[LUTE] Re: Rewarding Renaissance Lute repertoire

Two thumbs up for Martin's anthology! - I got my copy from him years ago at lute seminar, it has a wonderful balance of repertoire in all ways. By the way, much of Hans Newsidler's intabs are no push overs. He will first give you a pretty straight intab, then follow with an ornamented one.

[LUTE] Re: Rewarding Renaissance Lute repertoire

Since we're talking about Newsidler: Yes, his books are ideal for learning to read German tablature because the letters are very clear and distinct and he only introduces a few symbols at a time. Many of the German Tenorlieder are frustrating because they have these huge gaps between

[LUTE] Re: Rewarding Renaissance Lute repertoire

Well then, you are lucky! Deciphering obscure German Tabs is one of my next projects. I'm running out of new music, so this would be the way to go, and as a side effect, I might even learn to play from those tabs. I plan to transcribe with lute in hand. Does anyone have any insight into which

[LUTE] Re: Rewarding Renaissance Lute repertoire

So, Hans Newsidler seems to be a good place to begin, judging from the many manuscript copies that were made of his books. He not only was an early Renaissance lutenist, but had a didactic flair which caught on and demonstrably also worked. (Both his sons Conrad and Melchior became

[LUTE] Re: Rewarding Renaissance Lute repertoire

THanks G., I own the Poulton Lute Book, also I browse regularly through Sarge Gerbode's site. I have harvested literally 1000s of pieces now... But you never know what's out there, so that's why I asked, and also to see what people think is on the easy to intermediate side. Hans Neusiedler is

[LUTE] Re: Rewarding Renaissance Lute repertoire

And again those early Italian dance tutors with tablature, like Negri and Caroso are quite easy to play. On Wed, Dec 6, 2017 at 10:59 PM, G. C. <[1]kalei...@gmail.com> wrote: I forgot to say, that it might be a good idea also to look at what pieces have been

[LUTE] Re: Rewarding Renaissance Lute repertoire

I forgot to say, that it might be a good idea also to look at what pieces have been transcribed to guitar staff or tablature. These tend to be the easier pieces. On Wed, Dec 6, 2017 at 10:46 PM, G. C. <[1]kalei...@gmail.com> wrote: OK, if you are looking for Renaissance lute music

[LUTE] Re: Rewarding Renaissance Lute repertoire

of the individual piece. Jurgen -- "There is a voice that doesn't use words. Listen." JalÃl ad-DÃ «n Muhammad Rumi Original Message Subject: [LUTE] Re: Rewarding Renaissance Lute repertoire

[LUTE] Re: Rewarding Renaissance Lute repertoire

Hi Rainer, I haven’t found the page “dead” at all. Some links have been lost however and, yes, it could use a serious update but I still find it a useful tool. I asked the LSA about it and they report that they are working towards making the 700+ titles of their entire microfilm library

[LUTE] Re: Rewarding Renaissance Lute repertoire

On 05.12.2017 12:22, b...@symbol4.de wrote: And I recommend: [3]https://lutesocietyofamerica.wildapricot.org/Tab-Facsimiles This page seems to be dead - no updates(?) for almost two years. Does anybody know what happened? Rainer To get on or off this list see list information

[LUTE] Re: Rewarding Renaissance Lute repertoire

Thanks, Sean! :) Lute on!! [kraar+logo.png] Lynda Kraar, President Lynda Kraar & Associates U.S. Cell: 551-486-3772 Google Voice: [1]985-205-9632 (985-20-LYNDA) Skype: lyndakraar On Dec 5, 2017, at 1:48 PM, anotherdamn6c . <[2]lutesm...@gmail.com> wrote: Hi

[LUTE] Re: Rewarding Renaissance Lute repertoire

Hi Lynda, The Phalese books (1547 - '71 lacking '63 but many of those pieces are reprinted in '68 where there's a much better assortment of dances and Anticos) can be found through LSA facsimiles page. They are all in French tab and range from easy to difficult. They are often

[LUTE] Re: Rewarding Renaissance Lute repertoire

:-D !!! Jean-Marie -- >Nancy, > >I hope this is an intentional typo, it is quite poetic: > >On 12/05/2017 07:04 AM, Nancy Carlin wrote: > > new Figital Music Supplement, > >To get on or off this list see list information at >http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: Rewarding Renaissance Lute repertoire

Nancy, I hope this is an intentional typo, it is quite poetic: On 12/05/2017 07:04 AM, Nancy Carlin wrote: new Figital Music Supplement, To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: Rewarding Renaissance Lute repertoire

f Tristan von Neumann Sent: Tuesday, December 05, 2017 7:36 AM To: lutelist Net Subject: [LUTE] Re: Rewarding Renaissance Lute repertoire Great idea, I have never used the file! It seems my poll has been misunderstood :) "Playability" meant "Playable without years of study".

[LUTE] Re: Rewarding Renaissance Lute repertoire

If you want to explore more Scottish lute music I recommend Balcarres. In the next LSA Quarterly I have an article that includes music from Balcarres. There will be more pieces in our new Figital Music Supplement, both in the original d-minor tuning and transcribed to 10-course vielle ton.

