Zendervish,

Thanks for this interesting synopsis.  It helps put the book and your thoughts 
on the book into perspective.

...Bill!

--- In [email protected], "salik888" <novelidea8@...> wrote:
>
> Joe and Bill
> 
> I am reading the book, and I get where Mr Kim is coming from . . . 
> contextually he is grounding Dogen in a particular period of decay comommonly 
> referred to in texts as a third and final period of Dharma decay in both 
> China and Japan, but mostly Japan. During this period folk practices, 
> indigenous magic, Pure Land Buddhism, and Monastic fuedalism was rampant. 
> What Mr Kim sets out do is position Dogen in both a spiritually relevant 
> context as well as his own insight into 
> the metaphysical status of phenomenon as primary rather than chasing after 
> principles. It is about existential actualities, giving situations supreme 
> importance -- phenomenon. He, Mr Kim, draws a picture of the darkness of 
> Dogen's time. His usage, at least in my reading and gist of things, is along 
> the lines of the reality, (Realist) that Dogen was dealing with while at the 
> same time looking at the larger picture, the resurrection of a nearly lost 
> and decaying tradition. How does he find this? Through his encounters with 
> sitting, koans, and analyzing the inherent flaws in Buddhist practices of the 
> time that was apocalyptic. It is a sort of mystical intuition that is evoked 
> in the book through dissatisfaction with Rinzai and Pure Land Buddhism that 
> leads Dogen to China and the first encounter with the cook. 
> 
> One thing that is part and parcel of the wide swath of mysticism as a word, 
> as an expression of reality, encounters, teachers, mystics, etc . . . is the 
> idea of Romance . . . we often see great Romance put forth by writers like 
> Chesterton, Crowley, Jung, Mircea Eliade, Guenon, etc along the lines romance 
> adventure. Tolkien comes to mind, Grail Legend, Saint Francis in the middle 
> east, Ibn al Arabis journeys.
> 
> Kim is creating a world of mystery and wonder . . .
> 
> zd
>




------------------------------------

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