2012 09:32:13 -1000
> david wrote:
>
> Guitarists are like cats.
>
> Does this mean that managing software developers is like herding guitarists?
>
> R

I've always left the task of managing software developers up to project 
managers. I believe they've received gene mods and biotech implants 
developed for that specific task.

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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread gnome
 Abrolag  wrote: 
> On Sat, 22 Sep 2012 09:32:13 -1000
> david  wrote:
> 
> > On 09/20/2012 08:06 AM, Stephen H. Dawson wrote:
> > 
> > > How many guitarist does it take to change a light-bulb?
> > > 2.  1 to do it, the other to explain how much better they could have
> > > done it.   ;-)
> > 
> > And two more guitarists to explain how much better it would have sounded 
> > if they'd used a custom-wound pickup coil or a different setting on 
> > their effects pedal or ran the output through this model amp instead of 
> > that model amp.
> > 
> > My guitarist thinks an "arpeggio" is a synthesizer effect. ;-)
> 
> 
> Guitarists are like cats.
> They can never be truly domesticated.

Or herded.

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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread gnome
Leo Kottke travels with a huge pile of acoustic guitars for 2 reasons. One is 
he uses a lot of different open tunings. The other is that when a guitar goes 
out of tune, he swaps it for another guitar while an assistant off-stage 
retunes the first guitar.

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 Michael Gerdau  wrote: 
> > Is now the time to point out many people play guitar with "alternative
> > tunings"?  I know I do, it makes it MUCH easier.  Notice how many
> > performers keep switching guitars between songs, that is probably because
> > the guitars are tuned differently - i.e. to make the song easy to play.
> 
> And I had thought that's because a Gibson sounds different than a
> Stratocaster than a Les Paul than an accoustic guitar than a 12 string
> guitar...
> 
> Pls forgive my ignorance. Again learned something new...
> 
> Best wishes,
> Michael
> -- 
>  Michael Gerdau   email: m...@qata.de
>  GPG-keys available on request or at public keyserver


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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread Richard Bown
On Mon, Sep 24, 2012 at 7:11 PM, Abrolag wrote:

> On Sat, 22 Sep 2012 09:32:13 -1000
> david  wrote:
>
> Guitarists are like cats.
>

Does this mean that managing software developers is like herding guitarists?

R
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread Abrolag
On Sat, 22 Sep 2012 09:32:13 -1000
david  wrote:

> On 09/20/2012 08:06 AM, Stephen H. Dawson wrote:
> 
> > How many guitarist does it take to change a light-bulb?
> > 2.  1 to do it, the other to explain how much better they could have
> > done it.   ;-)
> 
> And two more guitarists to explain how much better it would have sounded 
> if they'd used a custom-wound pickup coil or a different setting on 
> their effects pedal or ran the output through this model amp instead of 
> that model amp.
> 
> My guitarist thinks an "arpeggio" is a synthesizer effect. ;-)


Guitarists are like cats.
They can never be truly domesticated.


-- 
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.

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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread Richard Bown
On 24 Sep 2012, at 12:56, Johan Vromans  wrote:

> Of course, I've seen only a limited number of guitarists...

I think it's safe to say N guitarists = at least N+1 opinions.  I have some too 
of course but I'm keeping schtum.

R
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread Johan Vromans
r...@hydrophones.com writes:

> Is now the time to point out many people play guitar with "alternative
> tunings"?  I know I do, it makes it MUCH easier.  Notice how many
> performers keep switching guitars between songs, that is probably because
> the guitars are tuned differently - i.e. to make the song easy to play.

Sometimes, but not often.

To be more precise: I estimate 90% of the guitar players to play in the
standard tuning. Professionals often change guitars due to the specific
sound (e.g., acoustig, electical, nylon versus steel versus phosphor,
jazz-guitar versus country guitar, fender versus gibson), technical
issues (e.g., piezo versus soundhole element, single coil versus
humbucker) and not in the least, the playability of a specific piece on
a specific guitar (e.g., small versus wide neck, cut away).

Of the guitarists I've seen playing with differing tunings, most played
in DADGAD and switched guitars for the exactly the same reasons as
mentioned above.

Only very few did change guitars because of the tuning. Most of them
just retune on stage.

Of course, I've seen only a limited number of guitarists...

