Restricting the study, production, display, preservation or other uses
of artworks removes the freedom of those involved in art and thereby
damages the cultural, social and economic value of art. Where
restrictions take the form of copyright, copyleft licences are a good
way of restoring
2009/6/14 Pall Thayer pallt...@gmail.com
First of all, I just want to say that I'm honored and proud that my
own work played a part in influencing this very intriguing work. I was
just talking with another Icelandic artist yesterday (Gudrun
Kristjansdottir, painter) and we were discussing
Thanks for your comments.
Yes, it's bizarre when people think that freedom and artistic (or at least
career) success are somehow opposed.
James - If people don't need the code to immediately experience the work
then the case for making it AGPL is less clear but it won't hurt to protect
people's
This is a pixel → ■
This is another → ■
This is a third → ■
Now make some net art.
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The challenges of bringing computing into a museum and a slum are not
really all that different. - Neil Gershenfeld, 'Fab'.
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On 03/07/09 15:20, james morris wrote:
Hi Pall,
I've got to admit that I've had trouble too, understanding your
MicroCodes. Sometimes I think I get it, other times I read what you've
written and think I've been misunderstanding.
I reviewed Pall's earlier Microcodes for Furtherfield, which
2009/7/6 james morris ja...@jwm-art.net:
Dr. Rothblatt imposes the legal notions of corporate personhood upon
transbemans or futuristic persons, specifically those who transition
from flesh-ware to software, and may lack the traditional DNA based
biological substrate.
Charles Stross's
On 03/07/09 22:52, Alan Sondheim wrote:
I must say first I really like the review;
Thank you!
I have to take issue, however,
with a couple of points which may be central to you -
Thank you for your detailed critique.
I, and others, have claimed that artists who use computers need to be
http://www.wired.com/underwire/2009/07/talenthouses-creative-community-connects-all-kinds-of-artists/
More than 25,000 artists have logged onto Talenthouse so far. The
question is, will they work together to create pieces of lasting
beauty? The online “creative community,” which launched last
There are healthy debates about some of the details but there are no serious
scientific theories that are alternatives to evolution by natural selection.
If there were they would replace evolution as experiments and studies
confirmed them. That's the beauty of science when it works.
Science
Like this?
- rob.
On Jul 14, 2009 11:26 AM, marc garrett marc.garr...@furtherfield.org
wrote:
Hi Netbehaviourists,
We have finally, after much trauma managed to move everything over to a
new server.
There are a few clitches that we are currently ironing out regarding
some of our
2009/7/27 mez breeze netwur...@gmail.com:
on another [related] note: any thoughts on the ATT block against
4chan? surprised net/b/'s don't have anything 2 say re it:
http://www.centralgadget.com/att-blocking-access-to-portions-of-4chan-2336/
/m/
I'm quoting 4chan, not Mondo Lite (or Wired as it insists on calling
itself...)
Net neutrality doesn't mean ignoring denial of service attacks, although it
does mean identifying them competently.
Both parties failed here, and both parties have admitted it.
On Jul 28, 2009 1:39 PM, mez breeze
http://grail.cs.washington.edu/rome/
Entering the search term Rome on Flickr returns more than two million
photographs. This collection represents an increasingly complete
photographic record of the city, capturing every popular site, facade,
interior, fountain, sculpture, painting, cafe, and so
http://arstechnica.com/tech-policy/news/2009/07/-it-sounds-like-something.ars
It sounds like something out of The Matrix: a giant, world-spanning
electronic network where high-powered machines, some of them using GPUs
to gain a speed advantage, run secret, rapidly-evolving software
algorithms
http://img26.yfrog.com/i/ztl.jpg/
Using digital photography and social media to promote a show is much better
than trying to lock art away.
- rob.
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http://www.wired.co.uk/news/archive/2009-08/10/twitter!-the-crowdsourced-opera.aspx
As A Million Penguins showed, just crowdsourcing random content
doesn't work. You need a hierarchical system for receiving, evaluating
and accepting contributions to a project and a means of integrating
and
I've seen people object to the PP name but it's a successful brand elsewhere
and people wouldn't take much interest in the copyright reform party. ;-)
So I think this is a good move, although do see Stallman's comments on the
other PP's agenda.