[LUTE] Re: Rewarding Renaissance Lute repertoire

l piece. Jurgen -- "There is a voice that doesn't use words. Listen." JalÄl ad-DÄ«n Muhammad Rumi Original Message ---- Subject: [LUTE] Re: Rewarding Renaissance Lute repertoire Local Time: 5 December 2017 3:41 AM UTC Time: 4 December 2017 20

[LUTE] Re: Rewarding Renaissance Lute repertoire

Of course Da Milano, but if you have ten courses under the fingers, try the Scottish lute music, Rowallan, Straloch... ! V. > Message du 04/12/17 21:21 > De : "Tristan von Neumann" > A : "lutelist Net" > Copie Ã

[LUTE] Re: Rewarding Renaissance Lute repertoire

Gesendet: Dienstag, 05. Dezember 2017 um 01:03 Uhr Von: "Lynda Kraar" <guitargirl4scrab...@cs.dartmouth.edu> An: "Leonard Williams" <arc...@verizon.net> Cc: "lutelist Net" <lute@cs.dartmouth.edu> Betreff: [LUTE] Re: Rewarding

[LUTE] Re: Rewarding Renaissance Lute repertoire

My vote goes to F. da Milano. When I first took up lute, I was crazy about Dowland and the English circle - they had very catchy melodies. Now, 23 years later, I find myself drawn to the polyphony of da Milano and the earlier composers. There's an intricacy that's very satisfying -

[LUTE] Re: Rewarding Renaissance Lute repertoire

voice that doesn't use words. Listen." JalÄl ad-DÄ«n Muhammad Rumi Original Message Subject: [LUTE] Re: Rewarding Renaissance Lute repertoire Local Time: 5 December 2017 3:41 AM UTC Time: 4 December 2017 20:41 From: brai...@osu.edu To: lutelist

[LUTE] Re: Rewarding Renaissance Lute repertoire

Dowland or gtfo lol Jacob Johnson [uc?export=downloadid=0B6_gM3BRE6ZrYVVZZU5QNmJqdDQrevid=0B6_g M3BRE6ZraW9nQ2U4SGNwV0tYVWxobnNBVjBsZi9FNHhzPQ] Guitar/Lute [1]www.johnsonguitarstudio.com 469.237.0625. On Mon, Dec 4, 2017 at 6:03 PM, Lynda Kraar

[LUTE] Re: Rewarding Renaissance Lute repertoire

A second for Molinaro, but what about Dowland, Byrd and Holborne, especially now that Holborne is the ONLY renaissance composer to make it to interstellar space! (Fairie Rownde is on the Golden Record aboard the Voyager spacecraft, now 12 billion miles from earth, traveling at

[LUTE] Re: Rewarding Renaissance Lute repertoire

Any links to tabs, manuscripts or YouTube vids you can suggest? Lynda Kraar > On Dec 4, 2017, at 6:51 PM, Leonard Williams wrote: > > Spinacino, da Milano, Dick Hoban's collection from the Siena MS, ML Book. > Does anyone play much of Bossinensis? It seems that most of

[LUTE] Re: Rewarding Renaissance Lute repertoire

Spinacino, da Milano, Dick Hoban's collection from the Siena MS, ML Book. Does anyone play much of Bossinensis? It seems that most of his recercari are exercises. Leonard Sorry if you got this twice! On 12/4/17, 3:18 PM, "Tristan von Neumann"

[LUTE] Re: Rewarding Renaissance Lute repertoire

Hey- Marco Dall Aquila! A giant among faves, and of course Capirola. And in the "Intabolatura de Leuto de Diversi Autori" of Castelioni we also have 2 magnificent, intriguingly mysterious fantasias by the once famed gambist & lutenist Jacobo Albutio. Dan On 12/4/2017 3:24 PM, Dan Winheld

[LUTE] Re: Rewarding Renaissance Lute repertoire

All good faves so far. The ones I love & and haven't been named yet are  Simone Molinaro and his uncle Giovanni Battista dalla Gostena. Fantasias of Terzi'really aren't all that daunting if you approach them calmly, without fear, and go slowly at first. Same can be said in regard to Albert de

[LUTE] Re: Rewarding Renaissance Lute repertoire

I’m currently partial to the intabulators who took on the work of Archadelt. There's Vindella’s all Acadelt book (1546), the many variations of “Quand’io pens’al martir” and even the chansons for voice and renaissance guitar (A. LeRoy, Cinqiesme Livre). And Crecquillon, non Papa, Pathie,

[LUTE] Re: Rewarding Renaissance Lute repertoire

The renaissance repertoire is such a many facetted thing. How could you settle on just ONE composer. And pls. don't forget the Golden Age repertory, one of its highlights! G. -- To get on or off this list see list information at

[LUTE] Re: Rewarding Renaissance Lute repertoire

Da Milano for sure but also Vallet for me and most of the transitional tunings repertoire (Mesangeau, Dufaut, Bouvier, Chancy) Jean-Marie -- >Here's a poll for Renaissance Lutists - > >what do you consider most rewarding to play in terms of playability >combined with beauty? >So

[LUTE] Re: Rewarding Renaissance Lute repertoire

I love the vihuelists (especially Narvaez and Mudarra: I see you've already listed one [Milan]). Among the unsung (or at least less-often sung), I'm particularly fond of Valentin Bakfark. Bakfark may be a little more on the challenging side, but not so much as Melchior Neusidler. Carry on,