-- Johan

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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread Michael Gerdau
> > Isn't that basically asking for a free lunch ?
>
> Isn't everything in the open source world?

You think so ?

I clearly differ. For me it has to do with rights, knowledge and being
in control, at least potentially.

Just an example:
Logic Studio is sold for 149 € in Apple's App store. Featurewise it is
several generations ahead of Rosegarden and in many aspects of Ardour as
well although Ardour delivers a couple of really nice things.

When you shell out your 149 € you have a full featured music production
and performing system with a bunch of very nice soft instruments. For
me it runs out of the box. No such thing as incompatible this and missing
that. Yes, I can reliably crash Logic. Yes, you need a Mac to run it (but
you can as well put Linux on that box - them Retina Displays are really
nice... ;)

To sum it up:
>From a feature and time invested to get it working point of view I have
yet to find an open source product that is even remotely in the same
league as programs like Logic (and I assume all of Logic's commercial
competitors).

> > And as an afterthought:
> > If a guitar player wishes to play around with arbitrarily pitched
> > strings
> > he should transpose it himself. He'll learn something that way. Or even
> > learn to transpose on the fly. Not that I'd consider that more useful
> > than properly mastering the instrument in the first place.
>
> Part of the reason popular music is so popular is because people who
> don't spend a vast chunk of their lives mastering rigid rules can have
> fun making noise.  I find it a lot more relaxing than trying to do
> anything the "correct" way.

Again:
You think so ?

It is my impression that the truely successful popular music is mostly
written AND performed by musicians that have learned things the
"correct" way (as you put it).

This even goes for musicians that never had proper teaching but instead
spent hour by hour learning their instrument on their own for many years.
A couple of guitar heros fall into this category.

I also think some of the stuff that's "created" by "music illiterates"
the easy way might be commercially successful at least for a short
period of time but it is not lasting in any way.

I'm aware this is a requirement that might not fit with some other's.

Again just my 0.02 €, best wishes,
Michael
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread D. Michael McIntyre
On 09/24/2012 04:28 AM, Michael Gerdau wrote:

> Isn't that basically asking for a free lunch ?

Isn't everything in the open source world?

> And as an afterthought:
> If a guitar player wishes to play around with arbitrarily pitched strings
> he should transpose it himself. He'll learn something that way. Or even
> learn to transpose on the fly. Not that I'd consider that more useful than
> properly mastering the instrument in the first place.

Part of the reason popular music is so popular is because people who 
don't spend a vast chunk of their lives mastering rigid rules can have 
fun making noise.  I find it a lot more relaxing than trying to do 
anything the "correct" way.
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread Michael Gerdau
> Of course those are legitimate reasons too, but yes, lots of guitar guys
> fool around with alternative tunings.  There are a half dozen or so
> "standard" alternate tunings, and then all kinds of weird stuff on top
> of that.  It's part of why writing anything for or concerning guitar is
> always complicated.  There's always some guy who complains that your
> stuff doesn't work in DADGAD tuning or whatever, and can you please
> support arbitrary pitches for individual strings.

Isn't that basically asking for a free lunch ?

Being classically educated my kind of universal answer to this type of
complain is:
Do a some more practicing and learn to master your instrument.

And as an afterthought:
If a guitar player wishes to play around with arbitrarily pitched strings
he should transpose it himself. He'll learn something that way. Or even
learn to transpose on the fly. Not that I'd consider that more useful than
properly mastering the instrument in the first place.


My 0.02 €, best wishes,
Michael
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread Lorenzo Sutton
On 23/09/12 14:19, Johan Vromans wrote:
> Al Thompson  writes:
>
>> Well, he's RIGHT!  There's no possible way for standard notation to
>> indicate on which string and at what fret any particular note is to be
>> played, and most notes on a guitar can be played in multiple locations.
> Depends on what you call 'standard notation'. I've seen quite a few
> sheets [for classical guitar] with exact fingerings,
Standard/'traditional' notation can notate left and right fingering, 
strings and base position frets (that's the position where your 1st 
left-hand finger is (i.e. your index)). But this is mainly used in 
classical guitar.

