I believe it is "Bonaparte's Retreat". There is a part that he plays low with droning, then repeats it later on the higher strings. I don't know if he has more than one version. The one I have is very slow.
On Mar 30, 9:44 am, Mark Seale <[email protected]> wrote: > Which Eck tune are you referring to? The cross-tunings on the fiddle can > produce some very cool sounds. > > As to the rest, I'm just the opposite of most of ya'll. I've been playing > fiddle for 30 years, but just got serious about my mandolin picking last > year. I still can't get the darn pick to do what I want it to. If you want > to learn the fiddle. Do it and the sooner the better. > > Mark > > On Fri, Mar 27, 2009 at 12:42 AM, Nelson <[email protected]>wrote: > > > > > > > Thanks, everyone, for the advice. I enjoy my mandolin and try to stay > > true to the fiddle side of things when I am playing old time stuff. > > The one instrument that I truly love is the fiddle, though. It > > doesn't matter if it is Bob Wills, Celtic stuff, old time music, Honky > > Tonk or Hank Williams. The fiddle does it for me. I have been > > listening to Eck Robertson alot lately. He has one tune where he > > drones alot and it sounds so much like pipes that it is amazing. Less > > polished than Monroe achieved with Scotland, but still very effective. > > > Do any of you have a suggestion for particular books or DVDs that you > > have found useful or know are useful? I've played around with bowing > > and stuff, and think I can get the hang of it pretty quickly. I just > > don't want to form bad habits. > > > Thanks again, > > Nelson > > > On Mar 26, 10:37 pm, solofiddle <[email protected]> wrote: > > > Go for it! Just remember, the first 30 years are the toughest and > > > after that I hear it's a piece of cake. haha > > > Seriously, if it calls you, then you will have to do it. Don't let age > > > discourage you - it's all a matter of how badly you want it > > > and that will dictate the time you put into it. I know of many > > > examples of people coming late to some instrument only to really shine > > > on it. > > > Determination goes a long way to gettin' some of that talent that you > > > might think others were born with. > > > > I was playing fiddle before mando, so I essentially play the mando > > > like a fiddle - lotsa two-note chords, same fingerings for everything > > > I would play on fiddle, etc. > > > I'm pretty scatterbrained, so I am into studying lots of instruments > > > and types of music at the same time. Variety is nice! Also, the more I > > > learn the more I find some things related and they can help feed each > > > other. For instance, I play clawhammer banjo and in the last couple of > > > years I have gotten heavy into lap slide style resonators and > > > bottleneck style guitar. And guess what - one of the major tunings for > > > the slide style is closely related to the open G banjo tuning, so that > > > helped give me some bearing right there. The same tuning moves onto > > > the Tele with the low string removed and then you're off into Keith > > > Richards tunes, which almost play themselves. Then I might go off into > > > some James Brown funk on drums or guitar, and then I hear banjo and > > > fiddle great Dan Gellert (in Fiddler magazine) talking about James and > > > his emphasis on stressing the ONE beat and how he does that in old- > > > time to open things up and make them funkier than stressing the 2 and > > > 4 like most folks and so things move around in circles! > > > > When I took up banjo, logically it seemed like a crazy idea - I was > > > still taking fiddle lessons and I had returned to college as an adult > > > and I had no time for banjo. But, I was exposed to it and it called me > > > and I met a great banjo teacher and things just lined up perfectly! > > > The fiddle really helped the banjo, as I essentially play the banjo > > > with the left hand the same way I finger the fiddle, just on a larger > > > scale. Old time fiddle and banjo often use altered tunings, and they > > > match up really well on the two instruments, so once I discovered the > > > connection I could immediately play tons of fiddle tunes on the > > > banjo. > > > > Let's look at drums - I took up drumset late in life, just because I > > > had always wanted to. Finally got the guts to try it! And so now I > > > play in an Oldies trio just for fun; and what a blast it is! Seems > > > totally unrelated to my old-time music pursuits, right? Well, drums > > > are all about rhythm, of course, and the banjo is largely about rhythm > > > and now I am starting to combine drums and old music, like acoustic > > > blues slide stuff. Getting into playing drums and slide or banjo at > > > the same time! Turns out, that is an old Blues tradition and there is > > > a specialty drumset now made to be entirely played with your feet. Way > > > cool! So, things seem to connect in odd, fun ways. > > > > However, I recently saw the one and only banjo player Leroy Troy, and > > > he said worried early in life about doing too many things, and someone > > > warned him of having a split brain if he did that and that he should > > > maybe focus on one thing. Well, it's obviously working for him, > > > whatever he's doing, but my brain is split several ways and that's > > > just the way I am!- Hide quoted text - > > - Show quoted text - --~--~---------~--~----~------------~-------~--~----~ You received this message because you are subscribed to the Google Groups "Taterbugmando" group. 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