> > - Are identical speakers needed for each speaker of the array, or can I > DIY > it buy mixing and matching speakers from old hi/fi and found systems?
Don't think anyone would recommend it ... but one has to be realistic. There are some good classical recordings on ambisonia.com A few of those played back, should give you an idea of how bad (good) the system is. (I have a movement from a symphony that rotates (pans) round the room over several minutes. Gives some idea of the whole (horizontal) system.) Digital Room Correction (DRC) is good for room sized arrays. There's a good paper and slide demo by Jörn Nettingsmeier (on his site). I wonder how well it would iron out blemishes of an unmatched array ... ? Seems an interesting possibility! > - I was reading that the exact layout of an HOA is not so important, > there's tolerance for different configs, unlike traditional 5.1 channel > based systems which have specific locations that they should live in.. if > so, what is the determining factor for accurate localization? If I rig up > my studio with one config, will it translate to a much larger space by > scaling up ? (assuming enough power in the loudspeakers?) The whole point of ambisonics is that it is independent of the final rig. > - What are ways of writing original music for this format? I use Logic and > Max... does this format need specific compatible syths/instrument with > multiple out, or is the source irrelevant and it's all in the host > routing? Also have a look at Ambisonic Tool Kit and its lead author's (Joseph Anderson's) work. > - What's the easiest way of using my existing stereo samples/recordings to > convert them for use and reproduction ? Is this even possible? If I > convert, will I then have to manually 'map' movement across the field? > > So many questions! If anyone has time, would love to chat with you about > all of this.... much appreciated. > > Sounds like a ripe opportunity to create a set of tutorials, podcasts, > screencasts of how to get started (if there aren't already) > In many ways that ought to be better if done by a neophyte (no danger of presuming knowledge that has not been covered, etc., etc.). Am sure if you produced some drafts ("How I did it.") you would get some criticism ... Good luck, Michael _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound