Wife transfers, eh? Is that a Freudian slip?
On 10/22/2012 3:31 PM, Anthony Anderson wrote:
I agree with with Helen. Cutting a check for an individual DVD (or
book) is an enormously
labor intensive process, and something we try try avoid doing at
practically all costs. Paypal simply
stinks. And as for wife transfers---puh*leeze*!!?? Vendors should be
encouraged as much as
possible to accept credit card transactions.
Best,
Anthony
*******************************
Anthony E. Anderson
Assistant Director, Doheny Memorial Library
University of Southern California
Los Angeles, CA 90089-0182
(213) [email protected]
"Wind, regen, zon, of kou,
Albert Cuyp ik hou van jou."
********************************
On 10/22/2012 11:22 AM, Helen P. Mack wrote:
Checks and wire transfers take longer and are more labor intensive,
because they have to pass through a number of hands. The problem is
not with the filmmakers, but rather with the requirements of PayPal.
I wonder what would happen if I used another email address, like
gmail or something? They are pretty smart, so their system would
probably see the same CC associated with multiple email addresses and
correctly assume that we are trying to get around their bank acct.
requirement, regardless of how stupid it is.
On 10/22/2012 2:01 PM, Jessica Rosner wrote:
Richard
I work with a number of independent filmmakers and they are just
selling their own film or films. They can't really afford to set up
CC accounts for just a film or two. They are always happy to take
checks or wire transfers.
On Mon, Oct 22, 2012 at 11:33 AM, Richard Hartogs
<[email protected] <mailto:[email protected]>> wrote:
Or Perhaps the vendor should be more flexible to customer
payment options.
Just my $.02
Richard
Richard Hartogs
Vice President Acquisitions
LANDMARK MEDIA
[email protected] <mailto:[email protected]>
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--
Helen P. Mack, Acquisitions Librarian
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30 Library Drive
Bethlehem, PA 18015-3013 USA
Phone 610 758-3035 * Fax 610 758-5605
E-mail [email protected]
VIDEOLIB is intended to encourage the broad and lively discussion of issues
relating to the selection, evaluation, acquisition,bibliographic control,
preservation, and use of current and evolving video formats in libraries and
related institutions. It is hoped that the list will serve as an effective
working tool for video librarians, as well as a channel of communication
between libraries,educational institutions, and video producers and
distributors.