Before I retired, I intended to remove the ppu's for our Tetramic from
their individual tubes and mount them all into a single 25mm (or there
abouts) tube, with a ST450 standard connector at one end and a mini-xlr
recessed into the other. The mic would then plug directly into this with a
degree of
On Mon, Nov 18, 2013 at 07:19:39AM +0100, Jörn Nettingsmeier wrote:
lemo (for use, not for soldering :),
and if you have a bank account in the same country as the
manufacturer...
Ciao,
--
FA
A world of exhaustive, reliable metadata would be an utopia.
It's also a pipe-dream, founded on
On 11/18/2013 09:33 PM, Fons Adriaensen wrote:
On Mon, Nov 18, 2013 at 07:19:39AM +0100, Jörn Nettingsmeier wrote:
lemo (for use, not for soldering :),
and if you have a bank account in the same country as the
manufacturer...
i've inherited a few lemos from my great granddad, and i'm
--On 16 November 2013 06:31 + Michael Chapman s...@mchapman.com
wrote:
--fiddling to get the correct one of (?)24 possible permutations of the
four capsules to the snake is a ! Especially in dim lighting ...
and you didn't bring a lamp ... and ...
A dab of four coloured paints on the
discussion group sursound@music.vt.edu
Sent: Sunday, November 17, 2013 4:19 AM
Subject: Re: [Sursound] Ambisonic first approach
--On 16 November 2013 06:31 + Michael Chapman s...@mchapman.com
wrote:
--fiddling to get the correct one of (?)24 possible permutations of the
four capsules to the snake
On 11/17/2013 10:55 PM, Eric Benjamin wrote:
I'm trying to get an overall sense of what people's objections are.
It seems that the mini XLRs are OK, but just OK, but suspending the
phantom power eliminators has caused problems for users? I've used
mini XLRs in lots of projects for more than 25
--On 16 November 2013 06:31 + Michael Chapman s...@mchapman.com
wrote:
--fiddling to get the correct one of (?)24 possible permutations of
the four capsules to the snake is a ! Especially in dim lighting
... and you didn't bring a lamp ... and ...
A dab of four coloured paints on the
On 11/15/2013 07:23 PM, Len Moskowitz wrote:
J?rn Nettingsmeier netti...@stackingdwarves.net wrote:
the tetra sounds great, but the connectors are very flimsy.
The connectors are all from Switchcraft's Tini-Q (mini-XLR) series, used
in many professional products and contexts.
In the six
At 10:03 16-11-13, Paul Hodges wrote:
--On 16 November 2013 06:31 + Michael Chapman s...@mchapman.com
wrote:
--fiddling to get the correct one of (?)24 possible permutations of
the four capsules to the snake is a ! Especially in dim lighting
... and you didn't bring a lamp ... and
Hello Jörn,
brilliant, thanks so much for your answer.
As far as I understand the Tetramic has TA3 and TA6 connectors (AKA mimi
XLR) which I use on a daily basis with my SD552 and 788T with no problem.
What is the problem you encoutered with them?
Also they claim to sound as good as a DPA mic,
In that case for my ambiences and nature recordings unfortunately it
will give me so issues to work with.
Don't think there is _an_ answer for nature recording, though be glad to
be proved wrong.
Fons' TetraMic+Parabola interests me greatly ... though obviously the
output is not periphonic
J?rn Nettingsmeier netti...@stackingdwarves.net wrote:
the tetra sounds great, but the connectors are very flimsy.
The connectors are all from Switchcraft's Tini-Q (mini-XLR) series, used in
many professional products and contexts.
In the six years since TetraMic was introduced, we've had
J?rn Nettingsmeier netti...@stackingdwarves.net wrote:
the tetra sounds great, but the connectors are very flimsy.
The connectors are all from Switchcraft's Tini-Q (mini-XLR) series, used
in
many professional products and contexts.
In the six years since TetraMic was introduced, we've
Hello everyone,
I've been lurking this list for a while and I would like to have some
help to approach the Ambisonic technique.
I used pretty much all kind of multichannel configurations during the
years and currently I'm using mainly my own technique. I never
approached Ambisonic for its
On 11/14/2013 07:19 PM, Jörn Nettingsmeier wrote:
On 11/14/2013 06:31 PM, Emanuele wrote:
Thanks for your answer Jörn,
have you got any of those, and if you have are you using them on the
field and how do they behave and sound for nature recordings?
replying off-list, since this has been
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