Re: [Sursound] 3D Sound Labs Neoh headphones

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Re: [Sursound] 3D Sound Labs Neoh headphones

Dave Malham wrote: Yep, interesting indeed - but they don't once mention the height dimension, always talking about 360 degrees which implies planar only. Is this, I wonder, just an accidental omission or is the system really limited this way? Seems unlikely given the 9 axes motion/position

[Sursound] Infra sound Sub bass.

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[Sursound] 3D Sound Labs Neoh headphones

Hmm... Interesting: http://3dsoundlabs.com/en/ http://3dsoundlabs.com/en/how-does-it-work/#psychoacoustique Eero ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or

Re: [Sursound] 3D Sound Labs Neoh headphones

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Re: [Sursound] Infra sound Sub bass.

On 04/22/2015 06:49 PM, jon burton wrote: Hi I am new to the group but hoping someone may be able to help. I am looking at the positive effects of low frequencies in music, predominantly below 50Hz. This involves aural as well as mechanosensations. I am interested in seeing if reinforcing the

Re: [Sursound] Infra sound Sub bass.

I'd be interested in any references indicating deleterious effects on hearing of high amplitudes at LF, if anyone comes across any cheers ppl Dr. Peter Lennox Senior Fellow of the Higher Education Academy Senior Lecturer in Perception College of Arts University of Derby Tel: 01332 593155

Re: [Sursound] Infra sound Sub bass.

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Re: [Sursound] Infra sound Sub bass.

Increasing European legislation is pushing concert levels to a maximum of 100dBA over a 10-15min LEQ. In doors in France the norm is 103 dBA over 10 mins. Switzerland has a generous 100dBA over 60 minutes. At open air festivals the level can be as low as 95dBA or 10 minutes. The days of

Re: [Sursound] Infra sound Sub bass.

On 04/22/2015 10:50 PM, Fons Adriaensen wrote: On Wed, Apr 22, 2015 at 08:20:36PM +0200, Jörn Nettingsmeier wrote: Well, it's not a secret that most live sound engineers, when faced with a 99dB(A) rule, will mix into the A curve, i.e. crank up the bass a lot. So there is plenty anecdotal

Re: [Sursound] Infra sound Sub bass.

Not sure I would consider it a negative, as it does increase my listening pleasure! Hopefully the audiences too :-) Steve -- next part -- An HTML attachment was scrubbed... URL: https://mail.music.vt.edu/mailman/private/sursound/attachments/20150422/ec4cc939

Re: [Sursound] Infra sound Sub bass.

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Re: [Sursound] Infra sound Sub bass.

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Re: [Sursound] 3D Sound Labs Neoh headphones

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Re: [Sursound] Infra sound Sub bass.

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Re: [Sursound] Infra sound Sub bass.

On Wed, Apr 22, 2015 at 08:20:36PM +0200, Jörn Nettingsmeier wrote: Well, it's not a secret that most live sound engineers, when faced with a 99dB(A) rule, will mix into the A curve, i.e. crank up the bass a lot. So there is plenty anecdotal evidence for more bass resulting in less weighted

Re: [Sursound] ENVELOP - 3D Sound, on Kickstarter.com - SUB frequency range

OK Dave - I was mostly referencing to high quality Subs in home/small to medium sized listening spaces.. I do not really have experience in large scale sound systems - here is a few google finds. The chest cavity resonates between 80 to 95 hz was my thinking and seems to be correct, read

Re: [Sursound] ENVELOP - 3D Sound, on Kickstarter.com - SUB frequency range

Richard Warren, in Auditory Perception: a New Synthesis implies, on p 84, a broader range of 50-100Hz (as a notional lower bound of capability for spectral resolution, which would be required for phase locking) - so that would imply that 80 is not a bad working figure in real environments. Dr.

Re: [Sursound] ENVELOP - 3D Sound, on Kickstarter.com - SUB frequency range

I've briefly tried to find a reference on lower bounds for phase-locking, which would limit directional acuity at the bottom of LF, and haven't yet.. I'll try again. It seems to me that all the other constraints on LF directional hearing are acoustic, to do with standing waves. In a large