I should mention this piece:
Forest (for a thousand years)
By Janet Cardiff & George Bures Miller - their other stuff is worth a look as
well.
This used ambisonics and some of my B-Format recordings of the Battle Of
Britain Memorial Flight Lancaster Bomber.
There's a short clip here ://www.yo
Sorry to take so long in responding but I've been driving around France in
a Motorhome fo the last couple of weeks! I've used Ambisonics in theatres.
There's some info published on its use for the Theatre Royal's production
of the York Mystery Plays in 1992 - see
http://www.dmalham.freeserve.co.uk/
du
>Sent: Tuesday, May 14, 2013 12:14 AM
>Subject: Re: [Sursound] theatrical ambisonics
>
>
>Iain Mott wrote:
>
>> These are excellent references, thank you! Curious to know why
>> ambisonics and uhj encoding ceased to be used in the 90s? I know nothing
>> about
Hi
I think Augustine is right in many respects.
What remains is a few enthusiasts. These
include a few radio producers
Are there any, Martin? The ones mentioned in the Discography,
BBC and the Finnish Broadcasting company haven't made or sent
any UHJ since the 1990's.
It is true that neithe
Ha ! The essential precursor on writing on this list "Im sure someones
going to rip me a new one but.."
. I dont know about "correcting you" but I do beg to differ. Previously
ambisonics was very hard to access and that may have contributed to it
dissapearing to the private domain of a few enth
that last message sould read "now changed" not "no changed" ... important
distinction that.
On 14 May 2013 18:07, Augustine Leudar wrote:
> Ha ! The essential precursor on writing on this list "Im sure someones
> going to rip me a new one but.."
> . I dont know about "correcting you" but I d
Iain Mott wrote:
> These are excellent references, thank you! Curious to know why
> ambisonics and uhj encoding ceased to be used in the 90s? I know nothing
> about digital radio - but is dolby surround or some other surround
> format being used presently in Europe, elsewhere? What is the present
nnett wrote:
>
> > Subject: Re: [Sursound] theatrical ambisonics
> > To: sursound@music.vt.edu
> > Message-ID: <518fb3fb.5020...@dlc.fi>
> > Content-Type: text/plain; charset=ISO-8859-1; format=flowed
> >
> > Iain Mott wrote:
> >> I wonder i
> Subject: Re: [Sursound] theatrical ambisonics
> To: sursound@music.vt.edu
> Message-ID: <518fb3fb.5020...@dlc.fi>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
> Iain Mott wrote:
>> I wonder if people on the list have
>> other referenc
On Sun, May 12, 2013 at 3:59 AM, Iain Mott wrote:
>
> The Earfilms link is interesting. I wonder if people on the list have
> other references or links on ambisonics applied in theatrical
> productions, either traditional theatre or theatrical installation? Your
> own productions or the work of ot
I don't know about the others, but Mark Decker passed away, sadly.
That was the end of the Archers in surround.
I finally stopped using UHJ because the amount of people that had an
Ambisonic decoder in Finland were less than you can count with your fingers.
I knew them all and I could have as wel
These are excellent references, thank you! Curious to know why
ambisonics and uhj encoding ceased to be used in the 90s? I know nothing
about digital radio - but is dolby surround or some other surround
format being used presently in Europe, elsewhere? What is the present
state of play in surround
Iain Mott wrote:
I wonder if people on the list have
other references or links on ambisonics applied in theatrical
productions, either traditional theatre or theatrical installation?
In the Ancient Days (1990's), Jussi Lappalainen used Ambisonics in
the Oulu City Theatre in Finland. He had a Ce
On 12/05/2013 13:13, Augustine Leudar wrote:
Ive used ambisonics in several site specific outdoor theatre productions -
here is a review of the last one :
http://www.irishtheatremagazine.ie/Reviews/Current/Ghosts-of-Drumglass
Very nice write-up for that - must have been quite an experience!
-_
Ive used ambisonics in several site specific outdoor theatre productions -
here is a review of the last one :
http://www.irishtheatremagazine.ie/Reviews/Current/Ghosts-of-Drumglass
On 12 May 2013 13:32, Richard G Elen wrote:
> On 12/05/2013 11:59, Iain Mott wrote:
>
>> I'd also be interested
On 12/05/2013 11:59, Iain Mott wrote:
I'd also be interested to know if people have examples of binaural
radio-drama.
ZBS Foundation have done a certain amount of binaural radio drama, and
their content is quite amazing (though their best work is in stereo).
See
http://www.zbs.org/catalog/ind
The Earfilms link is interesting. I wonder if people on the list have
other references or links on ambisonics applied in theatrical
productions, either traditional theatre or theatrical installation? Your
own productions or the work of others.
I'd also be interested to know if people have examples
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