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From: videolib-boun...@lists.berkeley.edu
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Marynelle Chew
Sent: Monday, March 22, 2010 10:17 PM
To: videolib@lists.berkeley.edu
Subject: [Videolib] PPR project advice
Hello
...@lists.berkeley.edu
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Marynelle Chew
Sent: Monday, March 22, 2010 7:17 PM
To: videolib@lists.berkeley.edu
Subject: [Videolib] PPR project advice
Hello again,
Has anyone undertaken a project to identify PPR for an existing
collection of films from
Hello --
We import all new catalog records into a procite database designed years
ago, based on the cat date; records are imported one at a time.
Originally it flew in as one big set; global changes work. I put a
couple fields in for rights info. This database also doubles to create
subject
When I worked in Acquisitions, we did a similar project. Some of the steps are
still being used for new materials.
1.We checked the vendor's websites when we had paid the institutional
price. If we paid retail, I assumed no additional rights.
2. In some cases-with smaller
Speaking for FEATURE films only, be careful. Rights CHANGE. The
standard studio libraries are relatively stable, but since none of
them are EVER sold with PPR it may not matter much. If you need
PPR/Streaming you just pretty much figure if it is Swank or Criterion
Pictures USA.
Foreign and Indie
Hello again,
Has anyone undertaken a project to identify PPR for an existing collection
of films from a variety of producers and distributors? Would you mind
sharing how you organized your project?
Thank you for your assistance.
Marynelle
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