- rob
On Aug 14, 2009 1:48 PM, marc garrett
http://b3ta.com/links/355881
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On 21/08/09 21:29, Joseph Gray wrote:
wow. now that's nerdy.
On Fri, Aug 21, 2009 at 5:53 AM, Pall Thayer pallt...@gmail.com wrote:
That's absolutely awesome.
Is it worse than most net.art because it's by a corporation, or better
than most net art because it's been wrested from a
This looks really good. Wish I could get to the launch.
- rob.
On Sep 16, 2009 11:45 AM, marc garrett marc.garr...@furtherfield.org
wrote:
BOOK LAUNCH
'The Spam Book: On Viruses, Porn, and Other Anomalies from the Dark Side of
Digital Culture'
Edited by: Jussi Parikka and Tony D. Sampson
There's OpenSim, which is unfortunately based on Mono and C#, and a
bit fiddly for normal SL users to connect to.
http://opensimulator.org/
You can export stuff to it though IIRC, and it's getting more serious usage now.
- Rob.
2009/10/6 marc garrett marc.garr...@furtherfield.org:
Hi Alan,
On 06/10/09 19:18, marc garrett wrote:
I have a few itunes files that I wish to convert for my linux. You may
not be able resolve what the whole of the Internet/Linux user groups
have not been successful in doing, but you never know - I want to
convert itunes files into a music prog, and
http://feedproxy.google.com/~r/boingboing/iBag/~3/bckoCPM443I/c-graffiti.html
More code grafitti...
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http://addictedtor.free.fr/graphiques/
R is a system for statistical computation and graphics. It consists
of a language plus a run-time environment with graphics, a debugger,
access to certain system functions, and the ability to run programs
stored in script files.
[...]
One of R's strengths is
ls -rob
ls -manik
ls -ruth
ls -marc
ls -anniea
ls -pall
On 3 Nov 2009 13:08, anniea a...@bram.org wrote:
diw02 Is
thanks
On Tue, Nov 3, 2009 at 1:52 PM, Pall Thayer pallt...@gmail.com wrote:
You get something like...
-- Video Squad fragment 3 min Riam06
ls -anniea works on Mac OS X, I didn't check them on other platforms. :-)
- rob
On 3 Nov 2009 14:47, Pall Thayer pallt...@gmail.com wrote:
The only one here that doesn't work is anniea. It fails on the e. Nice
to see the big difference between ls -ruth and ls -marc though.
Rob Myers wrote: ls
On 08/11/09 18:05, manik wrote:
...MANIK LIKE MASTURBATION IN GALERIES...
Is this about the Malevich? I can't remember the artist's name...
- Rob.
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Gmail doesn't tend to show you your own responses on a list, if anyone's
using that.
- rob.
On 9 Nov 2009 12:07, marc garrett marc.garr...@furtherfield.org wrote:
mmm...
will check
marc
me, not seing my post back ; (
elmur.net http://elmur.net
2009/11/8 marc garrett
On 18/11/09 09:28, Pall Thayer wrote:
WAR has NO value
18. November 2009
#!/usr/bin/perl
use constant WAR;
print WAR;
http://pallit.lhi.is/microcodes/index.php?code_id=43
# After Edwin Starr
while (! WAR) print WAR;
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2009/11/18 Pall Thayer pallt...@gmail.com:
#!/usr/bin/perl
while(WAR){die;}
#!/usr/bin/perl
while(JUST) {WAR;}
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On 19/11/09 18:13, james morris wrote:
Just wondering if you had tried using Common Lisp (or any varient of
lisp) for creating microcodes (or responses) ??? I'm guessing though,
CL probably has less potential (compared with something like perl) due
to it's syntax and the parenthesis. Even
On 24/11/09 16:04, manik wrote:
...INSULTING COMMENT...
MANIK,NOVEMBER 2009...
I cannot remember the last time I was insulted so!!!1
- Rob.
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The Colour Of News -
http://robmyers.org/the_colour_of_news/
Colours from the leading stories on leading news sites, updated hourly.
