Like me, Andy Warhol (Andrei Warhola) was born a Rusyn-American. He was
nothing in not unique.
I strive for uniqueness, but photographically and otherwise, fall short.
On Mon, Aug 29, 2016 at 2:04 PM, Bob W-PDML wrote:
>
> http://tinyurl.com/hlo4as3
>
Dan Matyola
I like it!
On Tue, Aug 30, 2016 at 4:40 PM, Gonz wrote:
> Speaking of Warhol, sometime back I played with the cartoonish and
> distortion setting on my K5 with a pic I had just taken. The result
> was this "warhol-ish" image I posted:
>
>
I guess I better back off the B filters then. Hopefully that will
shrink my shrink bill. ;)
On Tue, Aug 30, 2016 at 3:56 PM, Bob W-PDML wrote:
> Be careful - there might be a shrink lurking...
>
> http://www.bbc.co.uk/news/uk-37218059
>
> B
>
>> On 30 Aug 2016, at 21:41,
Be careful - there might be a shrink lurking...
http://www.bbc.co.uk/news/uk-37218059
B
> On 30 Aug 2016, at 21:41, Gonz wrote:
>
> Speaking of Warhol, sometime back I played with the cartoonish and
> distortion setting on my K5 with a pic I had just taken. The result
Speaking of Warhol, sometime back I played with the cartoonish and
distortion setting on my K5 with a pic I had just taken. The result
was this "warhol-ish" image I posted:
https://www.instagram.com/p/1XGQu1OSMS/?taken-by=rgonzomatic=en
On Tue, Aug 30, 2016 at 12:20 PM, John
Warhol's may not be unique from other Warhol images, but they're unique
from NON-Warhol images.
On 8/29/2016 2:04 PM, Bob W-PDML wrote:
On 29 Aug 2016, at 18:33, Daniel J. Matyola
> wrote:
On Mon, Aug 29, 2016 at 1:09 PM, Bruce Walker
On 29/8/16, Bruce Walker, discombobulated, unleashed:
>I have a copy of Sieff's 40 Years of Photography (Taschen) and much of
>the joy of that book is in Sieff's memoirs and many little quotations
>and quips used throughout. That man could write. Very dry,
>self-deprecating humour; I love it.
I also like this from the essay: "Perhaps this is the motive at the
heart of the desire to take images – the record of a constant crossing
between feeling and thinking."
This, to me, speaks to not just Sieff's motive, but to photography in
general which is very precise, scientific and technical
On 29 Aug 2016, at 18:19, Bruce Walker wrote:
>
>> On Mon, Aug 29, 2016 at 12:50 PM, Steve Cottrell wrote:
>> On 29/8/16, Bob W-PDML, discombobulated, unleashed:
>>
>>> I wanted to write that it was Les Rencontres de Jeanloup Sieff, but
>>> couldn't
On 29 Aug 2016, at 18:33, Daniel J. Matyola
> wrote:
On Mon, Aug 29, 2016 at 1:09 PM, Bruce Walker
>
wrote:
But I appreciate all of them for their uniqueness.
Uniqueness is an important
On Mon, Aug 29, 2016 at 1:09 PM, Bruce Walker
wrote:
> But I appreciate all of them for their uniqueness.
Uniqueness is an important element of memorable and effective images.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
--
PDML Pentax-Discuss Mail
On Mon, Aug 29, 2016 at 12:50 PM, Steve Cottrell wrote:
> On 29/8/16, Bob W-PDML, discombobulated, unleashed:
>
>>I wanted to write that it was Les Rencontres de Jeanloup Sieff, but
>>couldn't find any reference to that book, so I checked my copy. It means
>>that for almost 40
I greatly enjoy Clergue's nudes. He seems to have pretty much invented
the style of superimposing highly contrasting lines -- as from hard
light through a venetian blind -- over the nude form. He also puts me
in mind of Bill Brandt with his tightly framed bodyscapes.
Sieff's style differs
On 29/8/16, Bob W-PDML, discombobulated, unleashed:
>I wanted to write that it was Les Rencontres de Jeanloup Sieff, but
>couldn't find any reference to that book, so I checked my copy. It means
>that for almost 40 years I have conflated these two photographers in my
>mind. It probably explains
I think it's a human thing.
Here's a strange thing. I'm piecemeal reading a book at the moment, called Les
Rencontres de Lucien Clergue
(https://www.amazon.fr/Lucien-Clergue-ses-rencontres-Photographies/dp/2862344451).
I wanted to write that it was Les Rencontres de Jeanloup Sieff, but
avi...@comcast.net> wrote:
>
> A lot of tender areas for that "boiling hot" coffee to drip on.
>
> J
>
> - Original Message -
> From: "Bruce Walker" <bruce.wal...@gmail.com>
> To: "Pentax-Discuss Mail List" <pdml@pdml.net>
>
A lot of tender areas for that "boiling hot" coffee to drip on.
J
- Original Message -
From: "Bruce Walker" <bruce.wal...@gmail.com>
To: "Pentax-Discuss Mail List" <pdml@pdml.net>
Sent: Monday, August 29, 2016 7:36:37 AM
Subject: Re: PESO - wake
On Sun, Aug 28, 2016 at 12:36 PM, Steve Cottrell wrote:
> On 28/8/16, Bruce Walker, discombobulated, unleashed:
>
>>A teaser for Cotty, really. :) An outtake from my upcoming Jonvellesque
>>series.
>>
>>http://off-axis.brucemwalker.com/image/149600276892
>>
>>645z, 55mm/2.8;
Jonvelle shares his fondness for bottom curves with Jeanloup Sieff,
another great Frenchman. I wonder if it's a French thing, or is it
continental Europeans -- Italians, Spaniards -- in general?
In keeping with the spirit of the theme I shall be exploring the rear
view extensively myself.
On 28/8/16, Bruce Walker, discombobulated, unleashed:
>A teaser for Cotty, really. :) An outtake from my upcoming Jonvellesque
>series.
>
>http://off-axis.brucemwalker.com/image/149600276892
>
>645z, 55mm/2.8; window light
Suitably teased :-)
--
Cheers,
Cotty
___/\__Broadcast,
I suspect that could be a fairly successful series - I look forward to seeing
it.
I say this because when I looked at your photo The first thing that came to
mind was Jane Birkin, and that whole sixties, South of France look. I've never
heard of Jonvelle before (sounds like a man-made fibre
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