GD - jerry garcia gives a banjo lesson on 04-14-64
fyi... any help with the tune titles is GREATLY appreciated. I-) ihor -- grateful dead jerry garcia april 14, 1964 ( 04-14-64 ) unknown location (possibly dana morgan's music store) jerry garcia has a banjo lesson with unknown person. unknown person records the lesson. audience mic to reel to reel recording by unknown student ? 7 1/2 ips reel matt smith (digitalization) CD CD EAC (tracking and mastering) CD ( 47:20 ) by ihor slabicky 1. jerry garcia: ...reno, i think, does it down here... tune 1 (2:01) 2. unk.: ...there's something that you did ... on joanie's song... tune 2 (3:28) 3. unk.: ...would you do that thing for... tune 3 (0:40) 4. tune 4 tuning (1:06) 5. tune 5 jerry garcia: I'm still working on that... (1:00) 6. tune 6 jerry garcia: i really like the tune. it's a pretty tune, but i can't, i could never play it right... (1:00) 7. tune 7 (0:47) 8. unk.: any pedal steel stuff, you know, like the... tune 8 (1:51) 9. tune 9 (1:40) 10. tune 10 (3:18) 11. tune 11 jerry garcia: ...no, a guy's just taping some stuff. you wanna open the door, go ahead... (1:55) 12. tune 12 (0:57) 13. unk.: would you show me that break with that phrase in there? tune 13 (1:50) 14. tune 14 (2:58) 15. jerry garcia: well, whatta you want me to put on there? unk.: ...'red wing', for one... jerry garcia: ...i can't really play that... red wing (tune 15) (2:46) 16. jerry garcia: ...you know, i haven't listened to ahh, much reno... tune 16 (1:03) 17. unk.: ...about a month ago...you showed me something that... tune 17 (x) (1:24) 18. (x) tune 18 (1:42) 19. tune 19 jerry garcia: that's a pretty tune. (1:25) 20. tuning unk.: 'rawhide'? jerry garcia: ...i haven't really got anything much more to talk about. i'm not too happy with the way i play it. if you really want it that badly. unk.: yes, yes i do. tuning (1:03) 21. rawhide (1:35) 22. unk.: ...would you mind breaking down the first chord run on the D? jerry garcia: ...uh-uh, i ain't gonna break that...you're gonna havta figger it out yourself... ? tune 22 jerry garcia: there's a zillion things you can do with that. i mean, it's got so many good possibilities... odd chords, you know. (1:21) 23. tune 23 (2:03) 24. tune 24 (3:07) 25. unk.: how about 'stoney creek'? jerry garcia: (sigh) okay-ah... that's in A, usually. tuning stony creek (2:02) 26. jerry garcia: ...it's sort of a hard song to organize. i, ahh... stoney creek (1:12) 27. stoney creek workup (0:56) 28. tune 28 jerry garcia: by the way, why doncha play alotta that stuff back. i wanna hear what it sounds like. unk.: (laughs) jerry garcia: really. no kidding (x) (1:23)
Fw: GD 06-24-73
fyi... full setlist, in correct order, for GD 06-24-73, courtesy of matt smith. tune in to KBOO (kboo.org) on march 29th, 2008 for the KBOO marathon, when he will be playing more... I-) ihor Listening to 6/24/73. First couple of songs are technically completely ruined, but by song 3 or 4, it sounds pretty good. Here is the setlist: Set 1: Promised Land Loser Mexicali Blues They Love Each Other Looks Like Rain Box of Rain Big Railroad Blues Jack Straw Sugaree (great version!!) The Race Is On Row Jimmy Beat It On Down The Line China Cat Sunflower (sweet!!) //I Know You Rider Around and Around Set 2: Half Step Mississippi Uptown Toodeloo You Ain't Woman Enough El Paso Stella Blue (nice!!) Greatest Story Ever Told Bertha Big River Dark Star (This is such a treat!! Crystal clear mix at this point.) Eyes Of The World China Doll Sugar Magnolia One More Saturday Night The crowd is pretty rowdy throughout the whole show... --
GD 06-24-73
fyi... full setlist, in correct order, for GD 06-24-73, courtesy of matt smith. tune in to KBOO (kboo.org) on march 29th, 2008 for the KBOO marathon, when he will be playing more... I-) ihor Listening to 6/24/73. First couple of songs are technically completely ruined, but by song 3 or 4, it sounds pretty good. Here is the setlist: Set 1: Promised Land Loser Mexicali Blues They Love Each Other Looks Like Rain Box of Rain Big Railroad Blues Jack Straw Sugaree (great version!!) The Race Is On Row Jimmy Beat It On Down The Line China Cat Sunflower (sweet!!) //I Know You Rider Around and Around Set 2: Half Step Mississippi Uptown Toodeloo You Ain't Woman Enough El Paso Stella Blue (nice!!) Greatest Story Ever Told Bertha Big River Dark Star (This is such a treat!! Crystal clear mix at this point.) Eyes Of The World China Doll Sugar Magnolia One More Saturday Night The crowd is pretty rowdy throughout the whole show... --
gd 06-17-75
i recently had an opportunity to listen to a soundboard of this GD 06-17-75 show and would like to share my notes. the beginning portion of the recording has major problems - low levels, only one channel recorded (usually just the left), nothing getting recorded, ground hum, random static, dropouts in the middle of songs, etc. these problems are present up until about the middle of 'deal'. after that, the recording is fine. the great music and great playing is the icing. the song titles in the second set correctly identify what was played. I-) ihor -- Grateful Dead June 17, 1975 Winterland Arena San Francisco, CA SBD 1/4 inch reel 1/4 inch reel CD Disc 1 ( 15 / 70:10 ) of 2 Set One: 1. Crazy Fingers tuning and Bill Graham intro of the musicians ...for you. (3:33) 2. Crazy Fingers (x) (10:00) 3. (x) applause tuning (1:37) 4. BIODTL tuning (0:55) (15 beats) Beat It On Down The Line (x) ground hum, static, etc. (x) (4:49) 5. (x) tuning (1:25) 6. Deal (sound settles down about midway through) (4:51) 7. tuning (2:18) 8. Big River (5:22) 9. Peggy-O intro (x) Peggy-O (vocals) (8:49) 10. (x) tuning (1:21) 11. Me And My Uncle (3;15) 12. Help On The Way tuning (x) (0:18) 13. (x) Help On The Way (no vocals) (3:11) 14. Slipknot! (9:42) 15. Franklin's Tower JG: Thank you. We're going to take a break for a little while. We'll be back, shortly. (9:42) Note: 1. to the middle of 6. have problems with the recording Disc 2 ( 12 / 44:11 ) of 2 Set Two: 1. Blues For Allah tuning (2:28) 2. 1, 2, 3, 4. Blues For Allah (3:01) 3. Sand Castles and Glass Camels (1st half) (5:25) 4. Drums (3:21) 5. Stronger Than Dirt (0:57) 6. Milking the Turkey (1:16) 7. Stronger Than Dirt Milking the Turkey (3:54) 8. Sand Castles and Glass Camels (2nd half) (2:37) 9. Unusual Occurrences in the Desert (no vocals) (2:55) 10. tuning (2:20) 11. Sugar Magnolia about 0:30 of applause (x) (9:32) 12. (x) U.S. Blues about 1:30 of applause (fades out) (6:30) --
3/28/69