See the source here -
http://robmyers.org/git/?p=the_colour_of_news.git;a=summary
- Rob.
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On 01/12/09 11:36, Pall Thayer wrote:
Hi Rob,
I've been watching this page since you posted it but don't see any
change in colors. Am I missing something?
No, but my code was. 8-)
It should work now if you reload it. And I've added an http-refresh to
the header so it'll reload every hour to
On 02/12/09 16:58, dave miller wrote:
What do the colours mean? eg red = violence? pink = celebrity?
Nothing so profound (somebody else suggested emotional valence). They
are the colours of the picture illustrating the leading story on each site.
Am I missing the point?
You are suggesting
On 02/12/09 19:15, Margarita Ovadia wrote:
what a great idea?
One project that does this kind of thing really well is We Feel Fine -
http://www.wefeelfine.org/
They map statements of feeling on blogs to colours in the image.
- Rob.
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On 11/12/09 08:54, Alan Sondheim wrote:
I want to ask Jacques Derrida a question.
There is nothing outside the text of life...
- Rob.
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On 12/12/09 12:27, bob catchpole wrote:
Or could it be that the echo of the language flows across the space of the
absence to the ghost of the disembodied matter of it's own arse?
I'm going to mention gastromancy at this point in the debate.
- Rob.
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On 14/12/09 19:34, manik wrote:
...HOW ARE YOU EMOTIONALY...
I am OK.
How are you?
- Rob.
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On 14/12/09 20:27, manik wrote:
... NOT GOOD...THANKS...
Downer 8-(
Best wishes...
- Rob.
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On 14/12/09 20:48, Renee Turner wrote:
Let's start a facebook group dedicated to how to cheer up Manik...
but let's limit our expressions to emoticons ;-)
:-D
- Rob.
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http://www.radstats.org.uk/conf2010/index.htm
Radical Statistics Group (who were the inspiration for my 1968/1969
images...) have a conference next year on the theme of 'Whose statistics?'
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http://digitaltools.node3000.com/download/2047-nodebox-2-things-getting-modular
A good alternative to Processing because it doesn't use a Java subset as
its programming language. ;-)
Anyone releasing GPL2-only software for Mac and Windows only at this point
is basically trolling ;-). But Nodebox
http://online.wsj.com/article/SB126102247889095011.html?mod=igoogle_wsj_gadgv1;
Unencrypted video feeds are not a good idea, as Adnan demonstrated at Make
Art. ;-)
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On 28/12/09 14:18, Pall Thayer wrote:
For those of you who aren't interested in running perl codes and other
such things on your own, the Hekla applet is now running live
online.
It's not running on my Fedora 12 Firefox. 8-(
- Rob.
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On 30/12/09 13:19, marc garrett wrote:
In respect of my own experience when teaching - supporting, advising,
and sharing information with students is one of the most important
aspects of connecting with others.
Yes. People can read books anywhere, and if they can't afford the latest
theory
On 02/01/10 23:39, Alan Sondheim wrote:
How does Rotman deal with Tibetan, Sanskrit, and other alphabetic
scripts that are inherent in Buddhism, Jainism, Hinduism, and other
non-montheis- tic religions or concepts?
I think this (the lack of comparative religious knowledge) is one of the
On 06/01/10 17:17, James Wallbank wrote:
I always thought Second Life wouldn't last. Okay, so now it's a virtual
porn haven,
It was, and that was what was good about it - the freedom empowering
things to emerge from people's (cyber-)social interactions.
Now the Lindens are age zoning things
On 07/01/10 18:34, martin mitchell wrote:
How does one translate into another language part of dogmatic statements like
'running past', 'flag up' or 'socio economic' !
I don't think that the expressions you identify are dogmatic. It could
be argued that they have their origin in
On 07/01/10 23:15, martin mitchell wrote:
Yes an interesting observation which I agree with but the initial
statement did not give a readable description to such ideas that one might
understand when reading original email
We'll just have to differ about agreeing on that. ;-)
http://www.doobybrain.com/2009/12/07/photos-of-amazon-com-fulfillment-center/
Makes me think of Warehouse 23.
And I think they'd be good subjects for Joy Garnett paintings. :-)
- Rob.
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http://nielsenhayden.com/makinglight/archives/008772.html
Paxed, in a comment on the efflorescence of zombies thread, pointed out
that terra is green when transformed by Rot13. This intrigued me; I
wondered what other such pairs there could be. So I cobbled together a
quick Ruby script to hunt
If I was at art school I'd drop everything and pursue these ideas -
http://russelldavies.typepad.com/planning/2010/01/data-decs.html
*Physical 3D* data visualisation using laser cutting and 3d printing.
- Rob.
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http://www.charm.rhul.ac.uk/projects/p2_3_2.html
The AHRC Research Centre for the History and Analysis of Recorded Music
(CHARM) was established in 2004 at Royal Holloway, University of London, in
partnership with King's College London and the University of Sheffield. Its
mission is to promote
On 09/01/10 11:43, tom corby wrote:
This is a good old fashioned bit of shit-stirring.
I can't really imagine Michael shit-stirring...
As pointed out by Simon, I found the art and language quotes deeply
ironic given that their practice was largely nourished (and financed)
within the
On 09/01/10 19:00, martin mitchell wrote:
oh no where is the artist.
Behind you!!!
- Rob.
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On 11/01/10 19:07, manik wrote:
...MANIK...JANUARY...2010...
I'm really enjoying these pictures. 8-)
- Rob.
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On Sun, Jan 17, 2010 at 5:04 PM, anniea a...@bram.org wrote:
(ENG)* Collaboration* on and via the Internet has been a hot topic for
some time. Now everyone tends to see the Net more as a space for
conservative individual self-representation and mediation. I wonder
about
this. What makes it so
On 19/01/10 20:52, helen varley jamieson wrote:
is collaboration really happening on facebook twitter?
I'm sure it is. But the point of those services is not that they are
profound social enablers but that they allow people to stay in touch and
maintain relationships over time and over
http://www.aesthetics-online.org/articles/index.php?articles_id=43
My main disagreement with Lopes concerns his claim that there is no
digital art form and the reasoning that leads him thereby to conclude that
the computer art form must be interactive. Art kinds for Lopes are simply
kinds of art,
http://www.opentopia.com/hiddencam.php
These webcams were found automatically through a variety of clever search
techniques and update several times a day. Their owners may or may not have
intended for them to be public, but they obviously are. Some of them are
security cams in companies or
http://www.arts.ucsb.edu/faculty/jevbratt/readings/burnham_se.html
Jack Burnham
Systems Esthetics
Reprinted from Artforum (September, 1968). Copyright 1968 by Jack Burnham.
A polarity is presently developing between the finite, unique work of high
art, that is, painting or sculpture, and
NC fail, but otherwise interesting feminist media history.
- Rob.
Original Message
Subject: [FC-discuss] vids: remix from the '70s; transformativeworks.org
Date: Tue, 19 Jan 2010 23:45:26 -0500
From: Peter Olson pe...@peabo.com
To: Discussion of Free Culture in general and this
On 20/01/10 16:36, Simon Biggs wrote:
I hardly have the energy to read your post in detail Rob. This is not a
criticism of what you have written but due to my lack of tolerance for
arguments over terminology. When I see an essay seeking nomenclatures for
novel practices I tend to turn off.
On Thu, 21 Jan 2010 11:03:55 +, info i...@furtherfield.org wrote:
Review of GOTO10's 'make art'.
GOTO10's project - 'make art' in the small town of Poitiers in 2009.
[...]
http://www.furtherfield.org/displayreview.php?review_id=374
That's a good review. It's interesting reading about
Interesting examples of trying to quantify the effects of images on
actions using large datasets, statistical analysis, and data visualisation.
Some of the images used are objectifying but a) of both male and female
subjects b) by themselves and c) in the context of seeking a date.
http://www.naturalearthdata.com/
Entirely free for use. From 1:10,000,000 to 1:110,000,000 scale.
I mention this because I've had trouble finding this sort of thing in the
past for projects.
- Rob.