Lorenzo
PS. BTW electric guitar is not the only guitar (in similar fashion as  
Ubuntu's not all linux :P)
> which is already a
> very good hint for the actual fret positions, but sometimes also
> including explicit fret positions.
>
> -- Johan
>
>
> --
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread D. Michael McIntyre
On 09/24/2012 03:41 AM, Michael Gerdau wrote:

> And I had thought that's because a Gibson sounds different than a
> Stratocaster than a Les Paul than an accoustic guitar than a 12 string
> guitar...

Of course those are legitimate reasons too, but yes, lots of guitar guys 
fool around with alternative tunings.  There are a half dozen or so 
"standard" alternate tunings, and then all kinds of weird stuff on top 
of that.  It's part of why writing anything for or concerning guitar is 
always complicated.  There's always some guy who complains that your 
stuff doesn't work in DADGAD tuning or whatever, and can you please 
support arbitrary pitches for individual strings.
-- 
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread Michael Gerdau
> Is now the time to point out many people play guitar with "alternative
> tunings"?  I know I do, it makes it MUCH easier.  Notice how many
> performers keep switching guitars between songs, that is probably because
> the guitars are tuned differently - i.e. to make the song easy to play.

And I had thought that's because a Gibson sounds different than a
Stratocaster than a Les Paul than an accoustic guitar than a 12 string
guitar...

Pls forgive my ignorance. Again learned something new...

Best wishes,
Michael
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-24 Thread ram

Is now the time to point out many people play guitar with "alternative
tunings"?  I know I do, it makes it MUCH easier.  Notice how many
performers keep switching guitars between songs, that is probably because
the guitars are tuned differently - i.e. to make the song easy to play.

That being said, the Linux world has a most excellent guitar simulation
app, specifically "Tuxguitar" which plays very nicely with RoseGarden and
does nearly everything one could want with respect to guitar.  Have fun!

Rich Marschall
http://www.hydrophones.com/MAI-Audio


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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-23 Thread Stephen H. Dawson
Yes, Johan has finally asked the most targeted question of this thread.



http://www.thefreedictionary.com/Guitar+notation
Guitar Notation = Tablature, really?  Sounds bias to me, but the WWW is 
wide.

http://en.wikipedia.org/wiki/Tablature
"indicating instrument fingering rather than musical pitches."

So much for a common system of identification.




http://en.wikipedia.org/wiki/Organizationally_Unique_Identifier
HA!, not that would not work here.   ;-)




http://www.acousticguitar.com/lessons/notation/notation.shtml
-Articulations, that is the most effective thing for me the years.
-Fingering, when *really* necessary, depending upon the reading audience.


How about 6-months of guitar lessons?  That would solve a lot of problems.


-S



On 09/23/2012 08:19 AM, Johan Vromans wrote:
> Al Thompson  writes:
>
>> Well, he's RIGHT!  There's no possible way for standard notation to
>> indicate on which string and at what fret any particular note is to be
>> played, and most notes on a guitar can be played in multiple locations.
> Depends on what you call 'standard notation'. I've seen quite a few
> sheets [for classical guitar] with exact fingerings, which is already a
> very good hint for the actual fret positions, but sometimes also
> including explicit fret positions.
>
> -- Johan
>
>
> --
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-23 Thread Johan Vromans
Al Thompson  writes:

> Well, he's RIGHT!  There's no possible way for standard notation to
> indicate on which string and at what fret any particular note is to be
> played, and most notes on a guitar can be played in multiple locations.

Depends on what you call 'standard notation'. I've seen quite a few
sheets [for classical guitar] with exact fingerings, which is already a
very good hint for the actual fret positions, but sometimes also
including explicit fret positions.

-- Johan


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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-22 Thread david
On 09/20/2012 08:06 AM, Stephen H. Dawson wrote:

> How many guitarist does it take to change a light-bulb?
> 2.  1 to do it, the other to explain how much better they could have
> done it.   ;-)

And two more guitarists to explain how much better it would have sounded 
if they'd used a custom-wound pickup coil or a different setting on 
their effects pedal or ran the output through this model amp instead of 
that model amp.

