On the 2L recordings I heard at the workshop, Lindberg used a combination
of 1/2in and 1in DPA omnis, similar to what is shown here:
http://www.6moons.com/industryfeatures/2L/3.html
If I remember correctly, Bowles and Geluso were working with (more or less)
coincident arrays built with the Senn
On 03/18/2014 03:39 PM, John Leonard wrote:
Anyone experienced/used/bought this yet?
http://www.auro-3d.com/
yes, yes, no, but designed a playback system for it and got the t-shirt.
my gripe: technically it is just as boring as 5.1, repeating every
single mistake.
what i like: it's immensely
The mic rig that I've seen on the Tonsturm site (http:www.tonsturm.com)
consists of five Schoeps omnis and then four Schoeps wide cardioids about a
metre above them, which doesn't really seem that groundbreaking to me. But, as
always, I'm happy to be proved wrong.
Worth keeping an eye on, thou
There were three 'with height' workshops at the 2012 AES meeting in San
Francisco* that featured an Aura 3D playback setup. David Bowles
(Swineshead) and Paul Geluso (NYU) played some recordings that were quite
nice -- height in front, with convention surrounds -- but the remainder,
including rec
Looks like the 5.1 insanity put on steroids...
...but I'd love to be surprised; not betting on it however, given how thin on
theory and how thick on hype the site is.
Sent from a crippled mobile device
> On 18 Mar 2014, at 15:39, John Leonard wrote:
>
> Anyone experienced/used/bought this yet?
Anyone experienced/used/bought this yet?
http://www.auro-3d.com/
Regards,
John
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Hi,
It does all really depend on what full gain on the amps gives you -
and what the mixer can put out. On a properly matched system where the
amplifiers at full gain result in the nominal maximum output of the
mixer being such as to just drive the speakers fully, this is fine. If
setting full g
On 2012-10-13, Dave Hunt wrote:
http://www.auro-technologies.com/uploads/Auro3D-Octopus-White-Paper-v2-7-2017.pdf
Will read. If ambisonic relevant, will put into Motherlode in time.
It concludes that although 24-bit operation is advantageous for audio
creation purposes it is inadvisable
I'm not. But also, this way of working is fine if the system is well designed.
With some rental companies, this is not always the case.
John
On 15 Oct 2012, at 20:16, Andrew Horsburgh wrote:
> If we're not talking about rock, metal, pop, electronic or dance music - then
> perhaps maximum isn'
rom: sursound-boun...@music.vt.edu [sursound-boun...@music.vt.edu] On Behalf
Of Jörn Nettingsmeier [netti...@stackingdwarves.net]
Sent: 14 October 2012 00:09
To: Surround Sound discussion group
Subject: Re: [Sursound] Auro 3D
On 10/13/2012 06:43 PM, David Pickett wrote:
> At 05:51 13/10/2012, D
On 10/14/2012 01:09 AM, Jörn Nettingsmeier wrote:
On 10/13/2012 06:43 PM, David Pickett wrote:
At 05:51 13/10/2012, Dave Hunt wrote:
I have long been dubious of the common practice of turning all PA
amplifiers up to full and doing all level adjustments prior to that,
often at the mixer. This i
On 10/13/2012 06:43 PM, David Pickett wrote:
At 05:51 13/10/2012, Dave Hunt wrote:
I have long been dubious of the common practice of turning all PA
amplifiers up to full and doing all level adjustments prior to that,
often at the mixer. This increases the gain of system noise, hums
etc. It can
> On Sat, Oct 13, 2012 at 05:26:57PM -, Michael Chapman wrote:
>
>> Because the knobs on the amp's are at the other end of the
>> room (or if not there, it would mean bending one's back).
>
> Modern PA gear is remote-controlled and monitored. And even if
> not, that's no excuse :-)
>
No, no, n
Non-existent on the systems I'm talking about.
John
On 13 Oct 2012, at 20:16, "Dan" wrote:
> Level control will be done on the DSP managing the speakers.