i recently received this show and would like to pass along some additional info about it - songs, stage talk, etc., that maybe should get in to deadlists. I-) ihor -- Grateful Dead March 28, 1969 Student Center Modesto Junior College Modesto, CA Disc 1 (SBD / 65:48) of 2 Set One 1. (x) Good Morning, Little Schoolgirl 11:42 2. Dark Star 22:49 3. St. Stephen 7:17 4. The Eleven 14:03 5. Death Don't Have No Mercy applause (x) 9:59 Disc 2 (SBD / 46:16) of 2 Set One (cont'd) 1. (x) applause Turn On Your Lovelight 22:12 2. JG: We're gonna knock off for a little while and drink some Coke and stuff like that and then we'll be back and play some more, shortly. Thank you. 0:10 Set Two 3. Tuning and ...we're gonna play instead of taking a break. and ...I was telling my Uncle Henry on the farm one day, if you plow too much corn, you're gonna get dirt in your feet. and Light one little match, and the world will follow you home. 1:54 4. Cryptical Envelopment 2:05 5. drums 0:18 6. The Other One 8:39 7. Cryptical Envelopment 6:14 8. The Other One jam 3:34 9. Feedback 1:01 10. JG: Thank you, thank you. I see the lights have gone on. We'll see you again the next time we're in town, or somethin'. and woman: Let's give the Grateful Head a big head of applause! 0:12 --
TCGDD updated
hello all, i have updated 'the compleat grateful dead discography' - new info, a bit more direct path to the web page(s) at http://tcgdd.freeywllow.com . I-) ihor
Re: TCGDD updated
i have updated 'the compleat grateful dead discography' - new info, a bit more direct path to the web page(s) etc. http://tcgdd.freeyellow.com sorry, all, i musta gotten too excited and typo-ed the URL. the correct URL is above... I-) ihor
Re: POLL: Change the Deadlists Mailing List
which choice prevents any encoding, other than plain text, from being used to send in postings? i really would like to NOT see the below illustrated example occurring - the plain text message followed by the rich text/html/mime/whatever non-plaintext version of the same message. Would require re-registering. we would still keep our seniority, right? I-) ihor -- Date: Thu, 11 Jan 2007 12:17:30 -0800 From: kevin [EMAIL PROTECTED] Subject: POLL: Change the Deadlists Mailing List This is a multi-part message in MIME format. - --=_NextPart_000_0017_01C7357A.772BF440 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Hi, I'd like to get everyone's feedback on whether Deadlists should change the mechanism and/or access to the Deadlists mailing list. Here are the choices, don't need to respond back to the list unless you want the list to hear your voice! 1. Keep current style, don't change - email-ONLY distribution, open to public posts, but moderate public posts. 2. Change to Forum/Bulletin Board Discussion style. This is quite common these days. The Deadlists server has free software I can enable to facilitate it, which is based on open source code. It's called phpBB and details about it can be obtained here: http://www.phpbb.com/. I would imbed this into the Deadlists website. Would mean guests may only read, but must register to post. Allows email tracking of posts, but does NOT have a general email distribution. Would require re-registering. 3. Web-based Mailing List. This is much like how Yahoo Groups works. Has an actual website I can integrate better into the Deadlists site for the list to view messages that are posted, but works the same way as the Berkeley mail system. This also exists on the Deadlists server, but has a nominal monthly charge associated with it. Has good SPAM filtering so could have non-registered and registered posting without moderation. Here's the feature list http://www.gnu.org/software/mailman/ Would require re-registering. Thanks, Kevin - --=_NextPart_000_0017_01C7357A.772BF440 Content-Type: text/html; charset=US-ASCII Content-Transfer-Encoding: quoted-printable !DOCTYPE HTML PUBLIC -//W3C//DTD HTML 3.2//EN HTML HEAD META HTTP-EQUIV=3DContent-Type CONTENT=3Dtext/html; = charset=3Dus-ascii META NAME=3DGenerator CONTENT=3DMS Exchange Server version = 6.5.7036.0 TITLEPOLL: Change the Deadlists Mailing List/TITLE /HEAD BODY !-- Converted from text/rtf format -- BR PFONT SIZE=3D2 FACE=3DArialHi,/FONT /P PFONT SIZE=3D2 FACE=3DArialI'd like to get everyone's feedback on = whether Deadlists should change the mechanism and/or access to the = Deadlists mailing list./FONT/P PFONT SIZE=3D2 FACE=3DArialHere are the choices, don't need to = respond back to the list unless you want the list to hear your = voice!/FONT /P PFONT SIZE=3D2 FACE=3DArial1.nbsp; Keep current style, don't = change - email-ONLY distribution, open to public posts, but moderate = public posts./FONT /P PFONT SIZE=3D2 FACE=3DArial2.nbsp; Change to Forum/Bulletin Board = Discussion style.nbsp; This is quite common these days.nbsp; The = Deadlists server has free software I can enable to facilitate it, which = is based on open source code.nbsp; It's called phpBB and details about = it can be obtained here: /FONTA = HREF=3Dhttp://www.phpbb.com/;UFONT COLOR=3D#FF SIZE=3D2 = FACE=3DArialhttp://www.phpbb.com//FONT/U/AFONT SIZE=3D2 = FACE=3DArial.nbsp; I would imbed this into the Deadlists = website.nbsp; Would mean guests may only read, but must register to = post.nbsp; Allows email tracking of posts, but does NOT have a general = email distribution. Would require re-registering./FONT/P PFONT SIZE=3D2 FACE=3DArial3. Web-based Mailing List.nbsp; This = is much like how Yahoo Groups works.nbsp; Has an actual website I can = integrate better into the Deadlists site for the list to view messages = that are posted, but works the same way as the Berkeley mail = system.nbsp; This also exists on the Deadlists server, but has a = nominal monthly charge associated with it.nbsp; Has good SPAM filtering = so could have non-registered and registered posting without = moderation.nbsp; Here's the feature list /FONTA = HREF=3Dhttp://www.gnu.org/software/mailman/;UFONT COLOR=3D#FF = SIZE=3D2 = FACE=3DArialhttp://www.gnu.org/software/mailman//FONT/U/A/P PFONT SIZE=3D2 FACE=3DArialWould require re-registering./FONT /P PFONT SIZE=3D2 FACE=3DArialThanks,/FONT /P PFONT SIZE=3D2 FACE=3DArialKevin/FONT /P BR /BODY /HTML - --=_NextPart_000_0017_01C7357A.772BF440-- -- End of deadlists-digest V5 #96 ** To subscribe to the DeadLists-Digest, send the command: subscribe in the body of a message to [EMAIL PROTECTED]. To unsubscribe to the DeadLists-Digest, send the command:
Re: Fw: 3/23/75 - 1975 studio sessions
Subject: RE: 3/23/75 I think we should start listing studio sessions. If you could post them or send them to me in the setlist format from the site, I can get the records added. i found one more - well, it is on two CDRs... I-) ihor -- Grateful Dead Rehearsals at Bob Weir's Studio Disc 1 ( 46:23 ) of 2 June 3, 1975 Jerry Garcia, Mickey Hart, Bill Kreuztmann, Ned Lagin, Phil Lesh, Bob Weir June 3, 1975 1. Spacely Noodling jam (22:57) 2. Staccato jam (x) (6:37) 3. (x) Stronger Than Dirt jam (1:09) 4. drummers (BK: Mick! 1, 2, 3, 4, 5, 6, 7.) Stronger Than Dirt jam (with J. Garcia playing Stronger Than Dirt riff) (3:32) 5. Stronger Than Dirt jam (with J. Garcia soloing over jam)(4:55) 6. Stronger Than Dirt riff (only J. Garcia) (0:24) 7. (x) J. Garcia playing Stronger Than Dirt riffs drummers J. Garcia playing short Stronger Than Dirt riffs (1:02) 8. Stronger Than Dirt (riffs by J. Garcia with band joining in randomly) jam (x) (5:02) SBD ? ?gen cassette CDR ( 46:23 ) -- Grateful Dead Rehearsals at Bob Weir's Studio Disc 2 ( 43:20 ) of 2 June 3, 1975 July 10, 1975 June 5, 1975 Jerry Garcia, Keith Godchaux, Mickey Hart, Bill Kreuztmann, Ned Lagin, Phil Lesh, Bob Weir June 3, 1975 1. Crazy Fingers (instr.) (6:48) July 10, 1975 2. Crazy Fingers (instr.) (6:56) 3. J. Garcia: 1, 2, 3, 4... Franklin's Tower (with vocals) J. Garcia: Huh? (6:44) 4. Lazy Lightning (instr.) (4:59) 5. (x) The Music Never Stopped (instr.) (x) (6:04) June 5, 1975 6. Jam (funky stylish?) (fadeout) (6:43) 7. drum intro Help On The Way (instr., one drummer, played fast) (2:27) 8. Slipknot (x) (2:42) SBD ? ?gen cassette CDR ( 43:20 ) --