My guitarist thinks an "arpeggio" is a synthesizer effect. ;-)

-- 
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gn...@hawaii.rr.com
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http://clanjones.org/david/
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-22 Thread david
On 09/20/2012 08:50 AM, D. Michael McIntyre wrote:
> On 09/20/2012 08:48 AM, Lorenzo Sutton wrote:
>
>> Not to mention the lengthy (and rather boring :) debate about how
>> harmonics should be notated, that is if the real note should be notated
>> or the note corresponding to the guitar position (or in some cases even
>> both!)
>
> If it makes you feel better, guitar is not the only instrument with
> *that* problem by far.

I think notation runs into that kind of limitation with a number of 
instruments. Leaves things up to the player, room for interpretation.

Has the problem been addressed for synthesizers - some way to include 
all the settings needed to correctly reproduce the sound?

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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-22 Thread david
On 09/20/2012 01:31 PM, Al Thompson wrote:
> On 09/20/2012 01:54 PM, david wrote:
>> My lead guitarist's response to the whole thing of scores was that
>> tablature is the only real guitar score, since it specifies string and
>> fret. But his non-tab music reading skills are pretty limited (no
>> classical training and he doesn't finger pick at all).
>>
>> So his reading would have been that the score doesn't give him the exact
>> note. ;-)
>
> Well, he's RIGHT!  There's no possible way for standard notation to
> indicate on which string and at what fret any particular note is to be
> played, and most notes on a guitar can be played in multiple locations.

I agree, Al. (I play guitar, too.) But he's also the sort that wants to 
be told exactly what to do, rather than try it himself. He's a much 
better guitarist than I am, so I could sit there and say, "Play it this 
way," but I might be saying that only because I'm not able to play it 
the way I'd really prefer. I'd rather not apply my guitar-playing 
limitations to him. :-)

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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-20 Thread Al Thompson
On 09/20/2012 01:54 PM, david wrote:
> My lead guitarist's response to the whole thing of scores was that 
> tablature is the only real guitar score, since it specifies string and 
> fret. But his non-tab music reading skills are pretty limited (no 
> classical training and he doesn't finger pick at all).
>
> So his reading would have been that the score doesn't give him the exact 
> note. ;-)

Well, he's RIGHT!  There's no possible way for standard notation to
indicate on which string and at what fret any particular note is to be
played, and most notes on a guitar can be played in multiple locations.
 

-- 
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-20 Thread Lorenzo Sutton
On 20/09/12 19:54, david wrote:
> My lead guitarist's response to the whole thing of scores was that
> tablature is the only real guitar score, since it specifies string and
> fret.

Sorry not meaning to be picky on the guitar-notation affair, and more of 
a classical guitar player here.. but this is false.
Traditional notation can include fingering, frets and strings. Standard 
is usually to represent fingerings as (Arab) numbers (1 to 4), frets by 
Roman numbers and strings with numbers in circles. That said many 
classical compositions do not specify the fingering etc. or because a) 
there is only one way to play the written notes b) the player is left 
the liberty to chose the fingering...

Lorenzo.

  But his non-tab music reading skills are pretty limited (no
> classical training and he doesn't finger pick at all).
>
> So his reading would have been that the score doesn't give him the exact
> note. ;-)
>
> On 09/20/2012 02:48 AM, Lorenzo Sutton wrote:
>> On 20/09/12 13:12, Stephen H. Dawson wrote:
>>> This topic was covered in my schooling, in my last semester, by my
>>> composition instructor.  He is a smart guy.  He did not know the guitar
>>> was understood to be played one octave removed.
>>>
>>> I recommend either the old school or the new school way.
>>>
>>> Old School:
>>> Put the label at the top of the 1st page, "...for guitar"
>>>
>>> New School:
>>> Enter every note the exact way you want it played.
>>>
>>> Reality:
>>> You will have to tell every guitarist that reads sheet music, all of
>>> about 5% of the music world, that you want them to play that exact
>>> note.
>>
>> Not to mention the lengthy (and rather boring :) debate about how
>> harmonics should be notated, that is if the real note should be notated
>> or the note corresponding to the guitar position (or in some cases even
>> both!)
>>
>> Lorenzo.
>>
>>> Having played TAB since 1977 and standard notation since 1981,
>>> the standard notation in the guitar world is still small.
>>>
>>>
>>> What is the application that you need the latter approach?  Can the
>>> label approach suffice for your needs?
>>>
>>> Thank You,
>>> Stephen H. Dawson
>>> (865) 804-3454
>>> http://www.linkedin.com/in/shdcs
>>>
>>>
>>> On 09/20/2012 03:49 AM, Lorenzo Sutton wrote:
 On 20/09/12 09:25, D. Michael McIntyre wrote:
> On 09/19/2012 10:14 PM, k...@trixtar.org wrote:
>
>> How do I make a piece I'm working on sound like the guitar
>> i.e. 1 octave lower than the treble staff (normally) used
>> for notation without changing the latter?
> There are a few ways.  In a new piece you can use "Create segments with"
> in Track Parameters to set the track up ahead of time so that the
> notation you draw there will come out using the guitar clef.
>
> In an existing piece, you can change the clef to a guitar clef manually
> by double clicking the clef, then editing it until it shows "Treble down
> an octave."
>
> I haven't played with that in the longest time, and don't have time to
> set up my MIDI rig to experiment.  Last time I worked on that code,
> years ago, all the specialty clefs were working, and setting that up
> should get just the result you want.
>
> You could also do this using a standard treble clef and setting the
> transpose in Segment Parameters to -12.
 Personally I think that especially if you're going to print/export the
 score, this is the best option for one reason: 99% of (classical) guitar
 scores I've ever seen use a standard treble clef and give for granted
 that the guitar is a 'transposing' instrument. Wikipedia seems to
 contradict this [1] and says the octave clef is used for guitar from the
 18th century. Go figure.

