On Dec 19, 2014, at 2:48 PM, Mathias Rösel <mathias.roe...@t-online.de> wrote:

> Mace offers quite precise instructions how to perform his sarabands and his 
> galliards. 

Mace writes on page 129 of Musick’s Monument:

"Galliards, are Lesson of 2, or 3 Strains, but are perform'd in a Slow, and 
Large Triple -Time; and (commonly) Grave, and Sober.

"Corantoes, are Lessons of a Shorter Cut, and of a Quicker Triple-Time [than 
galliards, the previous referent, I assume]; commonly of 2 Strains, and full of 
Sprightfulness, and Vigour, Lively, Brisk, and Cheerful.

"Serabands, are of the Shortest Triple-Time; but are more Toyish, and Light, 
than Corantoes; and commonly of Two Strains."

I wonder if anyone was still dancing the galliard in 1676, when he wrote this.  
Offhand, I can’t think of anyone else composing galliards that late, but my 
offhand recollection is no substitute for fact.  

Could it be that if a dance goes out of style -- i.e. younger dancers don’t 
take it up -- it will slow as the people who do dance it get older?  Mace was 
about 64 when MM came out; maybe the only people dancing the galliard were his 
age and had grown up with it.  By the same token, the sarabande may have 
remained a popular dance with the generations younger than Mace’s, and 
therefore remained up-tempo.

Or not...





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