Re: 1969 Fillmore gripe
i am kind of pee-oh-ed that the set sold out before i could pre-order. anyone order two and wanna get rid of one? maybe gdm can press an extra one? I-) ihor
Re: Fillmore West 1969 box set
Given the price of the box set (about $7-8/CD), I suspect these shows will be released individually in ordinary packaging. Ordinary marketing would have priced the limited edition much higher if that were going to be the only official release of the music. rhino is to release a three cd version, which will not duplicate the versions that are on 'live/dead'. I-) ihor
gd 10-11-70
do any soundboard parts of gd 10-11-70 exist? all i have is audiences parts... I-) ihor
Re: 3/19/73
It's very gospel-ish, and I imagine it was a way of saying goodbye to him, but I sure can't hear it. Why do people think there is something? you had to be there to know that that version was for him. it was moving. you knew who it was for... Am I missing it? yes??? I-) ihor
Re: 4/25/71
whether or not Uncle John's Band was performed at this show. Some sources list it as the encore. Deadlists indicates that there was no encore on 4-25-71. the tapes that i have of this 04-25-71 show have ujband as the encore. some tapes also have the house music coming up after ujband ends. I-) ihor
pre-warlocks info
i recently had the opportunity to id and track some of the pre-warlocks shows. these will be getting out shortly (thanks, paul!). in the meantime, here are the track times, correct song titles, etc. i am not sure who is the caretaker the pre-1965, but hopefully they can incorporate some of the info back in the section? I-) ihor -- pwa ( 25 / 73:57 ) College of San Mateo Folk Festival Jerry Garcia - guitar College of San Mateo, San Mateo, CA November 10, 1962 1. tuning (0:14) 2. Little Birdie (3:25) 3. Walking Boss (3:02) College of San Mateo Folk Festival Jerry Garcia and David Nelson College of San Mateo, San Mateo, CA November 10, 1962 4. intro (honest Jerry Garcia) (0:16) 5. The Miller's Will (3:25) 6. Deep Elem Blues (4:04) 7. Will The Circle Be Unbroken (4:35) 8. I Truly Understand (4:21) 9. Cousin Elmer (3:07) 10. The Raging Sea (3:42) 11. Cannonball Blues (3:19) 12. The Cuckoo (4:20) 13. Man Of Constant Sorrow (Jerry Garcia - a capella) (3:40) The Hart Valley Drifters - College of San Mateo Folk Festival Jerry Earl Scruggs Garcia - banjo and guitar Robert Hunter - bass David Nelson - guitar Norman Van Mastricht - guitar and dobro College of San Mateo, San Mateo, CA November 10, 1962 14. tuning (1:59) 15. intro Handsome Molly (x) (2:44) 16. tuning (1:48) 17. intro Handsome Molly (3:08) 18. Cousin Elmer is back... (2:35) 19. Pig In A Pen (2:19) 20. Banks Of The Ohio (4:18) 21. Cousin Elmer (3:25) 22. Pay My Money Down (3:07) 23. Nine Pound Hammer (2:27) 24. Salty Dog Blues (2:30) 25. For our final group, Dean Hammer and his Nails... If I Had A Hammer (2:05) - pwba_16_20_16p_17p ( 22 / 58:54) The Wildwood Boys The Tangent, Palo Alto, CA February 22, 1963 Jerry Garcia - banjo Robert Hunter - guitar David Nelson - mandolin Norman Van Mastricht - bass 1. Rolling In My Sweet Baby's Arms (2:54) 2. Introductions (0:55) 3. Jerry's Breakdown (2:12) 4. Standing In The Need Of Prayer (3:01) 5. Muleskinner Blues (3:41) 6. Saturday Night Shuffle (2:52) 7. we're back again Pike County Breakdown (2:14) 8. The Little Sparrow (4:52) 9. (x) We Shall Not Be Moved (2:46) The Second Story Men The Tangent, Palo Alto, CA xx-xx-63 Rod Albin, Peter Albin, Ellen Cavanaugh, Ron McKernan 10. When The World's On Fire (2:55) 11. Hard Luck Woman Katie Mae (4:48) 12. Jenny Jenkins (3:06) 13. Rocky Mountain Blues (3:49) 14. Billy Grimes, The Rover (2:54) 15. Jubilee (1:56) Peter Albin and Ron McKernan (too fast?) The Tangent, Palo Alto, CA xx-xx-64 16. (x) John Henry (2:07) 17. Hoochie Coochie Man (2:17) Mother McCree's Uptown Jug Champions The Tangent, Palo Alto, CA xx-xx-64 18. Jerry Garcia talks... (0:51) 19. I'm Satisfied With my Gal (1:54) 20. The Rub (Ain't It Crazy) (1:53) Peter Albin and Ron McKernan (pitched down to 90% of 16 and 17) The Tangent, Palo Alto, CA xx-xx-64 21. (x) John Henry (2:21) 22. Hoochie Coochie Man (2:34) - pwc ( 15 / 25:43 ) The Black Mountain Boys Jerry Garcia - banjo Robert Hunter - bass David Nelson - mandolin Eric Thompson - guitar March 6, 1964 1. (x) Monroe's Hornpipe (1:42) 2. Katie Kline (2:07) 3. Intros (0:45) 4. Homestead On The Farm (2:30) 5. talking about Barefoot Nellie (1:02) 6. Barefoot Nellie (2:33) 7. song intro (0:52) 8. She's More To Be Pitied (2:19) 9. song intro (1:09) 10. Noah's Blues (2:09) 11. Somebody Touched Me (2:31) 12. talk (0:34) 13. Who'll Sing For Me? (2:05) 14. Darling Aller Lee (2:07) 15. Outro (John Hardy (?)) and break (1:17) pwda ( 35 / 75:27 ) Sleepy Hollow Hog Stompers Jerry Garcia - guitar and banjo Marshall Leicester - banjo and guitar Dick Arnold - fiddle The 'new' Boar's Head Coffeehouse Jewish Community Center, San Carlos, CA June 11, 1962 1. (x) Run Mountain (3:13) 2. talk (0:21) 3. Billy Grimes, The Rover (2:50) 4. looking for a capo talk (0:49) 5. Cannonball Blues (2:48) 6. fiddle player talk (1:02) 7. Devilish Mary (3:12) 8. intros (0:35) 9. Buck Dancer's Choice (1:49) 10. Little Birdie (3:15) 11. ...tough luck, we're back... (0:41) 12. Sally Gooding (1:27) 13. talk (0:36) 14. Hold The Woodpile Down (3:28) 15. end of set talk (0:20) 16. tuning (0:21) 17. Crow Black Chicken (2:34) 18. talk (0:15) 19. tuning The Johnson Boys (4:03) 20. talk (0:33) 21. Shady Grove (2:25) 22. talk and tuning (2:33) 23. Uncle Joe (2:12) 24. tuning (and gap) (1:19) 25. Sweet Sunny South (3:10) 26. All Go Hungry Hash House (3:54) 27. Man Of Constant Sorrow (2:22) 28. Yonder He Goes (Rabbit Chase) (3:00) 29. Three Men Went A-Hunting (2:06) Jerry Garcia, Ron McKernan, and Mike Sector possibly June 11, 1962 The 'new' Boar's Head Coffeehouse Jewish Community Center, San Carlos, CA 30. Blues Jam (2:23) 31. Careless Love In The Pines (4:02) 32. Going To Chicago (3:07) 33. Mike Sector introduces himself (0:21) 34. Jerry Garcia introduces Ron 99 Years (5:14) 35. Blue Goose
Re: 10/18/74
apparently, ned asked that his tracks not be included in the movie. his tracks do exist on the various flavors sbds that do circulate in trading circles. he plays some wonderful seastones and space music during this series of shows! I-) ihor
Re: pigpen - acoustic sessions
