My method has been to run a recorder off the board, but also mainly to
have a Zoom H2 set on 2 chan surround somewhere fairly central.

Then one can run it through the levelator to balance out loud and
quiet. The it's just a question of mixing, or cutting between one and
the other in post.

j


On Wed, Feb 24, 2010 at 1:38 AM, ratbagradio <ratbagra...@gmail.com> wrote:
> I've been involved in a bit of conference coverage primarily using audio 
> recording and workshops are the most difficult challenge of any of the 
> setups. So it's not just capturing the video. If there is a lot of audience 
> participation -- as in  a true workshop -- then you have to capture the 
> voices no matter where they are located especially if it's a hand about 
> microphone.
>
> So that's lesson one -- if there is a roving mic, plug into the sound system 
> for your audio input.
>
> If there is no roving microphone at all your only option is to move to close 
> quarters with every speaker. So maybe a single very active video photographer 
> is the way to go during any interchange.
>
> But mic pickup in these events is very hard to do without being a tad 
> disruptive with your presence and I doubt there will be  many participants 
> who'll appreciate such proximity of a camera.
>
> Another way its done is mic-ed speaker and a floor mic on stand, That was is 
> easy peasy but thats' not very workshoppy.
>
> dave riley
>
> --- In videoblogging@yahoogroups.com, Joly MacFie <j...@...> wrote:
>>
>> I recently got a flipHD and, while it's not much cop in the low light
>> music things that are my usual stock in hand, it works well in a
>> seminar setting. I bought a monkeypod and ball head which enables me
>> to be quite flexible with placement. It gives a nice clean 720p
>>
>>
>
>
>
> ------------------------------------
>
> Yahoo! Groups Links
>
>
>
>



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