If they "frown upon" your playing, its because they can't do it.  Play what YOU 
like. If the Monroe style is your thing, stick to it!  What's wrong with 
playing the melody without all the junk?   Are the bluegrass police there?  If 
so, they should be policing the other guys for NOT playing the melody.  You 
should play more Monroe style than less and rub their noses in it.  Unless 
you're making a living at it and you have to play things you don't care for 
just to get paid, then play what you want to hear. 
 
I had a guy at a jam tell me once, "I don't play Monroe stuff, its too easy".  
I held out my mandolin and said, "Well, if its so easy, let me hear you do 
it".  He declined my offer and left. 
 
Ok, stepping off soapbox now.

--- On Mon, 3/23/09, malagrass <[email protected]> wrote:


From: malagrass <[email protected]>
Subject: Question about style
To: "Taterbugmando" <[email protected]>
Date: Monday, March 23, 2009, 1:07 PM



How does your playing (Monroe style) go over in a jam type atmosphere.
It seems that the places I in-frequent have a lot of players that play
a lot of notes and flashy at that. Damn them..... and my style of
playing which is heavily influenced by big mon/tater is almost frowned
upon.

The last time I visited a local jam, I played attempted to play more
“notes” and there was much more reaction or at least that was my
feeling.

But, I don’t hear all those notes in a song and second it takes a lot
of work to get all the notes in. The people who play in that style
seem to have a gazillion licks but don’t hover around the melody, and
what I hear IS the melody. So when I play what I hear, it probably is
a lot simpler and less flashy.

Is Monroe style of playing seen as simplistic or rudimentary, cause
I’m here to tell ya it aint! Or is it not recognized in today’s modern
world? Or.......... do I just suck.............!      Don't answer
that..!


per-tater




      
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