well, here they be, a histaurical document of pigpen. he sings and plays acoustic and electric and bottleneck slide guitar, piano, harmonica, and, harmonica is overdubbed (or played by someone else?). these are hissy, but, it turns out that the hissier versions were more complete. this is all the acoustic material, as far as i have found. there is no date, as yet, but i am working on that. this material came from about five or six cassettes that i had, some with songs duplicated, others with just the one occurrence of a song. i do want to extend a special thanks! to matt smith for the digitizing and to paul scotton for digging out that one cassette. Pigpen - Acoustic Sessions (71:25) 1. C. C. Rider (g, h+, v) (4:28) 2. Instrumental (g) (3:12) 3. Instrumental - bright sounding (g) (1:43) 4. Instrumental - slow tempo (g) (2:20) 5. Instrumental - slower ending tempo (g) (2:28) 6. Bring Me My Shotgun (g, h+, v) (2:49) 7. Katie Mae (g, v) (4:33) 8. Bring Me My Shotgun (g, v) (3:16) 9. I Got A Woman (g, v) (1:01) 10. Hitchhiking Woman (bnsg, v) (2:16) 11. Boogie Woogie Blues (p) (1:13) 12. I Got Two Women (first verse then stop) (0:45) 13. I Got Two Women (FITHOTSun) (g, v) (4:36) 14. When I Was A Boy (Santa Fe Queen) (g, v) (1:24) 15. Michael (g, v) (5:02) 16. When I Was Twelve Years Old (Hobo Jungle) (2:12) 17. When I Was Fourteen (Train Yard) (3:37) 18. Katie Mae (g, h+, v) (2:51) 19. Baby, Please Don't Go (to 4:43) That Freight Train, Up In The Sky (h, v) (9:04) 20. The Devil Is In My Bones (I Believe) (g, v) (2:09) 21. She's Mine (g, v) (3:38) 22. Look Over Yonder (No Tomorrow) (x) (p, v) (6:45) I-) ihor
Re: 7/23/67 Dark Star - Nope
Dark Star at Rio Nido 9/3/67. based on the 09-03-67 and 09-04-67 tapes in circulation, the 'dark star' is a jam during 'dancing in the streets', and that jam later appears during the 02-27-69 'dark star'. I-) ihor
pigpen demos
i have been going through my cassettes, and i have come up with the following pigpen songs that qualify as the 'pigpen demos' (i.e. pigpen sings, plays acoustic or electric guitar, plays harmonica - which may be overdubbed on some tunes, and, pigpen plays piano): I Got Two Women (g, v) Katie Mae (g, h+, v) Baby, Please Don't Go That Freight Train, Up In The Sky (h, v) The Devil Is In My Bones (I Believe) (g, v) She's Mine (g, v) Look Over Yonder (No Tomorrow) (x) (p, v) C. C. Rider (g, h+, v) Instrumental (g) Instrumental (g) (bright sounding) Instrumental (g) (slow tempo) Instrumental (g) (slower ending tempo) Bring Me My Shotgun (g, h+, v) Katie Mae (g, v) Bring Me My Shotgun (g, v) I Got A Woman (g, v) Hitchhiking Woman (bottle neck slide g, v) Piano Blues (p) I Got Two Women (first verse then stop) I Got Two Women (FITHOTSun) (g, v) When I Was A Boy (Santa Fe Queen) (g, v) Michael (g, v) When I Was Twelve Years Old (Hobo Jungle) (g, v) When I Was Fourteen (Train Yard) (g, v) anybody have any more, better quality, correct titles, etc., before i start doin' some serious bidness on these? btw, it was interesting to find out that no one cassette has all these songs on it, and that some songs are only on one cassette... I-) ihor
Re: Workingman's Dead Sessions
Where can I find information/songs from a supposed Workingman's Dead Session[s]. I have tape CD of this referenced material, but I am unable to find any sources that can confirm that this is what it is. Any help you can provide with what material was performed/played during this/these session[s] would be grately appreciated. can you provide just a little bit of info as to which songs are on your cd? it would make it that much easier to check... I-) ihor
Re: test
oaky, i give up - what's wrong with the deadlists digest??? something happened, and it ain't woikin' right no more! I-) ihor
Re: test
test, because it looks like something got lost, or just backed up somewhere??? okay, that worked. so, who's blocking my posts??? I-) ihor
RE: Recordings of the Dead doing Tighten Up (corrected)
you may want to consider adding a 'feeling groovy' jam (about 5:29 long) for the 03-25-72 dark star? I-) ihor
Re: GD 9-10-91
Please analyze this Dark Star and the Dark Stars from this period in the way you analyzed them for the period up to '74. Thanks, Rick rick, cmiiaw, but deadlists has always been an open forum of the college of grateful dead knowledge. what that means is that you, yes, you, rick, can participate in the research. feel free to dig out those 90's dark stars, analyze them, and post the info here. the same goes for anyone else who wants to contribute - go ahead and contribute. I-) ihor
Re: 9-3-72 Audio Tree - CLOSED
Just wanted to tell everyone that this tree is now closed. It was closed earlier today. Today being 9-5-03. umm... it would be nice to get more time for signing up for a tree. your Date: Tue, 2 Sep 2003 06:26:01 -0700 (PDT) posting announcing the tree appeared in: deadlists-digest Friday, September 5 2003 Volume 04 : Number 125 and then you closed it on 09-05-03. that's closing it before it's been posted??? i don't know why the digests are so slow, but they are, so please factor that in to your tree signups. I-) ihor
Re: earliest Feelin' Groovy
BTW, where does The Eleven really start?? I bet they'd say at the two sharp rimshots on the snare that signal the time change to 11/4, in spite of what the Warner Bros. lp said and it don't start at no 'high green chilly...', like some cdrs are tracked to make it seem, that's fer shur!!! I-) ihor
grateful dead - unsurpassed volume 1
is there any other info available about this bootleg cd or the tracks on it? it is on a label called 'dead man' DM003, entitled grateful dead unsurpassed volume 1. i have made some corrections to the song titles, and include some of the notes from the bootleg cd cover. the times are track times. 1. don't ease me in - 2.00 (scorpio sessions) 2. alice d. millionaire - 2.22 (first album outtake) 3. speed limit - 2.00 (from an unreleased neal cassady movie called 'speed limit', with cassady rapping over a surfing guitar type sound) 4. sick and tired (menlo park demos, 1966 - a blues number with pigpen vocals) - 3.34 5. new things running around my mind (menlo park demos, 1966 - garcia vocals) - 3.38 6. mindbender (menlo park demos, 1966 - lesh vocals) - 2.54 7. broken heart (acetate, unreleased track from first album - pigpen and garcia vocals) - 3.14 8. fire in the city (acetate from soundtrack - jon hendricks vocals) - 3.15 9. caution (pigpen vocals at end, sounds like this is 'the warlocks' version) - 3.12 10. (0.00) tiftoo (2.00) cryptical reprise (2.35) 'he had to die' part and jam (5.33) ddhnm (11.01) (studio, all instrumentals) - 11.05 11. dark star (instrumental, '...it drags' spoken at end) - 2.47 12. born cross-eyed (cough, then music. feedback ending is not too long) - 2.35 13. turn on your lovelight (studio rehearsal) - 18.32 overall, hissy and pretty much mono-ish (or, stereo, but with very little separation between l and r). I-) ihor
Re: earliest 'feeling groovy' jam?
