Well of course you stay within the basic parameters but one photographer may develope a style that can readily be recognized because he likes to shoot from a distance from the shade side to make the shadows of the cars part of his composition while another may prefer down on shots. We all borrow a little from each other as the hobby progreses and it is no longer thought (by most) that the only acceptable way to shoot a locomotive is 3/4 from the sun side.
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