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Robert J. Macdonald wrote:

>I have a Bogen pistol grip head that I have used successfully for many
years with 35mm lenses up to 300 mm. It is rock steady when released and
really easy to use for fast framing adjustments at trackside. It cost less
than 100$. Why would I want to purchase a $300 ballhead that is infinitely
less flexible as I have noticed that many professionals and advanced
amatuers do? Is this something like Kodachrome chic or is there something I
am missing?

Yeah, there is something you are missing, but it's an excellent question
though.  My Arca-Swiss B1 ballheads hold 90 lbs (pressure - they don't slip
when you hold them down and press on them), and they work so smooth and
slick with their dampening control that there is no way to describe one if
you have not used one.  If you have the opportunity to try one, you will
have to buy one.  I'm not going to put my $10000 lens and camera combo on a
Bogen pistol grip and watch it slip and fall over and crash to the ground. 
I don't doubt that it works great for you Bob, but I think my lens might be
bigger than yours, because those pistol grips are only meant for light
loads.  I found them awkward (and slipping) for vertical compositions too. 


There is a big difference between the big pro ballheads and the Bogens, not
just in price.  I had to learn that the hard way, by owning them all.

Regards,

Dave

Dave Cohen
Photographer, Member ASMP
Action Photographic Webmaster
[EMAIL PROTECTED]
http://www.anet-stl.com/acphotog/home/

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