 Lorenzo

 [1] http://en.wikipedia.org/wiki/Clef#Octave_clefs

> There are probably other ways still.  See how far you get with this much.
>
>


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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-20 Thread D. Michael McIntyre
On 09/20/2012 08:48 AM, Lorenzo Sutton wrote:

> Not to mention the lengthy (and rather boring :) debate about how
> harmonics should be notated, that is if the real note should be notated
> or the note corresponding to the guitar position (or in some cases even
> both!)

If it makes you feel better, guitar is not the only instrument with 
*that* problem by far.
-- 
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-20 Thread Stephen H. Dawson
Arpeggio.  That is the funniest word in most guitar player circles.  
"No, it is not Italian cheese; that is asiago."  

To say, "play a G chord" means nothing.  To say, "play the D-form of a 
G-major chord, in standard tuning, whichof course.has the root 
on the 5th string", that would make more sense.

I guess that is why You Tube is so popular.

If tablature is the preference, then that is that.  If standard notation 
is the preference, then there is nothing wrong with entering the notes 
as intended to be played, octave removed and all.  Lot's of ledger lines 
above the staff, but that is standard notation.  Thing is, getting a 
guitarist to do anything is rather a challenge, in my humble experience.

How many guitarist does it take to change a light-bulb?
2.  1 to do it, the other to explain how much better they could have 
done it.   ;-)

I recommend knowing the audience that will read your music score and 
write for that audience.  You clearly can do the work, it seems like a 
matter of end-user preference.