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On 26/01/10 13:56, manik wrote:
...Nikola Marija Pilipovic Vauda it's official...
What's official???
- Rob.
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On 26/01/10 13:58, manik wrote:
Nikola Marija Pilipovic Vauda ...IT'S NOT OFFICIAL...
What's not official???
- Rob.
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On 26/01/10 10:39, Bjørn Magnhildøen wrote:
?php
Thank you for the code! Would you be willing to place it under the GPL?
http://www.gnu.org/licenses/gpl-howto.html
When talking about scribbling machines I always think of Ed Burton's ROSE -
On Thu, 4 Feb 2010 10:03:49 +, anniea a...@bram.org wrote:
copied from [NEW-MEDIA-CURATING]
It's interesting that, as far as I am aware, no contemporary artist has
yet
harnessed this extraordinary technology to make a significant artwork.
Of
course, maybe I'm wrong and am missing
Realism in art is the absence of sentiment. Livecoding is writing
software in public while presenting the source code and its output along
with the programmer as a kind of performance. Hacking (computer
programming) is usually a solitary activity and hackers (computer
programmers) rarely get to
A couple of people at the DIWO takedown asked me about animation Free
Software but I couldn't remember the details.
I've just been reminded by this - http://morevnaproject.org/ ;-)
So the biggies for animation on GNU/Linux are -
http://www.synfig.org/ - 2d animation package.
On Wed, 10 Feb 2010 13:54:02 +, marc garrett
marc.garr...@furtherfield.org wrote:
M | U | T | E | __ rread it!
Crisis at the ICA: Ekow Eshun’s Experiment in Deinstitutionalisation
By JJ Charlesworth
Amidst a general acceptance of the cash crisis afflicting the ICA as an
accident
The ICA have asserted that JJ [who I once had lunch with with a friend at
the ICA bar of all places] was unsubstantiated and subjective in his
criticism. Mute have responded. See the comments at the bottom of the page
containing the article -
On 11/02/10 16:20, s_h...@canada.com wrote:
I wish I could say more but I've got student things to do, but some of my
chums are subscribed on the list - lurking. I would love to hear from other
students also. What do they make of all this? So far we have only heard from
those deeply
The concept of relationships used by social networking software is a
limited one compared to the concept of relationships used in sociological
social netowrk analysis. I social networking software all relationships are
positive. You only have friends, not enemies, so any connection between two
On Thu, 18 Feb 2010 08:37:12 -0500, Curt Cloninger c...@lab404.com
wrote:
imgcolor seems to be quite limited, though. i haven't found a way to
specify
a general color. such as #ff. it seems limited to verbal
descriptions
of
color such as 'red'.
Correct. It recognizes:
red, orange, yellow,
On 25/02/10 16:33, marc garrett wrote:
Thanks Aileen,
This looks very interesting :-)
What do you think of the theme for this year? ;-)
- Rob.
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On Mon, 1 Mar 2010 23:03:28 -0800, Jim Andrews j...@vispo.com wrote:
thanks for that, rob. well done.
Thanks! I've been getting some good feedback for the review. :-)
how is the book? did you buy a copy?
I did buy a copy. :-) The book is a small, slim hardback packed with
images and details.
On 02/03/10 21:34, Jim Andrews wrote:
is most of the work generative? in other words, is it generated from
programming the artist wrote?
I don't know how many technicians will have been involved, but given the
time period covered it's almost a given that most of the art would be
produced
http://uk.news.yahoo.com/22/20100303/tts-uk-olympics-london-ca02f96.html
Police will have powers to enter private homes and seize posters, and
will be able to stop people carrying non-sponsor items to sporting events.
I think there will be lots of people doing things completely innocently
who
On 05/03/10 16:57, Mark Hancock wrote:
I have a sudden urge to print some 'People's Olympics' t-shirts with my own
made up logo on them!!
yes we definitely need an a-lympic logo. might be fun for the law
design depts at a london university to work on together...
- rob.
On 15/03/10 19:50, Alan Sondheim wrote:
Overheard in New York
I really like this!
Err not that I'm a terrible eavesdropper or anything...
- Rob.
