Re: [Elecraft] RIBBON MICROPHONE

2011-08-15 Thread Ny9h@comcastNet
To each his own,is right.

After 30years working under contract with sennheiser, then akg ,then shure 
brothers I learned how silky smooth a  $ .40  element can sound when properly 
enclosed in anything cute 

I must confess after being away from the mic biz for a few years it is amazing 
how many new players there in the  boutique  area of the biz,

I had never heard of cascade,,

But then must not forget, that David Letterman has a unconnected heil on his 
desk for looks.
It's even facing in the wrong direction, and it is not a bi-directional 
ribbon..


Bill. In prosperity

From the mobile


On Aug 14, 2011, at 18:23, Mel Farrer farrerfo...@yahoo.com wrote:

 Well, I disagree.  I use a Cascade Fat Head ribbon microphone on my Bauer 707 
 AM transmitter and the reports are very flattering.  Now, I agree if you are 
 using a narrow sideband filter, it won't help you much, but then on my K3, 
 when I do move the ribbon mike into position, I use the 6 KHz filter and the 
 equalizer section turns the audio into a pleasant performer.  I do use a puff 
 filter in front to get rid of the breathiness issue.  To each his own.  
 IMHO, Cheers,
 
 Mel, K6KBE
 
 
 
 
 From: Fred Jensen k6...@foothill.net
 To: elecraft@mailman.qth.net
 Sent: Sunday, August 14, 2011 2:47 PM
 Subject: Re: [Elecraft] RIBBON MICROPHONE
 
 Indeed.  Being just a tad more naive than Jim, a condition that persists 
 to this day, my first college job included sign-on in early AM as the 
 only employee in the studio of a small FM station.  I used a fairly 
 large and clunky RCA ribbon mic on a desk stand in front of the board. 
 Everyone has seen them in old movies and the like, sort of prismatic in 
 shape.  I made a number of airchecks of the sign-on litany and 
 discovered that if I closed way up on the mic and spoke softly, I could 
 turn a 17-yr old voice into something a couple of octaves below Vaughn 
 Monroe.  It would have been a very poor mic for ham radio.
 
 73,
 
 Fred K6DGW
 - Northern California Contest Club
 - CU in the 2011 Cal QSO Party 1-2 Oct 2011
 - www.cqp.org
 
 On 8/14/2011 11:48 AM, Jim Brown wrote:
 I wouldn't dream
 of using them in my ham station.  They are delicate (easily broken),
 very subject to P-popping and breathe noise, and emphasize the low end
 of the voice (very bad for ham radio).
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Re: [Elecraft] RIBBON MICROPHONE

2011-08-14 Thread Jim Brown
On 8/6/2011 10:39 AM, Bruce McLaughlin wrote:
   the previous response indicated, there is no fundamental reason why you
 cannot use this microphone with the K3. However, as also indicated there are
 some drawbacks. As already mentioned, it appears this particular model does
 not have directional controls and so it will be bidirectional and sensitive
 to noise from the rear. And you should be aware that ribbon microphones are
 very sensitive to shock and vibration and can be easily damaged.

YES! A ribbon mic would be a VERY poor choice for use with any ham rig.

I'm an audio professional, and I own and love three fine ribbon mics. I 
use them for recording trumpet, banjo, and some voices. I wouldn't dream 
of using them in my ham station.  They are delicate (easily broken), 
very subject to P-popping and breathe noise, and emphasize the low end 
of the voice (very bad for ham radio).

73, Jim K9YC
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Re: [Elecraft] RIBBON MICROPHONE

2011-08-14 Thread Fred Jensen
Indeed.  Being just a tad more naive than Jim, a condition that persists 
to this day, my first college job included sign-on in early AM as the 
only employee in the studio of a small FM station.  I used a fairly 
large and clunky RCA ribbon mic on a desk stand in front of the board. 
Everyone has seen them in old movies and the like, sort of prismatic in 
shape.  I made a number of airchecks of the sign-on litany and 
discovered that if I closed way up on the mic and spoke softly, I could 
turn a 17-yr old voice into something a couple of octaves below Vaughn 
Monroe.  It would have been a very poor mic for ham radio.