well, i stand corrected: Try 9/26/69. I'd say that's the earliest, even though he says its 10/25/69. I'm pretty sure that's the first one. I was going to say 8/30/69, but that has the tighten-up jam. now i gotta dig out the tape of 09-26-69. hmm... is that out on cdr yet??? I-) ihor
earliest 'feeling groovy' jam?
this has probably been discussed to death, so here's another shot... the 11-02-69 dark star has a 'feeling groovy' jam in it. this may be the earliest one? start at about 17:10 to 19:00 for a really nice jam, at 19:18 it transitions to a 'and we bid you good night' kind of jam, and goes in and out of that. at 22:34, the 'feeling groovy' jam starts to about 25:15, when garcia starts the closing of dark star as everyone else (mostly tc) finishes up the feeling groovy jam. by about 26:45, it's back to dark star. I-) ihor
Re: Dicks Picks 18
from 'the compleat grateful dead discography' (http://tcgdd.freeyellow.com): Dick's Picks Volume 18 - Grateful Dead (Grateful Dead GDCD 4038) This three CD release features selections from the Dane County Coliseum, Madison, Wisconsin show of February 3, 1978, and the Uni-Dome, Cedar Falls, Iowa show of February 5, 1978, and It's All Over Now and Dupree's Diamond Blues from February 4, 1978. Released June 28, 2000. The cover features a 13-armed, inward clockwise spinning fractal. I-) ihor
Re: 4/22/71 Bangor, ME
i have a cassette of the show: 04-22-71 90 B+ SBBangor - I and II (to SMBHome, missing Gloving, JBGoode) it was at the Bangor Municipal Auditorium, Bangor, Maine. I-) ihor
Re: 11-1-68 from jim powell seeds bit torent download
this is available for bit torent download at aroben.dyndns.org how about something for all of the non-torent folks??? I-) ihor
Re: pre-Dead
Does this list have a unified opinion as to whether or not Jerry played on Bobby Freemans' Do you Wanna Dance? http://www3.clearlight.com/~acsa/introjs.htm?/~acsa/songfile/DO1YOUWA.HTM also from tcgdd: Raunchy / - The Chords ( ) In the Fall, 1959, Jerry Garcia played in this band during his attendance at Analy High School in Sebastopol, California. The band won a contest and recorded this song by Bill Doggett. I-) ihor
test from majordomo
majordomo test I-) ihor
Re: 8/27/72 DVD?
I had heard rumors of this being released this spring. Any truth to it? from http://tcgdd.freeyellow.com Sunshine Daydream (2002) An unreleased movie, approximately 95 minutes long, mostly footage of the August 27, 1972 concert at Veneta, OR. The show was recorded on 16-track, 2-inch tape, and on 16 millimeter color negative film. Other footage includes preparation for the concert and Merry Prankster footage of Acid Tests and their bus trips (including Neal Cassady). Filming, directing, and editing contributors include: Phil De Guere, John Norris, Sam Field, and Far West Action Picture Services (a Merry Prankster group). (Note: Reportedly, this video has been sold via mail order by one of the Pranksters.) The movie was shown on October 26, 2001, at The Fillmore, as part of The TriChromes show there. The movie was premiered at the Makor (35 West 67th Street, New York) on August 17, 2002. As of February, 2003, the film was being re-edited. I-) ihor
Re: setlists for the 9/34/67 Rio Nido shows?
Supposedly a Dark Star Jam was also played on 9/4/67. the 'dark star jam', which is not the dark star theme, but a jam does also appear on the 'live/dead' dark star, occurs during: 9/3/67 - Disc 1: Dancin' in the Streets I-) ihor
Re: Question
This is not a tape request! good - cuz i only do cdrs! :-) I was reading about jazz pianist Vince Guaraldi online and apparently he played a stint with the Dead in the early 1970's. I read through some of my dead references and could find nothing about the supposed sessions. Several websites and discographies noted this. No dates, times, or locations were ever given or if it was studio or live work. Can anyone shed some light on this? Thanks a million. afaik, vince guaraldi played with garcia at one (maybe more than one?) gig during the early days of garcia's solo appearances, around the time of howard wales and hooteroll... this may just be another case of 'six degrees of ...'? I-) ihor
configuring mail clients to send ascii
maybe this will help to resolve a recurring problem? http://www.expita.com/nomime.html info about configuring various mail clients to send plain ASCII text instead of MIME/html/rich text I-) ihor
shallwego and deadlists
i have been curious about the relationship between shallwego and the deadlists web page... who does what for whom? I-) ihor
Re: 7-17-89 show at Alpine Valley
from 'the compleat grateful dead discography' at http://tcgdd.freeyellow.com Downhill From Here - Grateful Dead (Grateful Dead/Monterey Home Video 5068VHS) This VHS video release is concert footage from the July 17, 1989 (Let The Good Times Roll, Feel Like A Stranger, Built To Last, Me And My Uncle, Cumberland Blues, It's All Over Now), July 19, 1989 (West L.A. Fadeaway, Desolation Row, and Deal), and July 17, 1989 (China Cat Sunflower I Know You Rider, Playing In The Band Uncle John's Band Standing On The Moon drums The Wheel Gimme Some Loving Going Down The Road Feeling Bad Not Fade Away And We Bid You Goodnight; encore: Johnny B. Goode) shows. The concert footage had been originally recorded on one inch analog video tape. I-) ihor
Re: sunshine daydream dvd release date?
