Noticed the Houdini shots. Interested to know what MPC Vancouver worked on and how it fits with the shots Glassworks Barcelona did.
On 19 February 2017 at 19:09, Jordi Bares <[email protected]> wrote: > Just to clarify, there was a lot of Maya and Houdini as well. > > Jb > > Sent from my iPhone > > On 19 Feb 2017, at 18:14, Jonathan Moore <[email protected]> > wrote: > > Their was a recent FXGuide podcast where Mike Seymour, Jason Diamond and > Matt Wallin discuss the visual effects in A Monster Calls. > > https://www.fxguide.com/thevfxshow/vfxshow-215-a- > monster-calls-the-vfxshow-bonus-sundance-chat/ > > Visually one of my favourite films of recent years. The art direction is > wonderfully crafted (reminds me of the visual narrative of Pan's Labyrinth, > which I suppose isn't surprising as Guillermo del Toro produced and > financed the director's first film). > > I had no idea Glassworks (Barcelona) were responsible. Simply stunning, > and a fitting XSI swansong. > > On 19 February 2017 at 06:19, Pierre Schiller <activemotionpictures@gmail. > com> wrote: > >> https://www.youtube.com/watch?v=2VVDqexjUVY >> >> Oh this is magnificent. Just in time to pump up the Softimage vitamins. >> hehehe. >> Njoy. >> >> -- >> Portfolio 2013 <http://be.net/3dcinetv> >> Cinema & TV production >> Video Reel <https://vimeo.com/3dcinetv/reel2012> >> >> ------ >> Softimage Mailing List. >> To unsubscribe, send a mail to [email protected] >> with "unsubscribe" in the subject, and reply to confirm. >> > > ------ > Softimage Mailing List. > To unsubscribe, send a mail to [email protected] > with "unsubscribe" in the subject, and reply to confirm. > > > ------ > Softimage Mailing List. > To unsubscribe, send a mail to [email protected] > with "unsubscribe" in the subject, and reply to confirm. >
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