I'm guessing those small diaphram condensers in the studio are Neumann KM84 mics. The Dawg likes those and it looks like he was using one for his mandolin at the live show too. It's been replaced by the KM184 which has a high frequency boost, where the KM84 is flatter and sells for a premium these days since it was discontinued. The SM81 is a good small condenser with a flat response too. Not sure what those large diaphram condensers in the studio are but they look like Neumann U87's which everyone makes copies of.
On Sat, Mar 14, 2009 at 3:05 PM, Joseph <[email protected]> wrote: > > Would like to know as well. Just got an SM81 myself. Works great. I > wonder if there's more footage of the Stomp recording session? There > should be. > > No comment from Tater his self. > > On Mar 8, 3:29 pm, Mike Romkey <[email protected]> wrote: >> Cool! The only thing that would've made it better is more Tater. >> >> It's interesting to see Dawg recording straight to ... was it quarter- >> inch tape? I would love to hear more about that, too -- what mics were >> used, how the takes were handled, the sort of board Grisman uses, all >> the gnarly details. That sort of how-to info is very useful to those >> of us either recording on our own or in small local studios that have >> never seen a mandolin before. >> >> I understand the studio is in the basement of his house. That right? I >> have to hand to Mr. Grisman: He covers all the angles, which any >> artist wanting to make a buck has to do. > > > --~--~---------~--~----~------------~-------~--~----~ You received this message because you are subscribed to the Google Groups "Taterbugmando" group. To post to this group, send email to [email protected] To unsubscribe from this group, send email to [email protected] For more options, visit this group at http://groups.google.com/group/taterbugmando?hl=en -~----------~----~----~----~------~----~------~--~---
