On Thu, May 10, 2012 at 1:09 PM, Jim Lux <[email protected]> wrote: > On 5/10/12 12:44 PM, Chris Albertson wrote:
> powerline ripple on a signal going into a threshold detector that drive the > sample clock would be a nice way to generate sinusoidal jitter. I can think of other ways to design a defective system. But what I was wondering if there are in fact any audio systems on the market like this. The real reason that a recording studio will use a master clock is not because you can hear nS level jitter. It's that they like to use a sample accurate editor and they want to be able to over dub tracks recorded at different times, maybe months apart Chris Albertson Redondo Beach, California _______________________________________________ time-nuts mailing list -- [email protected] To unsubscribe, go to https://www.febo.com/cgi-bin/mailman/listinfo/time-nuts and follow the instructions there.
