Learn it informally, and then teach it to yourself.

On Mar 11, 2009, at 10:02 AM, MinnesotaMandolin wrote:

>
> Hey all--
>
> I'm curious how others handle this dilemma of mine, or if it's even an
> issue. When I practice tunes out of books (my primary books are the
> Phillips vol. 1, O'Neils music of Ireland and the Fiddler's Fakebook)
> I struggle to make the tune sound "informal." I have a classical
> background, on guitar and the oboe, and it's hard for me to play off
> of sheet music without sounding like a presentation.
>
> When I learn a song from a person, I don't have this problem. Same
> with the handful of tunes I've written. But out of the dozens of tunes
> I've worked on out of books, only a few don't sound like a recital
> when I play them. I've actually hit a point where the fiddle tune
> books aren't that much more fun than exercise books, for how stiff
> they can sound under my fingers. I keep coming back to them though,
> because I figure it's good for me to work on 'em anyway. I also got a
> few classical mandolin books so I could read through some sheet music
> and be happy with the "formality" of my playing.
>
> I got a hunch the answer to my question is "practice," but I wonder if
> anyone has some other tips or suggestions.
>
> I normally don't think of myself as a stiff player, but most of my
> focus is on creating rhythm parts for the original songs my band does.
>
> On a related note, how do folks decide to "set" a tune where all the
> information that might be available about it is its title and the name
> of the fiddler the book's author collected the song from?
>
> just curious,
>
> erik
> >


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