Subject: [VIHUELA] Re: Capona?

  I think the sarabanda and ciacona garnered comments from some shocked
  Europeans in the 17th century or earlier. Maybe some performers are
  making the most (too much?) of it now to sell CDs, but the dances
  really did seem to scandalize Europeans back in the day. Perhaps more
  than choreography bothered them (with the Spanish/New World dances):
  rhythms, instrumentation, topics, maybe even the cultural group the
  music originated from?

That may be true but I don't think it justifies playing the music of Santiago de Murcia or Sanz in elaborate arrangements with massed percussion. Neither of them ever went to the New World anyway.

But it goes much further than that. The idea that because the ciaccona was originally a popular doesn't mean that anything based on it to be performed in a popular manner. Kapsberger's villanelle may have been popular songs but that doesn't seem to me to justify adding percussion to them as well as batteries of strummed instruments. It seems to be fashionable to sing everything in a very coarse in your face manner and interpret the words in the most salacious way. An example of this is on a CD by the group L'Arpeggiata which includes a Ciaccona di Paradiso e dell'Inferno performed in a way that someone very aptly described to me as "wink wink nudge nudge style". It's meant to be a serious dialogue about heaven and hell.

I don't think groups these recordings really have any insight into the sensibilities of 17th century players.

I must be getting old.....

Monica


Yesteryear's hip hop?
  Jocelyn

  From: Monica Hall <[1]mjlh...@tiscali.co.uk>
  Date: Fri, 9 Dec 2011 21:42:03 +0000
  To: Stuart Walsh <[2]s.wa...@ntlworld.com>
  Cc: Vihuelalist <[3]vihuela@cs.dartmouth.edu>
  Subject: [VIHUELA] Re: Capona?

  ----- Original Message -----
  From: "Stuart Walsh" <[4]s.wa...@ntlworld.com>
  To: "Monica Hall" <[5]mjlh...@tiscali.co.uk>
  Cc: "Vihuelalist" <[6]vihuela@cs.dartmouth.edu>
  Sent: Friday, December 09, 2011 9:11 PM
  Subject: Re: [VIHUELA] Re: Capona?

  Exactly!   I think this present day obsession with the idea that the

  dances

  were obscene and that being banned gives them some sort of instrinsic

  merit

  is a bit wide of the mark.

  Monica, who is obsessed with obscenity and  early dance!?

  You should get out more and read more of the liner notes to CDs made by
  groups like Les Otros!
  When I read, a

  while ago, that the early 'sarabanda' had been banned for lewdness in
  some

  places, I thought that that was just extraordinary.  And now the capona

  too, good grief! I think it would be fascinating to know what they were
  on

  about.

  I think they waved their arms about a bit and wiggled their hips.   If
  you
  have Lute 2007 you will see the illustration on the front cover.   It's
  on
  my Facebook site too.

  (I've got a book tucked away somewhere which says the same thing about
  the

  19th century waltz)

  Sounds familiar.
  Monica

     (I just went to see ENO's production of Castor

  and Pollux in which the artists spent a lot of taking their knickers

  off -

  unthinkable in Rameau's time.   They were actually quite prudish.

  But I

     can see now why Guerau in his Poema Harmonica says something to the

     effect that studying his complicated and difficult variations on the

     dance pieces will keep you out of trouble.

  Well he actaully says "Use it to banish idleness and raise your heart
  to

  God".   But that's the sort of thing that they say in these prefaces.

  They

  were very high minded.   How many players on this list raise their
  hearts

  to

  God when playing?

  Monica

       -- R

       On Dec 8, 2011, at 5:58 PM, Eloy Cruz wrote:

       Dear Stuart, list

       This is from Cotarelo y Mori's "Coleccion":

       p. CCXXXVII. Capona (La) (Baile). Dicc. de Autoridades: ^3Son o

       baile a modo

       de la Mariona; pero mas rapido y bullicioso, con el cual y a cuyo

       tanido se

       cantan varias coplillas^2.

       A very bad English translation could be:

       Music and  dance in the way of a Mariona, but faster and noisier;
  to

       which

       music they use to sing several small coplas.

       In a 17th cent. Spanish play, one of the characters says he won't

       dance to

       that music, because it is "of very bad circumstances", because the

       word

       capon is used to refer to a man who has been emasculated.

       Best wishes

       eloy

       El [FECHA], "[NOMBRE]" <[DIRECCION]> escribio:

          Hi Stuart,

          I don't know what capona means, and I don't have the music
  handy,

       but I

          enjoyed this. I like your tempo.

          Best,

          Jocelyn

          From: Stuart Walsh [1]<[1][7]s.wa...@ntlworld.com>

          Date: Thu, 8 Dec 2011 20:14:31 +0000

          To: Vihuelalist [2]<[2][8]vihuela@cs.dartmouth.edu>

          Subject: [VIHUELA] Capona?

          Timo Peedu has edited some Carbonchi pieces (to be found on his

       ning

          early guitar page). Included are two short and simple but
  unusual

          pieces

          with the title 'Capona'.

          There are a couple of versions of a very fancy Capona by

       Kapsberger

          (including one by Rob Mackillop).

          Any ideas what Capona means?

          Here is a go at the simple ones by Carbonchi. If I have

       misunderstood

          the timing or the way it should be played, I'd like to know

       (preferably

          in a polite way!)

          [3][3][9]http://www.youtube.com/watch?v=WUfrieijW5I

          Stuart

          To get on or off this list see list information at

          [4][4][10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.htm
  l

          --

       References

          1. [5][11]mailto:s.wa...@ntlworld.com

          2. [6][12]mailto:vihuela@cs.dartmouth.edu

          3. [7][13]http://www.youtube.com/watch?v=WUfrieijW5I

          4.
  [8][14]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

     --

  References

     1. [15]mailto:[1]s.wa...@ntlworld.com

     2. [16]mailto:[2]vihuela@cs.dartmouth.edu

     3. [17]http://www.youtube.com/watch?v=WUfrieijW5I

     4. [18]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

     5. [19]mailto:s.wa...@ntlworld.com

     6. [20]mailto:vihuela@cs.dartmouth.edu

     7. [21]http://www.youtube.com/watch?v=WUfrieijW5I

     8. [22]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

  --

References

  1. mailto:mjlh...@tiscali.co.uk
  2. mailto:s.wa...@ntlworld.com
  3. mailto:vihuela@cs.dartmouth.edu
  4. mailto:s.wa...@ntlworld.com
  5. mailto:mjlh...@tiscali.co.uk
  6. mailto:vihuela@cs.dartmouth.edu
  7. mailto:s.wa...@ntlworld.com
  8. mailto:vihuela@cs.dartmouth.edu
  9. http://www.youtube.com/watch?v=WUfrieijW5I
 10. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 11. mailto:s.wa...@ntlworld.com
 12. mailto:vihuela@cs.dartmouth.edu
 13. http://www.youtube.com/watch?v=WUfrieijW5I
 14. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 15. mailto:[1]s.wa...@ntlworld.com
 16. mailto:[2]vihuela@cs.dartmouth.edu
 17. http://www.youtube.com/watch?v=WUfrieijW5I
 18. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 19. mailto:s.wa...@ntlworld.com
 20. mailto:vihuela@cs.dartmouth.edu
 21. http://www.youtube.com/watch?v=WUfrieijW5I
 22. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



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