Old Daingerfield in A is good.  I bet Terry's on board with that one.
Perhaps an E or G or D or C or F tune next...

Terry, glad you didn't skin your sidearm on me for not maintaining
proper speed.  Lucky I just got off with a warning...


On Oct 2, 12:01 am, [email protected] wrote:
> I like John's suggestion of a list.  I'd like to nominate Old Daingerfield as 
> the first one.  Is that o.k.?
> Sent from my Verizon Wireless BlackBerry
>
>
>
> -----Original Message-----
> From: Linda <[email protected]>
>
> Sender: [email protected]
> Date: Fri, 1 Oct 2010 20:33:43
> To: Taterbugmando<[email protected]>
> Reply-To: [email protected]
> Subject: Re: My first video post
>
> I have huge problems finding folks I can sit in with cause they all
> play so fast, tunes I don't know, mainly old time tunes, the list is
> so big I don't know where to start, and their take is not how I hear
> it sometimes too.  I am finding playing along with Monroe a great
> boon.  Agree too about learning a few tunes in each key and learning
> the licks and playing from chord positions is a great way to go.
> There are some speed freaks out there who think its only good at top
> speed, while I tend to think the right speed for the tune is the goal
> (local observation).
>
> I have been working on Old Ebenezer Scrooge for about a year, and
> finally am close to something worth recording, also Arkansas Traveler,
> but have not heard a Monroe version of that.  Just about have Lonesome
> Moonlight Waltz and would love to work on a list as suggested, for a
> year to see what can be achieved.
>
> Thank you Nelson for starting this thread and sharing and thanks also
> to everyone contributing, good insights for developing players, who
> need to build enough to feel good enough to sit in with others.  Its
> no good to just sit there completely overwhelmed and lost.  The
> comments are all so supportive and positive.  So good to see.  Seems
> video production could help with performance issues like turning into
> wood when someone is watching, etc.  The best thing I have done for
> myself there is to just play, anyway, and wear it, warts and all, get
> over it and move on.  Waiting here for the day I can say....been
> there, done that...and am totally over it!!!!
> Linda
>
> On Oct 2, 12:14 pm, Terry Bullin <[email protected]> wrote:
> > Good job Nelson!
>
> >  I agree with Don, just do it!  The best way to learn is to play with 
> > people.  If you mess up, so what?  Everybody does.  Hell, I mess up more 
> > than I get right.  That's just part of the learning process. 
>
> > I also agree with John.  Try playing along with Monroe or Mike on a 
> > recording.  It will help you with your timing.  That cd isn't going to stop 
> > if you  goof, so you'll learn to keep up.  You can slow it down if you need 
> > to in order to learn the tune, but after you do,  practice at full speed.  
>
> > Also, try learning several tunes in each key.  G, C. D, A, ect.   By 
> > learning that many tunes you will remember licks from each key.  Then if 
> > you are jamming and they play a tune in G that you really don't know, you 
> > might can use some of the licks you remember from the ones you do know.   A 
> > lot of the stuff you did in Bluegrass Special, you will find in other 
> > Monroe tunes if you listen. 
>
> > And for John.  I will no longer remark about the speed of tunes.  I am no 
> > longer a speed cop..........I'm retired!..................lol
>
> > Just my .02 for what its worth.
>
> > Terry
> > --- On Fri, 10/1/10, taurodont <[email protected]> wrote:
>
> > From: taurodont <[email protected]>
> > Subject: Re: My first video post
> > To: "Taterbugmando" <[email protected]>
> > Date: Friday, October 1, 2010, 9:03 PM
>
> > Looks like you held out on us at Monroe camp Nelson.  I don't think
> > that will happen again. This sounds good for the most part. Has the
> > bounce.  The tremolo needs loosened up some, which is very hard at
> > that speed.   I don't think I could do it quite like I'd like to hear
> > it myself.  The timing is great buts gets a little waggly during that
> > part.  Try playing with a Monroe recording and doing some double-stop
> > tremolo over the whole thing and inject the Monroe pulse in the
> > tremolo, to keep that groove going.  Does Mike sanction this pick
> > grip?  Good job Nelson.  If I ever get a chance to record some I'll
> > expect similiar treatment.
>
> > Got an idea for a Nelson jam skewering next year: Pick about 8-10
> > songs you will be comfortable playing by next year.  They don't have
> > to be full speed, unless Terry is watching. Some Monroe wrote, some
> > trad. tunes he did, etc.  Let us know so we can work 'em up too.
> > We'll do them all in one sitting and in between each one we will throw
> > in one you don't know.  Equal parts familiarity and unfamiliarity.
> > Life is too damn short not to jam.  Just have to embrace that feeling
> > of falling flat on your ass for a while.  It even happens to the very
> > best although much less often. John
>
> > On Oct 1, 1:10 pm, [email protected] wrote:
>
> > > Thank you, Don.
> > > Sent from my Verizon Wireless BlackBerry
>
> > > -----Original Message-----
> > > From: Don <[email protected]>
>
> > > Sender: [email protected]
> > > Date: Fri, 1 Oct 2010 10:48:10
> > > To: <[email protected]>
> > > Reply-To: [email protected]
> > > Subject: Re: My first video post
>
> > > Nelson,
>
> > > If you can play that difficult a tune that well, you can jam too.
> > > Nothing to be shy about. You'll learn more by taking chances, getting
> > > lost, making flubs, and recovering in a jam than you do by playing
> > > perfectly. If anyone looks down their nose at you, it's their problem
> > > not yours IMHO.
>
> > > I've been participating some in the Song A Week group on the mando
> > > cafe (more like one a month for me), and I've learned a lot by
> > > recording videos of my playing. I think you have a good plan, Nelson.
>
> > > Don
>
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