Each one with his/her phone.
Il 23/03/2020 16:11, Dr. Henner Kahlert ha scritto:
Wonderful! With which device did you manage to play and record this?
Henner
Am 23.03.2020 um 14:35 schrieb Diego Cantalupi:
If you have some students and a singer:
[1]https://www.youtube.com/watch?v
If you have some students and a singer:
[1]https://www.youtube.com/watch?v=6x1aPRquAGg
--
References
1. https://www.youtube.com/watch?v=6x1aPRquAGg
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thanks Bernd,
but I can't see any pdf at the link you sent.
Diego
Il 26/12/2019 16:38, Bernd Haegemann ha scritto:
Paulduif.home.xs4all.nl
Von meinem iPhone gesendet
Am 26.12.2019 um 16:23 schrieb Diego Cantalupi :
Hi all! Does somebody have a digitalisation of the Gianoncelli lute book
Hi all! Does somebody have a digitalisation of the Gianoncelli lute book and
would like to share it?
My SPES copy is in my school, about 900 km. from me
Thanks,
Diego
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Any idea?
It seems impossible also to save the single pics!
Greetings,
Diego
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I also wrote in Russia.
It seems tht in september they are going to send me a reproduction.
Let's wait and see.
Greetings,
Diego
Il 04/08/2017 09:36, Jean-Marie Poirier ha scritto:
Hi Nancy,
I have the same interest in Robert Ballard and I wrote to the library in Russia
where the only
Some very HIP thumb out Vivaldi.
https://www.youtube.com/watch?v=qyY5pB2a0cU
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py, irritating etc.
>
> RT
>
>
>> On 10/11/2016 5:09 AM, Diego Cantalupi wrote:
>> The question is different:
>>
>> why one should play a baroque lute concerto on a lute-shaped guitar
>> using an old fashon Segovian style?
>>
>>
>> Il 11/1
d to see
people talking about music on this list :)
Best
On 10 Oct 2016, at 18:23, howard posner <howardpos...@ca.rr.com> wrote:
On Oct 10, 2016, at 8:33 AM, Diego Cantalupi <tio...@gmail.com> wrote:
The main problem to me, is that the concerto is played in C, and not. in D.
It's eas
Here's my version:
https://youtu.be/dkPp4pDWGQI
I used an 'ordinary' archlute. In my opinion there are no problems about
single or double strings, but mainly about good taste and esthetic.
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The main problem to me, is that the concerto is played in C, and not. in D.
It's easier on a G archlute, but sounds to me very strange for the violins.
Inviato da iPad
> Il giorno 10 ott 2016, alle ore 17:14, Ron Andrico ha
> scritto:
>
> The only bit of opinion in
sorry: wrong link.
An Evening Hymn is in the Harmonia Sacra by Playford
http://imslp.org/wiki/Harmonia_Sacra_(Playford,_Henry)
Il 27/02/2015 13:03, Diego Cantalupi ha scritto:
you find it here:
http://imslp.org/wiki/Harmonia_Sacra_(Purcell,_Henry)
Diego
Il 27/02/2015 12:39, BENJAMIN
you find it here:
http://imslp.org/wiki/Harmonia_Sacra_(Purcell,_Henry)
Diego
Il 27/02/2015 12:39, BENJAMIN NARVEY ha scritto:
Dear All,
Could anybody on the list I wonder send on in a private message the
facsimile of Evening hymn by Purcell (Z. 193)? I can't seem to find
it on
Dear friends,
here you find a short video with the Toccata VII from the IV book by
Kapsberger.
I play my unhistorical short theorbo (an instrument measuring 70/117)
that I use when I need to travel by plane.
The known timbric problem caused by the wounded strings (usually V, VI,
VII fretted
I do hope Mimmo Peruffo will be ready to sell the new strings in June
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Dear friends,
For a project in the Conservatorio where I teach I'm collecting some arias with
obbligato lute and theorbo.
At the moment I have all the Bach music, all the Händel, some Vivaldi, a
cantata by Ferrandini and (the funny) Zandonai.
Do you have any other suggestions?
What I'm looking
If you can read Italian, you can find my dissertation about Chitarrone here:
http://www.diegocantalupi.it/tesi.pdf
The first chapter is about ethimology.
Diego
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you can find a picture here, in my dissertation about chitarrone:
http://www.diegocantalupi.it/tesi.pdf
Diego
Inviato da iPad
Il giorno 25/nov/2011, alle ore 23:37, howard posner howardpos...@ca.rr.com
ha scritto:
I'm looking for a picture of an early chitarrone which, instead of an
Pietro Prosser, the one in my opinion who best knows Gallichon - Mandora
repertorie, thinks the same. May be he can explain here something about this
subject.
Actually I'm playing mandora in 'Le nozze di Figaro' in Potsdam: still quite
unusuall, but wonderfull effect!
Diego
Roman, on
[1]www.diegocantalupi.it/pdf/rv93.pdf
--
References
1. http://www.diegocantalupi.it/pdf/rv93.pdf
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From: Martyn Hodgson [EMAIL PROTECTED]
In short, if you can you should just detune the first course and only
detune the next if the second string is likely to break.
So why making a double reentrant tuning on a tiorbino?
Diego
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I've just recorded a new cd titled Il Liuto di Caravaggio: Lute music in
Rome at the time of Caravaggio. In the booklet of the cd I wrote some
informations about this painting.
It's possible to find a description of the cd here:
www.diegocantalupi.it/caravaggio
And in the next days it will be
The cantus firmus used for this mass is derived by matching solmization
syllables to the syllables of the name of the man for whom the mass was
being written, Hercules dux Ferrariae.
The solmization syllables which arise are Re, Ut, Re, Ut, Re, Fa, Mi, Re or
in pitch names D, C, D, C, D, F, E, D
have an high
e on the second string (single or doubled with a lower one).
Ending I think that this way of stringing the theorbo with the doubled
second sting, in octave, is of foundamental importance for playing the
Sonate by Pittoni.
Diego Cantalupi
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