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Andrews
-Original Message-
From: sursound-boun...@music.vt.edu [mailto:sursound-boun...@music.vt.edu]
On Behalf Of John Leonard
Sent: 13 October 2012 19:53
To: Surround Sound discussion group
Subject: Re: [Sursound] Auro 3D
Most commonly, I've come across this in PA systems hired
Most commonly, I've come across this in PA systems hired in by performers: the
most heinous being that of a concert for a friend of mine, where the balance
engineer (a studio engineer, not a live sound one, which didn't help) could
barely lift the faders without the system going into feedback. W
Yeah - can you name some venues that do this? I want to know which ones to
avoid!
On Oct 13, 2012, at 12:43 PM, David Pickett wrote:
> At 05:51 13/10/2012, Dave Hunt wrote:
>
>> I have long been dubious of the common practice of turning all PA
>> amplifiers up to full and doing all level adj
On Sat, Oct 13, 2012 at 05:26:57PM -, Michael Chapman wrote:
> Because the knobs on the amp's are at the other end of the
> room (or if not there, it would mean bending one's back).
Modern PA gear is remote-controlled and monitored. And even if
not, that's no excuse :-)
Ciao,
--
FA
A wor
> At 05:51 13/10/2012, Dave Hunt wrote:
>
>>I have long been dubious of the common practice of turning all PA
>>amplifiers up to full and doing all level adjustments prior to that,
>>often at the mixer. This increases the gain of system noise, hums
>>etc. It can also mean that the mixer is working
At 05:51 13/10/2012, Dave Hunt wrote:
I have long been dubious of the common practice of turning all PA
amplifiers up to full and doing all level adjustments prior to that,
often at the mixer. This increases the gain of system noise, hums
etc. It can also mean that the mixer is working at a fair
Hi,
I've never heard Auro 3D, though it does seem to have some adherents.
I haven't waded through all of their "Auro3D-Octopus-White-Paper" but
found the first nine pages thought provoking.
http://www.auro-technologies.com/uploads/Auro3D-Octopus-White-Paper-
v2-7-2017.pdf
It conclude
...I do not want to put more gasoline on fire, but since 2001 we do
3D audio with real time ITD, Doppler, HF Damping, Elevation, source
direction, obscuration and so on,
on any number of speakers comprised by 8 and 64, any position in
space, MIDI or internal automation on paths, no compressio
On 11/27/2010 12:00 AM, f...@kokkinizita.net wrote:
> On Fri, Nov 26, 2010 at 11:28:27PM +0100, Jörn Nettingsmeier wrote:
>
>> let's hope we can surf the wake and profit from the general interest in
>> with-height sound reproduction and get some people to ask the right
>> questions.
>
> First que
On Fri, Nov 26, 2010 at 11:28:27PM +0100, Jörn Nettingsmeier wrote:
> let's hope we can surf the wake and profit from the general interest in
> with-height sound reproduction and get some people to ask the right
> questions.
First question: how does it compare to 3h1v ?
Ciao,
--
FA
There are
On 11/26/2010 07:36 PM, Eero Aro wrote:
> Some like to do it the hard way:
>
> http://auro-3d.com/index.html
it's all the rage here at tonmeistertagung. the good thing is: there are
some industry heavyweights pulling in the same direction, so they might
just make it happen. i think that scheme is
...there is written at page two "sounds coming from everywhere around and
above the listener"
That's the problem. We are surrounded, not include in the sound. Really
immersive solutions are existing today, per example search "holophony" in
Google.
Regards, Helmut
2010/11/26 Eero Aro
> Some l
Quite interesting, but I since height perception can be coded into
normal channels it seems like a lot of work to gain very little.
Joern Rune Kviserud
Midgard Audio
Den 26.11.2010 19:36, skrev Eero Aro:
Some like to do it the hard way:
http://auro-3d.com/index.html
sic
Eero
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Some like to do it the hard way:
http://auro-3d.com/index.html
sic
Eero
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