[LUTE] Re: Mandolino versus Mandola

Well you could be right - I had the story from Andy Irvine's mouth, back when I was his agent in the US. That must have been almost 18 years ago now. I must have forgotten how fast time flies. Nancy Am 07.12.2017 um 00:18 schrieb Nancy Carlin : yes, very

[LUTE] Re: Mandolino versus Mandola

I recall having seen both 5 and 6 course specimens of the now (in folk music) so popular Irish bouzouki. It has shed its lute-like bowl body to a more flat back "bandurria" one. Could this now be called a modern mandora? G. On Thu, Dec 7, 2017 at 12:39 AM, Braig, Eugene

[LUTE] Re: Mandolino versus Mandola

> Am 07.12.2017 um 00:18 schrieb Nancy Carlin : > > yes, very much of a sidestep. That instrument was introduced to Irish music > by Andy Irvine and Donnal Lunney something like 20 years ago. ??? while you're certainly right observing that the irish bouzuki

[LUTE] Re: Mandolino versus Mandola

06, 2017 6:18 PM To: G. C.; Lutelist Subject: [LUTE] Re: Mandolino versus Mandola yes, very much of a sidestep. That instrument was introduced to Irish music by Andy Irvine and Donnal Lunney something like 20 years ago. Nancy > And not yet mentioned is the Irish Bouzouki, or the bo

[LUTE] Re: Mandolino versus Mandola

Time for a stray thought? Maybe. I’ve always wondered if by combining a guitar, flute/penny whistle, violin, bass and bazouki/mandolin — sometimes all, sometimes less — there wasn’t a subconscious effort to recreate the English broken consort? Even in blue grass bands one gets something of the

[LUTE] Re: Mandolino versus Mandola

yes, very much of a sidestep. That instrument was introduced to Irish music by Andy Irvine and Donnal Lunney something like 20 years ago. Nancy And not yet mentioned is the Irish Bouzouki, or the bouzouki proper. But it's perhaps a sidestep... G. -- To get on or off this list

[LUTE] Re: Mandolino versus Mandola

And not yet mentioned is the Irish Bouzouki, or the bouzouki proper. But it's perhaps a sidestep... G. -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: Mandolino versus Mandola

o:[4]lute-arc@cs.dartmouth. edu] On Behalf Of Alain Veylit Sent: Tuesday, December 05, 2017 11:17 AM To: Lutelist Subject: [LUTE] Re: Mandolino versus Mandola Thank you Eugene. From having read a variety of sources now, my current understanding is that the mando

[LUTE] Re: Mandolino versus Mandola

sage- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Alain Veylit Sent: Tuesday, December 05, 2017 11:17 AM To: Lutelist Subject: [LUTE] Re: Mandolino versus Mandola Thank you Eugene. From having read a variety of sources now, my current understanding is that the mandola is

[LUTE] Re: Mandolino versus Mandola

04, 2017 7:39 PM To: Lutelist Subject: RE: [LUTE] Re: Mandolino versus Mandola I'm also quite excited to see this article, Davide, but back issues don't appear to be available for sale yet, and my university doesn't [pay a fee to periodically receive editions of] the British journal. Some sour

[LUTE] Re: Mandolino versus Mandola

I had used a word that the listserv's robot flags as a request instead of a message. Here remedied with far more words than necessary. Eugene -Original Message- From: Braig, Eugene Sent: Monday, December 04, 2017 7:39 PM To: Lutelist Subject: RE: [LUTE] Re: Mandolino versus Mandola

[LUTE] Re: Mandolino versus Mandola

Thank you Davide, I have read this one: "A Partita by Filippo Sauli, theorbo and mandolin player to the Habsburgs Courtin Wien"  with much interest and I am sure your article in Lute news would be answering some of my questions. I am not sure however that I will be able to get a copy in the

[LUTE] Re: Mandolino versus Mandola

Dear Alain, perhaps it may help you reading my article (The mandolino in the 17th and 18th centuries), recently published by the Lute Society: LUTE NEWS Number 123 - October 2017. Best wishes, Davide > Il giorno 03 dic 2017, alle ore 17:38, Alain Veylit >

[LUTE] Re: Mandolino versus Mandola

Does anyone know what exact differences existed between the mandolino and the mandola in the 18th century? Were the two terms really interchangeable? Was the mandola just a mandolino with one added bass course? Did they share a common tuning and playing technique? From what I gather from