-SHD


On 09/20/2012 01:54 PM, david wrote:
> My lead guitarist's response to the whole thing of scores was that
> tablature is the only real guitar score, since it specifies string and
> fret. But his non-tab music reading skills are pretty limited (no
> classical training and he doesn't finger pick at all).
>
> So his reading would have been that the score doesn't give him the exact
> note. ;-)
>
> On 09/20/2012 02:48 AM, Lorenzo Sutton wrote:
>> On 20/09/12 13:12, Stephen H. Dawson wrote:
>>> This topic was covered in my schooling, in my last semester, by my
>>> composition instructor.  He is a smart guy.  He did not know the guitar
>>> was understood to be played one octave removed.
>>>
>>> I recommend either the old school or the new school way.
>>>
>>> Old School:
>>> Put the label at the top of the 1st page, "...for guitar"
>>>
>>> New School:
>>> Enter every note the exact way you want it played.
>>>
>>> Reality:
>>> You will have to tell every guitarist that reads sheet music, all of
>>> about 5% of the music world, that you want them to play that exact
>>> note.
>> Not to mention the lengthy (and rather boring :) debate about how
>> harmonics should be notated, that is if the real note should be notated
>> or the note corresponding to the guitar position (or in some cases even
>> both!)
>>
>> Lorenzo.
>>
>>> Having played TAB since 1977 and standard notation since 1981,
>>> the standard notation in the guitar world is still small.
>>>
>>>
>>> What is the application that you need the latter approach?  Can the
>>> label approach suffice for your needs?
>>>
>>> Thank You,
>>> Stephen H. Dawson
>>> (865) 804-3454
>>> http://www.linkedin.com/in/shdcs
>>>
>>>
>>> On 09/20/2012 03:49 AM, Lorenzo Sutton wrote:
 On 20/09/12 09:25, D. Michael McIntyre wrote:
> On 09/19/2012 10:14 PM, k...@trixtar.org wrote:
>
>> How do I make a piece I'm working on sound like the guitar
>> i.e. 1 octave lower than the treble staff (normally) used
>> for notation without changing the latter?
> There are a few ways.  In a new piece you can use "Create segments with"
> in Track Parameters to set the track up ahead of time so that the
> notation you draw there will come out using the guitar clef.
>
> In an existing piece, you can change the clef to a guitar clef manually
> by double clicking the clef, then editing it until it shows "Treble down
> an octave."
>
> I haven't played with that in the longest time, and don't have time to
> set up my MIDI rig to experiment.  Last time I worked on that code,
> years ago, all the specialty clefs were working, and setting that up
> should get just the result you want.
>
> You could also do this using a standard treble clef and setting the
> transpose in Segment Parameters to -12.
 Personally I think that especially if you're going to print/export the
 score, this is the best option for one reason: 99% of (classical) guitar
 scores I've ever seen use a standard treble clef and give for granted
 that the guitar is a 'transposing' instrument. Wikipedia seems to
 contradict this [1] and says the octave clef is used for guitar from the
 18th century. Go figure.

 Lorenzo

 [1] http://en.wikipedia.org/wiki/Clef#Octave_clefs

> There are probably other ways still.  See how far you get with this much.
>


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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-20 Thread david
My lead guitarist's response to the whole thing of scores was that 
tablature is the only real guitar score, since it specifies string and 
fret. But his non-tab music reading skills are pretty limited (no 
classical training and he doesn't finger pick at all).

So his reading would have been that the score doesn't give him the exact 
note. ;-)

On 09/20/2012 02:48 AM, Lorenzo Sutton wrote:
> On 20/09/12 13:12, Stephen H. Dawson wrote:
>> This topic was covered in my schooling, in my last semester, by my
>> composition instructor.  He is a smart guy.  He did not know the guitar
>> was understood to be played one octave removed.
>>
>> I recommend either the old school or the new school way.
>>
>> Old School:
>> Put the label at the top of the 1st page, "...for guitar"
>>
>> New School:
>> Enter every note the exact way you want it played.
>>
>> Reality:
>> You will have to tell every guitarist that reads sheet music, all of
>> about 5% of the music world, that you want them to play that exact
>> note.
>
> Not to mention the lengthy (and rather boring :) debate about how
> harmonics should be notated, that is if the real note should be notated
> or the note corresponding to the guitar position (or in some cases even
> both!)
>
> Lorenzo.
>
>>Having played TAB since 1977 and standard notation since 1981,
>> the standard notation in the guitar world is still small.
>>
>>
>> What is the application that you need the latter approach?  Can the
>> label approach suffice for your needs?
>>
>> Thank You,
>> Stephen H. Dawson
>> (865) 804-3454
>> http://www.linkedin.com/in/shdcs
>>
>>
>> On 09/20/2012 03:49 AM, Lorenzo Sutton wrote:
>>> On 20/09/12 09:25, D. Michael McIntyre wrote:
 On 09/19/2012 10:14 PM, k...@trixtar.org wrote:

> How do I make a piece I'm working on sound like the guitar
> i.e. 1 octave lower than the treble staff (normally) used
> for notation without changing the latter?
 There are a few ways.  In a new piece you can use "Create segments with"
 in Track Parameters to set the track up ahead of time so that the
 notation you draw there will come out using the guitar clef.

 In an existing piece, you can change the clef to a guitar clef manually
 by double clicking the clef, then editing it until it shows "Treble down
 an octave."

 I haven't played with that in the longest time, and don't have time to
 set up my MIDI rig to experiment.  Last time I worked on that code,
 years ago, all the specialty clefs were working, and setting that up
 should get just the result you want.

