Well, If we´re going to notice MA and HU, then let´s notice Animate CC and
Toon boom as well. :D
Love the art direction. That world is really conveying to a moving artwork
piece like I´ve never seen,
ever since that one movie where Robbin Williams paints that picture to his
wife...
Just my 2 cents.



On Sun, Feb 19, 2017 at 5:53 PM, Tim Crowson <[email protected]> wrote:

> Ah some of the other depts must have lent a hand. It's pretty awesome that
> Glassworks got to do this though. Fantastic and hat's off!
>
> On Sun, Feb 19, 2017 at 2:31 PM Jonathan Moore <[email protected]>
> wrote:
>
>> Thanks for the info Tim. It was Mike Seymour that mentioned the MPC
>> Vancouver connection in the podcast.
>>
>> The total budget was circa 40 million and I think I heard along the way
>> that Glassworks started on it long before MPC and treated it as a passion
>> piece so the director got a lot for his budget! :)
>>
>> I'll definitely chat to Henning as the movie is a stunning achievement no
>> matter who did what. I'd imagine it was a dream job for Henning as the art
>> direction is right up his strasse.
>>
>> On 19 February 2017 at 22:09, Tim Crowson <[email protected]> wrote:
>>
>> I am not sure which role the other MPC branches played in Monster Calls,
>> but I don't think our folks here in Vancouver did much if any on this one.
>> I know we in lighting never worked on it.
>>
>> Jon, Henning did some asset work on this before going to Dneg. He might
>> know more.
>>
>> On Sun, Feb 19, 2017 at 11:36 AM Jonathan Moore <
>> [email protected]> wrote:
>>
>> Noticed the Houdini shots.
>>
>> Interested to know what MPC Vancouver worked on and how it fits with the
>> shots Glassworks Barcelona did.
>>
>> On 19 February 2017 at 19:09, Jordi Bares <[email protected]> wrote:
>>
>> Just to clarify, there was a lot of Maya and Houdini as well.
>>
>> Jb
>>
>> Sent from my iPhone
>>
>> On 19 Feb 2017, at 18:14, Jonathan Moore <[email protected]>
>> wrote:
>>
>> Their was a recent FXGuide podcast where Mike Seymour, Jason Diamond and
>> Matt Wallin discuss the visual effects in A Monster Calls.
>>
>> https://www.fxguide.com/thevfxshow/vfxshow-215-a-
>> monster-calls-the-vfxshow-bonus-sundance-chat/
>>
>> Visually one of my favourite films of recent years. The art direction is
>> wonderfully crafted (reminds me of the visual narrative of Pan's Labyrinth,
>> which I suppose isn't surprising as Guillermo del Toro produced and
>> financed the director's first film).
>>
>> I had no idea Glassworks (Barcelona) were responsible. Simply stunning,
>> and a fitting XSI swansong.
>>
>> On 19 February 2017 at 06:19, Pierre Schiller <
>> [email protected]> wrote:
>>
>> https://www.youtube.com/watch?v=2VVDqexjUVY
>>
>> Oh this is magnificent. Just in time to pump up the Softimage vitamins.
>> hehehe.
>> Njoy.
>>
>> --
>> Portfolio 2013 <http://be.net/3dcinetv>
>> Cinema & TV production
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