Does anyone know how the editing mixing is going? from 'the compleat grateful dead discography' at http://tcgdd.freeyellow.com Sunshine Daydream (2002) An unreleased movie, approximately 95 minutes long, mostly footage of the August 27, 1972 concert at Veneta, OR. The show was recorded on 16-track, 2-inch tape, and on 16 millimeter color negative film. Other footage includes preparation for the concert and Merry Prankster footage of Acid Tests and their bus trips (including Neal Cassady). Filming, directing, and editing contributors include: Phil De Guere, John Norris, Sam Field, and Far West Action Picture Services (a Merry Prankster group). (Note: Reportedly, this video has been sold via mail order by one of the Pranksters.) The movie was shown on October 26, 2001, at The Fillmore, as part of The TriChromes show there. The movie was premiered at the Makor (35 West 67th Street, New York) on August 17, 2002. I-) ihor
Re: I need trader buyer sites
I have a Grateful Dead tape cassette single of Foolish Heart, also with five Grateful Dead playing cards that was inside the cassette cover that I'am interested in selling. If you know any one or any place interested in the cassette and cards could you let me know? i have heard that there is supposed to be this online thing called ebay, where you can buy and sell things? i don't know if it exists or not, though, so maybe someone else can confirm or deny this??? I-) ihor
Re: The Facial Hair History of the Grateful Dead
I think Jerry looked the strangest in mid '68 when he had pigtails! or june, 1973, during the old and in the way tour - yee-haw, he shor lukked funnee! :-) I-) ihor
Re: 9/20/70 and phase issues
The thing is, if one element is out of phase but the others aren't, it might not be possible to repair it. Putting the voices in phase might put the bass out of phase (because the bass is probably also in the middle, i.e. at equal volume in both channels), for example. right you are. if JUST the vocals are out of phase, then that will more difficult to fix. if the whole channel (left or right) is out of pahse, then that shold be easier to correct. bill gadsden was not specific if the problem was the channel, or just the vocals. hopefully, it is the channel? I-) ihor
Re:Closing night at Fillmore West (no Dead content)
Greensleeves (exit music...) that was a smart choice of exit music, imho. it is slightly upbeat, in a good mood, but not too wild or rowdy, something just right to get the crowd out, in an orderly manner, yet leaving everyone feeling go-o-oood! after two or three fillmore shows, you knew that greensleeves was the 'credits rolling', the end of the show, bill graham's version of 'and we bid you good night'... I-) ihor
outtakes
Speaking of studio outtakes, I have been wondering about studio outtakes from the here are a couple of studio outtakes that are circulating... I-) ihor Grateful Dead Shakedown Street - Outtakes Possible date - August 18, 1978 Released - November 15, 1978 1.Good Loving (Lowell George - vocals) (5.24) 2.France (4.13) 3.Fire On The Mountain (4.52) 4.Stagger Lee (false start, good start) (3.57) 5.If I Had The World To Give (5.31) 6.Shakedown Street (4.57) 7.I Need A Miracle (4.11) 8.Good Loving (Bob Weir - vocals) (5.11) SBD ? CDR Time = 38.18 Grateful Dead Terrapin Station - Outtakes Possible date is February 20, 1977 - released on July 27, 1977 1.Dancing In The Streets (4.50) 2.Sunrise (3.14) 3.Passenger (3.50) 4.Estimated Prophet (6.44) 5.Fire On The Mountain (9.16) 6.Equinox (5.10) 7.Terrapin Station (16.39) 8.Samson and Delilah (5.13) SBD ? CDR Time = 54.58 Brent Mydland - Unreleased Solo Album, 1982 1.Inlay It In Your Heart (3.17) 2.Tons Of Steel (4.35) 3.Dreams (6.03) 4.Maybe You Know (4.54) 5.Nobody's (2.48) 6.See The Other Side (5.15) 7.Long Way To Go (4.26) 8.Take One (3.01) 9.Start Your Engines (from 10-31-89 Built To Last outtakes) (3.53) 10. Blow Away (from 10-31-89 Built To Last outtakes) (5.01) 11. Take You Home (from 10-31-89 Built To Last outtakes) (3.32) 12. Instrumental (from Silver album Silver) (4.04) 13. Climbing (from Silver album Silver) (3.51) Brent Mydland recorded and mastered a solo album, but it was never released. Intended for this album were Tons Of Steel with Monty Byron on guitar, Maybe You Know, Nobody's, Long Way To Go, and Dreams. The likely source for all circulating copies is Betty Cantor's TDK metal cassette of her 2 track mixdown copy. This was on the flip side of her Betty's Favorites cassette (filler on my 8/6/71 NRPS vine). SBD C CDR EAC SHN - time = 54.42 Grateful Dead Wake Of The Flood - Outtakes Recorded in August, 1973, released November 15, 1973 1.Here Comes Sunshine (4.46) 2.Here Comes Sunshine (ending) (1.11) 3.Here Comes Sunshine (4.48) 4.Here Comes Sunshine (4.47) 5.Weather Report Suite - Prelude (1.55) 6.Weather Report Suite - Prelude (1.29) 7.Weather Report Suite - Prelude Part I (5.43) 8.Let It Grow (8.00) 9.Row Jimmy (6.51) 10. Eyes of the World (5.27) 11. Stella Blue (6.29) 12. Stella Blue (6.20) 13. Let Me Sing Your Blues Away (3.06) 14. Let Me Sing Your Blues Away (3.17) For the songs with multiple takes, each version is completely different. SBD Master Reel PCM DAT Delta Dio shn CDR Time = 64.11 Grateful Dead Workingman's Dead - Outtakes Recorded mid-February, 1970 Released June 14, 1970 1.Ripple (3.33) 2.Tastebud (4.29) 3.Mason's Children (4.28) 4.Uncle John's Band (5.00) 5.Ripple* (3.34) 6.Tastebud* (4.33) 7.Mason's Children* (4.28) 8.Uncle John's Band* (4.52) 9.Workingman's Dead radio ad (America's hardest working rock band) (0.38) * Tracks 5-9 are the same material with EQ and Dolby A Studio Master reel ?? C Sound Forge CDR Time = 35.37 Grateful Dead From The Mars Hotel - Outtakes Possible date is March 25, 1974 - released June 27, 1974 Soundboard master reel ?? CDR Disc One (66.01) 1.Pride Of Cucamonga (6.40) 2.Money Money (5.41) 3.Unbroken Chain (8.03) 4.Unbroken Chain (6.20) 5.Unbroken Chain (6.47) 6.Scarlet Begonias (3.35) 7.Pride Of Cucamonga (4.24) 8.Ship Of Fools (5.01) 9.Money Money (4.25) 10. Loose Lucy (3.15) 11. U. S. Blues (4.40) 12. Crazy Fingers (6.22) All songs are instrumentals Disc Two (33.15) 1.Unbroken Chain (6.57) 2.Scarlet Begonias (4.20) 3.Pride Of Cucamonga (4.29) 4.Ship Of Fools (4.59) 5.Money Money (4.29) 6.Loose Lucy (3.18) 7.U. S. Blues (4.41) All songs are instrumentals
Re: Recording dates for HOOTEROLL? and NRPS LPs (1971)
Does anybody know when the 1971 LP HOOTEROLL? was recorded. Also, I am trying to find recording session of the debut LP of New Riders of The Purple Sage (1971). check in http://tcgdd.freeyellow.com I-) ihor
Re: 7/3/69 trivia
but the site http://www.mountainmusic.net/chrono.htm has the following information regarding don't forget: The Family Dog 1601 West Evans, Denver 1967 Concerts September 22 23 ?/Mother Earth/The Grateful Dead I-) ihor
Re: 7/3/69 trivia
but the site http://www.mountainmusic.net/chrono.htm has the following information regarding more info from there... 1967 September 24 Free Concert in Washington Park (?) The Grateful Dead Mother Earth Captain Beefheart Beggar's Opera Company The Crystal Palace Guard Boenzee Cryque I-) ihor
Re: AUDIO CASSETTE TO CD??
I have a new computer with CD writing capability. I have a ton of dead shows on audio cassette. I want to transfer the tapes to CDs. Does anyone have suggestions as to how to complete this task? these days, the sound quality of the shows being traded on cdrs is usually so much better than anything that was traded on cassette. unless your cassettes are of a better provenance than the shows that are being traded on cdrs, i would suggest that you NOT bother with transferring your cassettes to cdr, but instead get copies of the shows via trades. your ears will be amazed by the quality and will thank you! :-) I-) ihor
Re: Alembic Rehearsals 12/68
i am not sure why the keyboards player on these 12-1x-68 sessions, esp. during the multiple takes of st. stephen, would NOT be tom constanten. style-wise, it does sound like him... and, by 12-xx-68, he was playing with the dead, for about a month or so? I-) ihor
Re: Alembic Rehearsals 12/68?
do you mean this??? Grateful Dead - Alembic Studios - Rehearsals - December 1x, 1968 1. (x) Turn On Your Lovelight (Jerry Garcia - vocals) (4.48) 2. (x) Dark Star (13.17) 3. St. Stephen (4.16) 4. 'Fortune comes a-calling...' (0.32) 5. 'Fortune comes a-calling...' (0.32) 6. 'Fortune comes a-calling...' (0.40) 7. 'St. Stephen will remain...' (1.18) 8. 'Fortune comes a-calling...' (1.32) 9. 'High green...'jam (3.44) 10. ...end of St. Stephen, discussion, music, discussion (JG: Take it from the front? Okay, take it from the top.) () 11. St. Stephen... (BW: Can we have more monitors?) (1.10) 12. St. Stephen (3.54) 13. '...High green...'The Eleven Jam (5.21) 14. '...High green...'The Eleven (jam vocals jam) (13.48) 15. (PL: Bullsh*t! It happens every time)The Eleven jam (That's the problem with having schizophrenic drugs) (10.11) 16. The Eleven jamdiscussion drums (MH) and bass (4.29) 17. The Eleven jam on drums (MH), bass, and JG (1.12) 18. The Eleven jam on drums (MH), bass, and JG (1.44) Soundboard - time = 74.25 I-) ihor
Re: 4/8/71 mystery keyboard player?
