Yessir, I hear the subdivision too and am often surprised by what I find, especially after so many years of carrying around my own preconceived (unresearched) notions. In Monroe's case, I hear it mixed with triplets, definite groups of "3's". Seems like there's an awful lot of "3's" in Bill's music. I've wondered a lot about why that is. Anyway, seems at first glance to be randomness turns out to be laid out in orderly fashion.
For me, playing a pattern or a rhythmic "beat" in the tremolo helps me get through it evenly, sort of like giving myself a script to follow. taterbug On Apr 12, 12:50 pm, Petimar <[email protected]> wrote: > Hi all, > > In most of the stuff I've transcribed, I can hear a certain number of > notes per beat. This is usually 3, 4, 6, or 8, but can be different, > depending on tempo (the faster the tempo, the fewer notes per beat). > The practice routine I outlined above should give someone that > control, as it did for me and a number of my students over the years. --~--~---------~--~----~------------~-------~--~----~ You received this message because you are subscribed to the Google Groups "Taterbugmando" group. To post to this group, send email to [email protected] To unsubscribe from this group, send email to [email protected] For more options, visit this group at http://groups.google.com/group/taterbugmando?hl=en -~----------~----~----~----~------~----~------~--~---
