Romkey, you said it well...especially about the magical powers...<G>

On Oct 7, 3:05 am, Romkey <[email protected]> wrote:
> No, not Skaggs again!!!!!! (g)
>
> A few observations, if I may be so bold, from someone who has both
> attended workshops and taught them (writing, not music):
>
> 1. Workshops and lessons are useful to a certain (smaller rather than
> greater) extent, but ultimately the thing that counts is hard work by
> individuals, toiling long hours alone, to improve their craft. Lessons
> or a workshop can't make you a good player. Only you can make you a
> good player.
>
> 2. It can be frustrating for teachers (henceforth assume I'm also
> talking about workshop leaders as well as teachers involved in one-on-
> one lessons) when students think it is the teacher's job to "make"
> them a better player. A good teacher can provide encouragement and
> advice, but the improvement is up to the student. Thirty minutes in a
> lesson, or even a week at a workshop, can't make you more than a
> little bit better, if that. It's a starting point, not the
> destination.
>
> 3. Students often harbor the mystical belief the teacher (especially
> if they're accomplished or "famous" for what they do) possesses the
> magical power to lay hands on them and anoint them with ability. Of
> course, they don't think of it in these terms, but that is
> nevertheless their hidden belief. It is 100 percent superstition. I
> took a class once, with about 80 other people, from Chris Thile. Down
> deep in my bones, I thought: "This is so cool; now I'm going to 'get'
> how Chris plays. I'm in a room with him, we're both holding mandolins,
> and some of his mojo is going to rub off." Alas, it didn't. The master
> can't let the acolyte in on the secret. There isn't any secret.
>
> 4. We have a strange affinity for people who are well-known for
> mastering a skill we wish to know. Face it: one of the reasons we go
> to workshops is because they want to hang around with David Grisman,
> ol' Tater, Don and whomever else is on staff. Duh. We're pickers, but
> we're also fans. Some teachers like the attention, some don't. Some
> students understand they're paying for direction and access and that
> when the class is over, it's over, but some don't. It can be hard to
> respect boundaries with people we admire, and some of the beloved are
> touchier about it than others.
>
> 5. Teaching isn't for everybody, and neither is being a student. It
> behooves both sides of the equation to think a little bit about the
> other guy and make sure to treat them right. The Golden Rule, you
> know.
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