ned lagin does, indeed, play on most of this 04-08-71 show. he also plays during some of the 04-07-71 show. also on 02-18-71, and other shows. much of this will be documented on his website... I-) ihor
Re: Pigpen lyric in Lovelight question
Great research! I agree, it seems quite close to Pig's Lovelight sequence. It also makes me wonder if when people have been quoting Pig as saying great big noble thighs he may have been saying the above... i don't think so... sherman, set the wayback machine for - 1999!!! I-) ihor From: [EMAIL PROTECTED] Date: Wed, 4 Aug 1999 16:51:31 -0400 Subject: thoughts about 2-2-68 just a few quick thoughts about 2-2-68 that someone might want to add to the entry... the 'cryptical' has the 'different' first verse (i.e. not the 'spanish lady comes to me...' verse). by 8-22-68, weir is singing 'spanish lady...'. dwight points out that 2-3-68 was when they started singing the new lyrics. 'clementine' is beautiful, although it sounds an awful lot like coltrane's 'my favorite things'? during 'schoolgirl', pigpen *very clearly* sings the mystery lyrics from 'lovelight'. so, the mystery is/was resolved? pigpen lifted his own rap from here and used it in 'lovelight'? can ah come home witchu? good mornin', little schoolgirl. can ah come home witchu? all ya got to do, baby, tell your mother, and papa too, ah'm a schoolboy, dahlin', ah don't mean no harm to you no ah don't, no ah don't, hey, no ah, uh, ah, uh... ah been knowin' you, baby, for quite a long time, don't make no d'iffrence, darlin', ah cain't always find(?), you got them box-back knitties, darlin', great big ol' noble thighs, and i know that 'cha, that 'cha work undercover with a boar hog's eye, yes, you do. that's all sung to the 'schoolgirl' melody, very slow, so pigpen doesn't have a chance to slur his words... i haven't the silliest idea as to what are 'box-back knitties'? a type of underwear? like those drop-seat longjohns with the square flap? or is that 'nitties'? 'noble thighs' - that's them legs! 'undercover with a boar hog's eye' - could that be a blues euphemism for the feminine privates?
Re: Munich 9/14/74 possible tree of MAR CD
Can I get a group opinion on whether it's worthwhile to go ahead tree this or whether the copy Hanno put into circulation covers it? tree it, yes, sir!!! I-) ihor
Re: Teddy Goodbear's Art
That art/photos site needed a major overhall anyway, due to the large graphics. Hopefully soon I can rework and downsize all those graphics and place the pages on goodbear.com . oh, teddy, DON'T downsize! i like big image files, and can handle them (longer download, large size) with no probs. i like the clarity and detail in the bigger files. if i want to, i can resize, etc., them myself. btw, DO put those images back up - they were great!!! I-) ihor
Re: surely you have this one?
we were discussing some obscure, and heretowith untraded, shows (i.e. everyone got to ask 'surely you have the xxx from yyy?') and how they have surfaced and how shows are getting patched up and etc. well, i got this as a response... reposted with permission. I-) ihor -- Date: Tue, 19 Mar 2002 20:54:25 -0500 From: Stev Lenon [EMAIL PROTECTED] Subject: Re: surely you have this one? Doesn't everyone? Show: 9-21-78, Kibbutz Ein Gedi, Israel Sound Check: Promised Land First Set: Promised Land, Cold Jordan, Havah Naghilah tuning, Bird Song, Turn, Turn, Turn (only time ever played - weir acoustic), Children Go Where I Send You (only time ever played - weir acoustic),Greatest Story Ever Told, Samson Delilah, Visions of Johanna Second Set: Scarlet Fire Estimated ProphetEyes Terrapin PITBDrumzBill Graham Part the Red Sea RapDrumz I Need A MiracleStella BlueSt. Liebowitz Jam (only time played)PITB RepriseMorning Dew Encore: Shalom Aleichem (only time played) U.S. Blues. Source: AUD, Quality: B Length: ca. 2:10, Taper: Ze'ev Yaakov Ben Aryeh HaLevi. There is little known about this particular taper. His name pops up occasionally in taping circles and more frequently in trading circles. He is usually associated with some relic of Dead Arcana or Apocrypha. He is reachable only by Internet post. Place a call for him on alt.Rec.music.gdead and wait for him to see it. If you are looking for real rarities he is your source of last resort. Comments: The tape quality has been affected by the age of the source tape and has suffered some generational loss. There is some hiss, marked at times, nearly absent at others. There is also some environmental noise contamination. Given the location and the proximity to the IDF bases nearby; this is unavoidable. I was in Tel Aviv doing some clinical research at the time of the Egypt shows. By the time I learned they were happening, the first show was over. There was no way to get from Israel to Egypt in time due to the necessity of flying to another country to enter Egypt instead of being able to go directly from Israel. I was horribly disappointed, not having seen the band in over a year. You can imagine my joy when a colleague working with me heard from a cousin in Ein Gedi that there was going to be an un-announced show. My project was winding down and I had only some data reduction left to do for completion. With no experimental demands, we were free to try to make it to the show. Hitchhiking is a recognized means of transport in Israel. We hit the road; and looking so obviously American, we made it to Ein Gedi with little difficulty but much road dust. The venue is incredible. Ein Gedi is a socialist Kibbutz hard on the banks of the Dead Sea. This is the lowest geological point on the earth's crustal surface, The Dead Sea is 1300 feet below sea level. Sulfur springs, moonscape-like terrain, blue water, blue skies, oasis, waterfalls, nature carried to extremes. This is the border between two tectonic plates. Farther south it is called the Great Rift Valley. Here, it's a wonderful tourist spot and a great venue. We gathered around an open stage with some of the strange salt formations on the audience left and the brilliant blue of the Dead Sea behind. It was hot, almost oppressive until the sun slid behind the hills. Then Ein Gedi like all desert communities gets chilly. Jackets were appreciated. A bottle or two of Israeli brandy slid by and the warmth provided was enjoyable. The band slowly took the stage. The crowd was noisy but very subdued compared to the crowds at home. There may have been 1500 of us sitting or standing on the lakeshore. Almost a private show! From the crowd noise I think that less than a tenth of the crowd were American. The lights went up, as the stars grew brighter. From the first audible notes, the show possessed a life of it's own. Promised Land as a sound check; Bobby taking no prisoners. Fervent applause from the crowd who understood the significance of Chuck Berry's song. Then we were amazed when they played it as the Set opener. Back-to-back Promised Land, a fitting opener for the Twice Promised Land. Cold Jordan slowed the pace a bit and drew locally fervent applause. Bobby began fiddling with his equipment and Jerry, apparently bored fell back to his early folkie days and launched the one and only Havah Naghilah tuning that the band ever played. The show was becoming more memorable by the minute. The crowd went wild at this point and the boys had the audience in their pocket the rest of the night. Bird Song, a standard reading; no major shakes, just some nice Jerry work. Then another salute to the host nation and its literature appeared from nowhere. Turn, Turn, Turn, a selection I never expected to hear from The Grateful Dead lay there in front of us. Weir strapped on an acoustic guitar and laid down some nice chord patterns. Jerry did a little noodling at the end and then the
gas jets
I also remember other shows where large gas jets were ignited behind the band but I can't say I remember explosions accompanying the jets, although it's certainly possible. for the ones that i saw, boots would light flash paper and throw it in the air. he would be center down stage, i.e. behind the amps. I-) ihor
Re: 9-3-67
I've got a cdr here that I need help to identify concretely. It's labeled 9-3-67 based on your setlist and band comments, that is 09-03-67. so you wuz there, eh, sandra? do tell more about the scene! did the gd play two nights? or just one night? and which night was it??? I-) ihor
Re: 12/7/68 One drummer?