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On Wed, 17 Mar 2010 11:40:17 +, Simon Biggs s.bi...@eca.ac.uk
wrote:
I don¹t think there currently is, nor will it be desirable in the future
to
have, a language specific to computer art.
It's unavoidable to a degree, with glitch art, livecoding, generative art,
net.art, etc. all having
On Fri, 19 Mar 2010 09:36:42 +, marc garrett
marc.garr...@furtherfield.org wrote:
Cybernetic Serendipity.
Cybernetic Serendipity was an exhibition of computer art curated by
Jasia Reichardt, shown at the Institute of Contemporary Arts, London in
1968, and then touring the United
On 19/03/10 07:52, Simon Biggs wrote:
It is no big deal for the student to find a useful reference. Most
Wikipedia
entries cite sources. Many of these sources are accessible on line,
through
Google books, Project Gutenberg or Amazon. If not then there are these
places called libraries...
On Fri, 19 Mar 2010 13:14:45 -0700, Jim Andrews j...@vispo.com wrote:
i recently attempted to put an article about an important contemporary
artist on wikipedia. it was repeatedly deleted by 'bearcat'. he said the
artist wasn't notable enough to merit inclusion in wikipedia. i cited
On 25/03/10 18:12, Alessandro Ludovico wrote:
The new Neural issue is out,
My copy arrived in the post two days ago. It's really good!
- Rob.
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I added a link to a couple of books to the Digital Pioneers review that
are of relevance. I do recommend them if you're interested in the
history of art computing -
http://www.furtherfield.org/displayreview.php?review_id=381
The additional text (with links added) reads -
Update: Two recently
On Mon, 29 Mar 2010 10:26:19 +0100, Emma Quinn emma.qu...@gmail.com
wrote:
Tea is what the Industrial revolution was built on.
I thought that was gin?
- Rob.
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On 29/03/10 20:08, Alan Sondheim wrote:
I was referring to the Tea Party
My comment about gin stands, then. ;-)
- Rob.
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On Wed, 31 Mar 2010 13:16:24 +0100, info i...@furtherfield.org wrote:
How to Bypass Internet Censorship. Floss Manuals...
On which subject, does anyone know of a trustworthy Virtual Private
Network provider usable from the UK?
- Rob.
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On 02/04/10 18:36, Aileen Derieg wrote:
But didn't someone (Rob?) recently ask about non-commercial
alternatives? I was very disappointed that delicious was sold to Yahoo
at the time, but I still find it useful.
There was a free (as in freedom) alternative called ma.gnolia.com, but
that
On Tue, 06 Apr 2010 11:57:07 +0100, marc garrett
marc.garr...@furtherfield.org wrote:
Digital economy bill second reading today: expect fireworks.
You can still phone or tweet to your MP -
http://www.openrightsgroup.org/campaigns/disconnection
RMS on the bill -
On Thu, 08 Apr 2010 12:32:56 +0100, marc garrett
marc.garr...@furtherfield.org wrote:
UK passes Digital Economy Bill.
British parliament has passed the Digital Economy Bill by a vote of 189
to 47.
http://www.theyworkforthebpi.com/
http://www.openrightsgroup.org/blog/2010/what-we-do-next
On Thu, 8 Apr 2010 14:18:45 +0100, Mark Hancock
mark.r.hanc...@googlemail.com wrote:
Also, how would you stand up in court and argue that you
only downloaded that new album by Kode 9 (or Robbie Williams!) for
development of your own creative practice?
Since I wouldn't listen to a Robbie
Are there any good arguments for or against the idea of art as a
kind/form/branch of knowledge? I'm after [citable] references to
philosophical or theoretical authorities, if anyone knows of any.
This isn't homework, it's research. ;-)
Thanks.
- Rob.
Original Message
Subject: [CAS] 43 Dodgy Statements on Computer Art – Brian Reffin Smith
Date: Thu, 15 Apr 2010 08:20:40 +1000
From: Paul Brown p...@paul-brown.com
To: c...@jiscmail.ac.uk
Reply-To: Computer Arts Society c...@jiscmail.ac.uk, Paul Brown
p...@paul-brown.com
43
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