Charles L. Dischinger wrote:
> 
> Once again the group seems to have gotten away from the topic of
> photography.  Why does the topic of "cheese doodles", "parachute cord", or
> "railfan activity" bring about more response than any photographic technique?
> 
[snip]

Because they're more fun to talk about! :)

More seriously, however, photography is NOT strictly the only aspect of
railfanning. It is the experiences that one has while attempting to
photograph trains.

Back in April 1995, I went on a solo railfanning trip to Philadelphia.
While trying to get there, I managed to miss one exit off the NJ
Turnpike, and had to find an alternate route--without the benefit of a
map. Once I got to the city, I had no bearings, so I had to stop in a
McDonald's parking lot to consult the USGS topo map included in the
Railpace railfan's guide for what little info I could get to find the
sites.

While in that lot, I was approached by a panhandler. (Something similar
happened when I had lunch in my truck at the 30th St Station.) Then I
could tell you about the trains I got (or missed), and how my day went
in general.

On another occasion, i met a man who was videotaping trains on CR's
River Line. With the skies cloudy, the light diminishing and no trains,
we got to swapping railfanning tales. Once, he was visiting a friend in
the South, he was scanning the frequencies and got a crew caller (!).
And so it goes.

My point is this: Photography, especially photographic technique, is
only one component of railfanning. Also included in that are the other
experiences that one has that become memorable for whatever
reason--whether you get shot at, meeting other fans, or whatever--that
are part and parcel of the greater package called railfanning.

Dieter


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