Oops, make that /denarius/, but who's counting?
Oh, God, I'm so embarrassed, Commander Yates (high school Latin teacher)
is rolling in his grave.
On 2/23/2011 10:23 PM, Randal Baier wrote:
Well, in my very humble opinion, and mind you, I am spouting off
without my usual "thoughtful and agel
Well, in my very humble opinion, and mind you, I am spouting off without
my usual "thoughtful and ageless reflection." :)
The VHS is simply a vessel. It holds the creation. It doesn't matter
where you get it. If the student has negotiated some kind of copy
permission and she can get a tape som
Here's a scenario that I don't think we've run across before:
The library purchased a VHS video art tape from Electronic Arts
Intermix with the usual limited PPR. A student wants to exhibit the
piece continuously as part of her MFA thesis show, and because an
exhibition copy with rights cos
There are many different models out there and I am not one to purchase
collections just in case. We are a mid size university that depends on
documentaries and other independent films in our classes. We don't have a
large budget so we use our library selectors for collection development in the
Does anyone have one of those annual licenses from them? If so how do you
like it? Does it get used?
On Wed, Feb 23, 2011 at 1:43 PM, wrote:
> Hi
>
> We don't use Swank. Swank may be a good (albeit over-the-top
> expensive)source for individual, short-term course reserve viewings, but
> they re
I am not sure whether I should butt in because I'm not a real librarian. But as
a library user I think there is something to be said for having movies related
to movies used in the classroom available. Not everything in higher education
involves a one-on-one correspondence between required or e
Hi Meghann,
Folks in the cataloging department and myself got together to discuss this a
few years back and we decided that we would break sets up in to different
containers and print our own pseudo covers, it's a fairly loose policy,
logical easy of circulation to the user and uniformity are the
Dear Gary,
Thanks for your eye-opening post. I'd love to see your list but didn't
get the attachment. The issue you raise is one that faces distributors
as well. The primary reason titles are not available digitally is
embedded copyrighted material which has not been cleared for digital
delivery
Hi
We don't use Swank. Swank may be a good (albeit over-the-top
expensive)source for individual, short-term course reserve viewings, but
they really don't offer the type of license that's appropriate for
longer-term collection building.
gary
> Do you use a Swank license for most of the studio
Do you use a Swank license for most of the studio stuff? (Non Fox)
On Wed, Feb 23, 2011 at 12:51 PM, wrote:
> Hi all
>
> In light of deg's Big Statistics (not to be confused with the teenpic
> deg's Day Off), I've continued to stew about the whole issue of collection
> development/selection vis
Never mind my question. I see you did not stream studio stuff.
On Wed, Feb 23, 2011 at 12:51 PM, wrote:
> Hi all
>
> In light of deg's Big Statistics (not to be confused with the teenpic
> deg's Day Off), I've continued to stew about the whole issue of collection
> development/selection vis a vi
Some of you may remember that I posted the following query to the
listserv at the beginning of the year. I did get a number of great
responses (thank you!), but the question got buried a bit in a list
mishap where duplicate messages spawned between videolib and videonews.
I thought I'd toss i
- Original Message -
From: Susan Sheridan
To: Music Hunter
Sent: Saturday, February 19, 2011 11:11 AM
Subject: Feedback on vendor service to Amherst College Library
I have been working as an acquisitions librarian & technical services manager
for over thiry years. Let me pay Music H
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