 You could also do this using a standard treble clef and setting the
 transpose in Segment Parameters to -12.
>>> Personally I think that especially if you're going to print/export the
>>> score, this is the best option for one reason: 99% of (classical) guitar
>>> scores I've ever seen use a standard treble clef and give for granted
>>> that the guitar is a 'transposing' instrument. Wikipedia seems to
>>> contradict this [1] and says the octave clef is used for guitar from the
>>> 18th century. Go figure.
>>>
>>> Lorenzo
>>>
>>> [1] http://en.wikipedia.org/wiki/Clef#Octave_clefs
>>>
 There are probably other ways still.  See how far you get with this much.


-- 
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gn...@hawaii.rr.com
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http://clanjones.org/david/
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-20 Thread Lorenzo Sutton
On 20/09/12 13:12, Stephen H. Dawson wrote:
> This topic was covered in my schooling, in my last semester, by my
> composition instructor.  He is a smart guy.  He did not know the guitar
> was understood to be played one octave removed.
>
> I recommend either the old school or the new school way.
>
> Old School:
> Put the label at the top of the 1st page, "...for guitar"
>
> New School:
> Enter every note the exact way you want it played.
>
> Reality:
> You will have to tell every guitarist that reads sheet music, all of
> about 5% of the music world, that you want them to play that exact
> note.

Not to mention the lengthy (and rather boring :) debate about how 
harmonics should be notated, that is if the real note should be notated 
or the note corresponding to the guitar position (or in some cases even 
both!)

Lorenzo.

>   Having played TAB since 1977 and standard notation since 1981,
> the standard notation in the guitar world is still small.
>
>
> What is the application that you need the latter approach?  Can the
> label approach suffice for your needs?
>
> Thank You,
> Stephen H. Dawson
> (865) 804-3454
> http://www.linkedin.com/in/shdcs
>
>
> On 09/20/2012 03:49 AM, Lorenzo Sutton wrote:
>> On 20/09/12 09:25, D. Michael McIntyre wrote:
>>> On 09/19/2012 10:14 PM, k...@trixtar.org wrote:
>>>
 How do I make a piece I'm working on sound like the guitar
 i.e. 1 octave lower than the treble staff (normally) used
 for notation without changing the latter?
>>> There are a few ways.  In a new piece you can use "Create segments with"
>>> in Track Parameters to set the track up ahead of time so that the
>>> notation you draw there will come out using the guitar clef.
>>>
>>> In an existing piece, you can change the clef to a guitar clef manually
>>> by double clicking the clef, then editing it until it shows "Treble down
>>> an octave."
>>>
>>> I haven't played with that in the longest time, and don't have time to
>>> set up my MIDI rig to experiment.  Last time I worked on that code,
>>> years ago, all the specialty clefs were working, and setting that up
>>> should get just the result you want.
>>>
>>> You could also do this using a standard treble clef and setting the
>>> transpose in Segment Parameters to -12.
>> Personally I think that especially if you're going to print/export the
>> score, this is the best option for one reason: 99% of (classical) guitar
>> scores I've ever seen use a standard treble clef and give for granted
>> that the guitar is a 'transposing' instrument. Wikipedia seems to
>> contradict this [1] and says the octave clef is used for guitar from the
>> 18th century. Go figure.
>>
>> Lorenzo
>>
>> [1] http://en.wikipedia.org/wiki/Clef#Octave_clefs
>>
>>> There are probably other ways still.  See how far you get with this much.
>> --
>> Everyone hates slow websites. So do we.
>> Make your web apps faster with AppDynamics
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>
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-20 Thread Stephen H. Dawson
This topic was covered in my schooling, in my last semester, by my 
composition instructor.  He is a smart guy.  He did not know the guitar 
was understood to be played one octave removed.

I recommend either the old school or the new school way.

Old School:
Put the label at the top of the 1st page, "...for guitar"

New School:
Enter every note the exact way you want it played.

Reality:
You will have to tell every guitarist that reads sheet music, all of 
about 5% of the music world, that you want them to play that exact 
note.  Having played TAB since 1977 and standard notation since 1981, 
the standard notation in the guitar world is still small.


What is the application that you need the latter approach?  Can the 
label approach suffice for your needs?