on 12-07-68, after 'it hurts me too', garcia asks the audience what they would like to hear next, and he gets some responses, like 'morning dew' and 'alligator'. he replies:we're not gonna do alligator 'cause we're without a drummer, it's ahh... broke down there is some more dialog, including bear in the monitors, and they play 'morning dew'. the cdrs that i have are soundboard mono cassette, so it is hard to tell how many drummers there are, but during the quieter passages, it sounds like there is just mickey, and garcia's comments before 'morning dew' would support that. btw, this 12-07-68 show is well worth tracking down. the playing is very good, but even better is all the between song on stage bantering, with lots of bear in the monitors, adding to the weirdness! I-) ihor
Re: another interesting anthem note
i have 2 identical cassettes ( in every way, right down to upc numbers and everything). both cassettes have the same color cover as well??? one has the original anthem, and one has the phil remix. i believe that jerry was the culprit, or jerry and phil... there are no discerning marks between either of them. the vinyl does have markings. it is tougher to mark the cassette tape. also, soes anyone know if there is any plans to release the original anthem or aoxomoxoa on cd? the 'anthem original mix' is on cd and is part of 'the golden road' box set. the 'aoxomoxoa remix' is on cd and is part of 'the golden road' box set. there are at least two versions (i.e. from two different sources) of 'anthem remix' and 'aoxomoxoa original mix' (both on one cdr) being traded. so, if you buy the record company releases, and you trade for the cdr, you will have both versions of these two albums... i have the vinyl on both, but i no longer have a turntable. if the covers are in great shape, maybe we can make a deal??? contact me privately, please. I-) ihor
Re: Anthem and Aoxomoxoa
The new boxed set has the remixed Anthem and the remixed Aox. but the older CD's are the original mix of Anthem and the remix of Aox. Am I right? the box set has the 'anthem original mix' and the 'aoxomoxoa remix'. the older cds (i.e. warner brothers label releases) are the 'anthem original mix' and 'aoxomoxoa remix'. i have not been able to confirm an 'anthem remix' released on a warner brothers label cd... I-) ihor
Re: GD70-02-12
Re: GD70-02-12 This is 2/13/70 Early Show. bummer, but true. that is a great write up, btw, but it does have a few 'minor details' screwed up... I-) ihor
Re: Seastones
There is a Mickey Hart board of this Palace of Fine Arts,SF. show Garcia, Hart lesh. The date on that tape is 4-15-73. the correct date should be 11-28-73? I-) ihor
festival express video (update)
i have updated my old postings with even *more* recent info... I-) ihor -- Subject: Re: festival express i took a look at the video(s) that i have: first off, text is overlaid on the image. this text appears throughout the tapes. in the center, just below the middle, is a big FE-8. centered near the bottom, in smaller text, is TCR 08:xx:xx:xx (where the xx are hours, minutes, seconds, and hundreds of seconds, counting up). below that is REC and LOCK. the overall picture quality is not that good - i'd say maybe 3rd or 4th gen. because much of the subtlety of the colors has been lost, the image is contrasty, there is edging around the text letters, etc. the over all sound quality is a b- or a c+. the approximately two hours of tape contains two versions (by that i mean different camera angles of the same performance) of 'cc rider' (at night), daytime performances of two acoustic 'don't ease me in', three versions of an electric 'new speedway boogie', three versions of 'hard to handle', and back to night performances for three of 'easy wind', and three of 'candyman'. the tape starts with 'cc rider', the beginning of which is cut. this appears to be an 'all star jam session' :-) on stage, at night. there are a lot of musicians, but i don't know them all. jerry garcia is playing what appears to be his red gibson, bill kreutzmann on tambourine, i think i spotted jack cassady, and the singer is sylvia, of 'ian and sylvia'. i was pleasantly surprised at how well this was played! usually, these 'all star jam sessions' are not that good. they invariably pick something that everyone knows (in this case, it is 'cc rider', a common blues number) and then everyone tries to play at the same time. here, there are real solos, and they are well played at that. unfortunately, garcia doesn't get to solo, although bill k. is quite audible at times. next is 'cc rider', same performance, but from a different camera angle. next, the FE-8 changes to FE-5, and the dead, during the day, perform an acoustic version of 'don't ease me in', with garcia and weir on acoustic guitars. next, the same performance of 'don't ease me in', but from a different camera angle. the dead then perform 'new speedway boogie', this time all electric instruments. then, 'new speedway boogie', from a different camera angle. then, 'new speedway boogie', from yet another camera angle. the dead then perform 'hard to handle', with a nice pigpen (in a tank top!!!) on harmonica solo, followed by a jam, and a very quick ending. this same performance is shown from a different camera angle. then, this performance is shown for a third time, again from a different camera angle. that ends the daytime performances. the FE-8 changes to FE-6, and the dead perform 'easy wind', again on stage, at night. there is no image in the middle of the jam, but the music is there. overall, a really nice version of 'easy wind'. very relaxed... next, there is some footage without sound. then, the same performance of 'easy wind', this time with some distant views and shots from behind the band. the sound cuts out in the middle of the jam. footage of sparklers at night, with carnival rides in the background (i.e. the band would see the carnival rides as they are play on stage). next, the same performance of 'easy wind'. the sound does not appear to be in synch with the image. the sound cuts after the harmonica solo. the picture cuts out after that, then cuts back in at the jam where pigpen returns for the ending vocals. pigpen is wearing his cowboy hat with a feather on the left side, leather jacket, with a shoulder patch on the right shoulder, and it looked like the whole middle back section was decorated... next is 'candyman', with no picture at the start. then, 'candyman' again, with different camera angles. then, 'candyman' again, which cuts out before the end. it almost seems that the performance was 'easy wind' and then 'candyman'? next, no image, but the FE-6 changes to FE-9, and that's it. i got my copy of this video (the FE-8 and FE-6 portions) last summer, from the person who offered it on deadlists, or where ever it was. it is on a one hour tape. i then recently received a copy of the FE-8, FE-5, and FE-6 portions, from someone else. i had a question about the source of the overlayed text (that FE-8, FE-5, FE-6, etc.), and here is the answer... A film archive company called Historic Films (formerly Ariq Films) had some of the footage from the Festival Express tour for a couple of years, which they got from the people who tried to put the film together before that. Historic Films never had access to the negative, only to the 30 year-old workprint, from which they made a fairly cheap telecine copy onto video. For 2 years, they had the right to license out this footage, but only as short (i.e. 30 sec.) clips. However, a few entrepreneurial types ordered VHS viewing copies of all the GD
Re: ÒµÎñǢ̸
Subject: ÒµÎñǢ̸ ×ð¾´µÄÁìµ¼£º ÄúºÃ!ллÄúÔÚ°ÙæÖÐÔĶÁÎÒÃǵÄÐżþ¡£ :-) just when you think that the data-and-research-oriented list aspect of deadlists had been well explained! :-) I-) ihor
web site 404?
i wanted to check http://www.deadlists.com for the setlist for 03-22-69, and i get an error for the frame that shows the menu of the years... http://www.shallwego.net/dlsite/year_menu.html I-) ihor
Re: several vines
ijwtk who is (will be) collecting sign-ups for each (all of) these vines? I-) ihor
Re: 2/22/68
here is the 'grateful dead - morning glory' poster from this show... it lists 'trip ski',and the dates are thursday, friday, and saturday, feb.22, 23, and 24, 1968. (See attached file: gd022268.jpg) my apologies for the mess that this attachment made. I-) ihor
