Hmm - that should have said

....which I find very worrying especially as it seemed to be identical in
both units, pointing to some general problem which might appear in many
units....

On 29 April 2013 16:59, Dave Malham <dave.mal...@york.ac.uk> wrote:

> A few months ago I had to sort out a PCM701 with one of my spdif cards in
> (the ones I used to do for Audio Design). We went through three PCM units
> before we found one that worked fully in replay mode (the original, one
> from the Uni and the final one, off Ebay). There seems to be something in
> the electronics that becomes increasingly unreliable with time in, I think,
> the clocking circuits which I find very worrying especially. Given the fact
> that archiving houses (in the UK in particular, the British Library) very
> sensibly bought up a lot of machines when HHB finally stopped sponsoring
> production, there aren't likely to be many working boxes around any more,
> so guard any you have that work very carefully!
>
>    Dave
>
> PS I don't have any more of the spdif and the chip it was based on is no
> longer available so I can't make any more!
>
>
>
> On 29 April 2013 15:23, umashankar manthravadi <umasha...@hotmail.com>wrote:
>
>> i work in an ethnomusicology archives here in india, and we have about
>> 5000 hours of pcm f1 recordings dating back to 1983 (when I even did
>> digital field recordings using the F1). we have two F1s and one 501. None
>> have digital outputs, but cricklewood electronics (?) produced a card which
>> produced a sdif signal out of the F1 that  we are using to convert our pcm
>> recordings to wav files without redigitising. umashankar
>>  > Date: Mon, 29 Apr 2013 15:02:32 +0100
>> > From: richarddob...@blueyonder.co.uk
>> > To: sursound@music.vt.edu
>> > Subject: [Sursound] Sony PCM? (was Re:  DTS Headphone:X)
>> >
>> > On 29/04/2013 11:53, Jon Honeyball wrote:
>> > > I have a pcm-f1 tape of the Zuccherelli stuff from 30 years ago, for
>> those
>> > > with looooong memories. Must pull that into a wav file, but my f1 has
>> no
>> > > digital output. Hmmm
>> > >
>> >
>> > As it happens, I have a Sony PCM-701ES (incl SPDIF) with the CDP digital
>> > port added (designed, along with the "SoundSTreamer" it connected to, by
>> > Dave Malham), sitting around doing nothing. It cost several arms and
>> > legs when bought new, back in 1987. Last time I used it, several years
>> > ago, it recorded 16bit audio nicely to a bog-standard (and cheap) VHS
>> > recorder.
>> >
>> > My question is, simply, are these things still in use/demand anywhere
>> > (e.g. for recovering vintage F1 recordings, which I merely assume it can
>> > do)? I also used the CDP port to connect (via  a tiny bit of DIY buffer
>> > electronics) to a now utterly obsolete but cute IDE-based 56001 dsp
>> > development card. The port gives you direct access to the otherwise
>> > internal serial data and clock lines.
>> >
>> > There is currently one on Ebay "Buy It Now" for £150 plus shipping. I
>> > guess shipping by UK courier would be around £25. I would only take the
>> > plunge on Ebay if I could be sure of a price good enough to justify
>> > "letting it go".
>> >
>> > Richard Dobson
>> >
>> >
>> >
>> >
>> >
>> > _______________________________________________
>> > Sursound mailing list
>> > Sursound@music.vt.edu
>> > https://mail.music.vt.edu/mailman/listinfo/sursound
>>
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>
>
>
> --
> As of 1st October 2012, I have retired from the University, so this
> disclaimer is redundant....
>
>
> These are my own views and may or may not be shared by my employer
>
> Dave Malham
> Ex-Music Research Centre
> Department of Music
> The University of York
> Heslington
> York YO10 5DD
> UK
>
> 'Ambisonics - Component Imaging for Audio'
>
>
>


-- 
As of 1st October 2012, I have retired from the University, so this
disclaimer is redundant....


These are my own views and may or may not be shared by my employer

Dave Malham
Ex-Music Research Centre
Department of Music
The University of York
Heslington
York YO10 5DD
UK

'Ambisonics - Component Imaging for Audio'
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