I am dreaming, as there is no way that I can be there, but would love to
have Mr. Statman show ways of taking Monroe tunes into inner/outer space.



On Fri, Mar 5, 2010 at 4:21 PM, Mark Seale <[email protected]> wrote:

> Something else that came to mind would be a class that takes a Monroe
> instrumental and traces its development through his changes in playing
> style.  Find a tune that he carried for multiple decades and do a study on
> how it changed.
>
> M
>
>
>
> On Thu, Mar 4, 2010 at 8:14 PM, mistertaterbug <[email protected]>wrote:
>
>> Izzat it? Nobody's even curious about anything? Boy, this is a quiet
>> bunch...must be practicing...
>> Tbug
>>
>> On Feb 28, 3:01 pm, Robin Gravina <[email protected]> wrote:
>> > If I was able to be there, I'd like 2 hours on kick offs like 'old
>> > xroad is waiting'. How to get intensity without over-playing, timing
>> > of the tremolo, pick angle details, starting cold with full energy
>> > on...
>> >
>> > 2010/2/28, Mark Seale <[email protected]>:
>> >
>> >
>> >
>> > > That's sort of where I was going with it Raymond.  To me, Tater
>> rhythm, is
>> > > the rhythm beyond a bluegrass chop.  It's sort of a melodic rhythm,
>> based on
>> > > various and creative chord voicings that ring and follow the lead.
>>  The
>> > > stringband stuff from the Hartford days, or the rhythm on Tanyards
>> (Stomp
>> > > cd).  That's what I've got in my ear.
>> >
>> > > M
>> >
>> > > On Sun, Feb 28, 2010 at 12:17 PM, Raymond Huffmaster <
>> > > [email protected]> wrote:
>> >
>> > >> Howdy..
>> > >> Glad to see y'all bringing rhythm into the thread...
>> > >> One thing more important to me than rhythm..that's
>> > >> making sure that said rhythm is in time.This allows
>> > >> the lead guy to really do what he can or cannot do...
>> >
>> > >> Now,as to your request for suggestions,Mikey...this
>> > >> same rhythm,especially to me,on the Mandolin...needs
>> > >> to be done in a way that produces tone from the Mandolin.
>> > >> A muted/damped,brushed rhythm on the Mandolin without
>> > >> tone lites nary fire under me...I want to hear the tone come
>> > >> out with the chop...after all...the Mandolin is just a tone
>> > >> chamber with a neck hooked to it...take advantage of that
>> > >> tone,use it to enhance the music.
>> > >> Love Monroes tone in his rhythm playing....
>> >
>> > >> Loafer
>> >
>> > >> [email protected]> wrote:
>> > >> > spud, dud, dud, spud, pud, spud, dud.... you get my drift
>> >
>> > >> > Dennis Fehling
>> > >> > Friends for life dog training
>> > >> > 541-350-2869
>> >
>> > >> >www.friendsforlifedogtraining.com
>> >
>> > >> > When will the madness stop.  Spay and Neuter your pets
>> >
>> > >> >  EMAILING FOR THE GREATER GOOD
>> > >> > Join me
>> >
>> > >> > > Date: Sun, 28 Feb 2010 07:54:29 -0800
>> > >> > > Subject: Re: Monroe Camp 2010
>> > >> > > From: [email protected]
>> > >> > > To: [email protected]
>> >
>> > >> > > What is tater rhythm anyway?
>> > >> > > TBug
>> >
>> > >> > > On Feb 27, 11:15 am, Don <[email protected]> wrote:
>> > >> > > > I second the Tater rhythm course of study.
>> >
>> > >> > > --
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>>
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