Cool! The only thing that would've made it better is more Tater.

It's interesting to see Dawg recording straight to ... was it quarter-
inch tape? I would love to hear more about that, too -- what mics were
used, how the takes were handled, the sort of board Grisman uses, all
the gnarly details. That sort of how-to info is very useful to those
of us either recording on our own or in small local studios that have
never seen a mandolin before.

I understand the studio is in the basement of his house. That right? I
have to hand to Mr. Grisman: He covers all the angles, which any
artist wanting to make a buck has to do.
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