Thank You,
Stephen H. Dawson
(865) 804-3454
http://www.linkedin.com/in/shdcs


On 09/20/2012 03:49 AM, Lorenzo Sutton wrote:
> On 20/09/12 09:25, D. Michael McIntyre wrote:
>> On 09/19/2012 10:14 PM, k...@trixtar.org wrote:
>>
>>> How do I make a piece I'm working on sound like the guitar
>>> i.e. 1 octave lower than the treble staff (normally) used
>>> for notation without changing the latter?
>> There are a few ways.  In a new piece you can use "Create segments with"
>> in Track Parameters to set the track up ahead of time so that the
>> notation you draw there will come out using the guitar clef.
>>
>> In an existing piece, you can change the clef to a guitar clef manually
>> by double clicking the clef, then editing it until it shows "Treble down
>> an octave."
>>
>> I haven't played with that in the longest time, and don't have time to
>> set up my MIDI rig to experiment.  Last time I worked on that code,
>> years ago, all the specialty clefs were working, and setting that up
>> should get just the result you want.
>>
>> You could also do this using a standard treble clef and setting the
>> transpose in Segment Parameters to -12.
> Personally I think that especially if you're going to print/export the
> score, this is the best option for one reason: 99% of (classical) guitar
> scores I've ever seen use a standard treble clef and give for granted
> that the guitar is a 'transposing' instrument. Wikipedia seems to
> contradict this [1] and says the octave clef is used for guitar from the
> 18th century. Go figure.
>
> Lorenzo
>
> [1] http://en.wikipedia.org/wiki/Clef#Octave_clefs
>
>> There are probably other ways still.  See how far you get with this much.
>
> --
> Everyone hates slow websites. So do we.
> Make your web apps faster with AppDynamics
> Download AppDynamics Lite for free today:
> http://ad.doubleclick.net/clk;258768047;13503038;j?
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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-20 Thread Lorenzo Sutton
On 20/09/12 09:25, D. Michael McIntyre wrote:
> On 09/19/2012 10:14 PM, k...@trixtar.org wrote:
>
>> How do I make a piece I'm working on sound like the guitar
>> i.e. 1 octave lower than the treble staff (normally) used
>> for notation without changing the latter?
> There are a few ways.  In a new piece you can use "Create segments with"
> in Track Parameters to set the track up ahead of time so that the
> notation you draw there will come out using the guitar clef.
>
> In an existing piece, you can change the clef to a guitar clef manually
> by double clicking the clef, then editing it until it shows "Treble down
> an octave."
>
> I haven't played with that in the longest time, and don't have time to
> set up my MIDI rig to experiment.  Last time I worked on that code,
> years ago, all the specialty clefs were working, and setting that up
> should get just the result you want.
>
> You could also do this using a standard treble clef and setting the
> transpose in Segment Parameters to -12.

Personally I think that especially if you're going to print/export the 
score, this is the best option for one reason: 99% of (classical) guitar 
scores I've ever seen use a standard treble clef and give for granted 
that the guitar is a 'transposing' instrument. Wikipedia seems to 
contradict this [1] and says the octave clef is used for guitar from the 
18th century. Go figure.

Lorenzo

[1] http://en.wikipedia.org/wiki/Clef#Octave_clefs

>
> There are probably other ways still.  See how far you get with this much.


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Re: [Rosegarden-user] Guitar notation vs. sound

2012-09-20 Thread D. Michael McIntyre
On 09/19/2012 10:14 PM, k...@trixtar.org wrote:

> How do I make a piece I'm working on sound like the guitar
> i.e. 1 octave lower than the treble staff (normally) used
> for notation without changing the latter?

There are a few ways.  In a new piece you can use "Create segments with" 
in Track Parameters to set the track up ahead of time so that the 
notation you draw there will come out using the guitar clef.

In an existing piece, you can change the clef to a guitar clef manually 
by double clicking the clef, then editing it until it shows "Treble down 
an octave."

I haven't played with that in the longest time, and don't have time to 
set up my MIDI rig to experiment.  Last time I worked on that code, 
years ago, all the specialty clefs were working, and setting that up 
should get just the result you want.

You could also do this using a standard treble clef and setting the 
transpose in Segment Parameters to -12.

There are probably other ways still.  See how far you get with this much.
-- 
D. Michael McIntyre

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