Ah some of the other depts must have lent a hand. It's pretty awesome that Glassworks got to do this though. Fantastic and hat's off! On Sun, Feb 19, 2017 at 2:31 PM Jonathan Moore <[email protected]> wrote:
> Thanks for the info Tim. It was Mike Seymour that mentioned the MPC > Vancouver connection in the podcast. > > The total budget was circa 40 million and I think I heard along the way > that Glassworks started on it long before MPC and treated it as a passion > piece so the director got a lot for his budget! :) > > I'll definitely chat to Henning as the movie is a stunning achievement no > matter who did what. I'd imagine it was a dream job for Henning as the art > direction is right up his strasse. > > On 19 February 2017 at 22:09, Tim Crowson <[email protected]> wrote: > > I am not sure which role the other MPC branches played in Monster Calls, > but I don't think our folks here in Vancouver did much if any on this one. > I know we in lighting never worked on it. > > Jon, Henning did some asset work on this before going to Dneg. He might > know more. > > On Sun, Feb 19, 2017 at 11:36 AM Jonathan Moore <[email protected]> > wrote: > > Noticed the Houdini shots. > > Interested to know what MPC Vancouver worked on and how it fits with the > shots Glassworks Barcelona did. > > On 19 February 2017 at 19:09, Jordi Bares <[email protected]> wrote: > > Just to clarify, there was a lot of Maya and Houdini as well. > > Jb > > Sent from my iPhone > > On 19 Feb 2017, at 18:14, Jonathan Moore <[email protected]> > wrote: > > Their was a recent FXGuide podcast where Mike Seymour, Jason Diamond and > Matt Wallin discuss the visual effects in A Monster Calls. > > > https://www.fxguide.com/thevfxshow/vfxshow-215-a-monster-calls-the-vfxshow-bonus-sundance-chat/ > > Visually one of my favourite films of recent years. The art direction is > wonderfully crafted (reminds me of the visual narrative of Pan's Labyrinth, > which I suppose isn't surprising as Guillermo del Toro produced and > financed the director's first film). > > I had no idea Glassworks (Barcelona) were responsible. Simply stunning, > and a fitting XSI swansong. > > On 19 February 2017 at 06:19, Pierre Schiller < > [email protected]> wrote: > > https://www.youtube.com/watch?v=2VVDqexjUVY > > Oh this is magnificent. Just in time to pump up the Softimage vitamins. > hehehe. > Njoy. > > -- > Portfolio 2013 <http://be.net/3dcinetv> > Cinema & TV production > Video Reel <https://vimeo.com/3dcinetv/reel2012> > > ------ > Softimage Mailing List. > To unsubscribe, send a mail to [email protected] > with "unsubscribe" in the subject, and reply to confirm. > > > ------ > Softimage Mailing List. > To unsubscribe, send a mail to [email protected] > with "unsubscribe" in the subject, and reply to confirm. > > > ------ > Softimage Mailing List. > To unsubscribe, send a mail to [email protected] > with "unsubscribe" in the subject, and reply to confirm. > > > ------ > Softimage Mailing List. > To unsubscribe, send a mail to [email protected] > with "unsubscribe" in the subject, and reply to confirm. > > > ------ > Softimage Mailing List. > To unsubscribe, send a mail to [email protected] > with "unsubscribe" in the subject, and reply to confirm. > > > ------ > Softimage Mailing List. > To unsubscribe, send a mail to [email protected] > with "unsubscribe" in the subject, and reply to confirm.
------ Softimage Mailing List. To unsubscribe, send a mail to [email protected] with "unsubscribe" in the subject, and reply to confirm.