73,

Fred K6DGW
- Northern California Contest Club
- CU in the 2011 Cal QSO Party 1-2 Oct 2011
- www.cqp.org

On 8/14/2011 11:48 AM, Jim Brown wrote:
 I wouldn't dream
 of using them in my ham station.  They are delicate (easily broken),
 very subject to P-popping and breathe noise, and emphasize the low end
 of the voice (very bad for ham radio).
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Re: [Elecraft] RIBBON MICROPHONE

2011-08-14 Thread Mel Farrer
Well, I disagree.  I use a Cascade Fat Head ribbon microphone on my Bauer 707 
AM transmitter and the reports are very flattering.  Now, I agree if you are 
using a narrow sideband filter, it won't help you much, but then on my K3, when 
I do move the ribbon mike into position, I use the 6 KHz filter and the 
equalizer section turns the audio into a pleasant performer.  I do use a puff 
filter in front to get rid of the breathiness issue.  To each his own.  IMHO, 
Cheers,

Mel, K6KBE




From: Fred Jensen k6...@foothill.net
To: elecraft@mailman.qth.net
Sent: Sunday, August 14, 2011 2:47 PM
Subject: Re: [Elecraft] RIBBON MICROPHONE

Indeed.  Being just a tad more naive than Jim, a condition that persists 
to this day, my first college job included sign-on in early AM as the 
only employee in the studio of a small FM station.  I used a fairly 
large and clunky RCA ribbon mic on a desk stand in front of the board. 
Everyone has seen them in old movies and the like, sort of prismatic in 
shape.  I made a number of airchecks of the sign-on litany and 
discovered that if I closed way up on the mic and spoke softly, I could 
turn a 17-yr old voice into something a couple of octaves below Vaughn 
Monroe.  It would have been a very poor mic for ham radio.

73,

Fred K6DGW
- Northern California Contest Club
- CU in the 2011 Cal QSO Party 1-2 Oct 2011
- www.cqp.org

On 8/14/2011 11:48 AM, Jim Brown wrote:
 I wouldn't dream
 of using them in my ham station.  They are delicate (easily broken),
 very subject to P-popping and breathe noise, and emphasize the low end
 of the voice (very bad for ham radio).
__
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Re: [Elecraft] RIBBON MICROPHONE

2011-08-06 Thread Paul Christensen
You can use a ribbon mic with the K3, but be aware that the pattern is 
bi-directional, and this model doesn't appear to allow the user to alter the 
pattern, unlike say...a poly-directional RCA 77Dx.  Side rejection will be 
good but the amplitude response from rear-arriving sound will be the same as 
forward arriving.  I wouldn't use this mic for that reason alone.

You can connect the mic to the K3's rear-panel mic connector, using the same 
methods of interconnect for other balanced-output mics into the unbalanced 
input of the K3.  Ensure that the K3's mic bias is deactivated.  It should 
EQ nicely with the K3's internal equalizer.

Paul, W9AC



- Original Message - 
From: Ed Stallman n...@airmail.net
To: elecraft@mailman.qth.net
Sent: Saturday, August 06, 2011 12:47 PM
Subject: [Elecraft] RIBBON MICROPHONE


 Hello , I'm  A  new K3 user and I would like to be sure this
 Microphone will work with the K3 before placing my order ... Please
 have a look here

 http://www.musiciansfriend.com/pro-audio/mxl-r144-ribbon-microphone

 I have friends using this Mic on other radio's without audio gear and
 they all sound very natural , Also will I be able to use the rear Mic
 Jack ? I'm hoping I can to help keep clutter from up front .

 Thanks Ed

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Re: [Elecraft] RIBBON MICROPHONE

2011-08-06 Thread Bruce McLaughlin
As the previous response indicated, there is no fundamental reason why you
cannot use this microphone with the K3. However, as also indicated there are
some drawbacks. As already mentioned, it appears this particular model does
not have directional controls and so it will be bidirectional and sensitive
to noise from the rear. And you should be aware that ribbon microphones are
very sensitive to shock and vibration and can be easily damaged. They are
also very sensitive to wind blasts, which if sufficient, can break the
ribbon. And finally, they usually exhibit very strong proximity effects. You
should be careful not to work too closely to this microphone or the bass
response will be considerably enhanced which is not particularly helpful for
SSB communication. I would work no closer than a foot from the microphone to
avoid not only accentuating the base but also to prevent plosives or, as
sometimes called, P pops which result from words having a P at the
beginning and sometimes other letters such as B. In other words, a ribbon
microphone should sound very nice if appropriate precautions are taken in
its use.

Bruce

-Original Message-
From: elecraft-boun...@mailman.qth.net
[mailto:elecraft-boun...@mailman.qth.net] On Behalf Of Ed Stallman
Sent: Saturday, August 06, 2011 12:47 PM
To: elecraft@mailman.qth.net
Subject: [Elecraft] RIBBON MICROPHONE

Hello , I'm  A  new K3 user and I would like to be sure this Microphone will
work with the K3 before placing my order ... Please have a look here

http://www.musiciansfriend.com/pro-audio/mxl-r144-ribbon-microphone

I have friends using this Mic on other radio's without audio gear and they
all sound very natural , Also will I be able to use the rear Mic Jack ? I'm
hoping I can to help keep clutter from up front .

Thanks Ed

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