On 5/28/2018 6:30 AM, Hans Åberg via
Unicode wrote:
Unifying these would make a real mess of lower casing!
German has a special sign ß for "ss", without upper capital version.
You may want to retract the second part of
that
On Mon, 28 May 2018 10:08:30 +0200
Hans Åberg via Unicode wrote:
> > On 28 May 2018, at 03:39, Garth Wallace wrote:
> > The fact that they do not denote the same width in cents in Arabic
> > music as they do in Western modern classical does not matter.
> On 28 May 2018, at 11:05, Julian Bradfield via Unicode
> wrote:
>
> On 2018-05-28, Hans Åberg via Unicode wrote:
>>> On 28 May 2018, at 03:39, Garth Wallace wrote:
On Sun, May 27, 2018 at 3:36 PM, Hans Åberg
> On 28 May 2018, at 03:39, Garth Wallace wrote:
>
>> On Sun, May 27, 2018 at 3:36 PM, Hans Åberg wrote:
>> The flats and sharps of Arabic music are semantically the same as in Western
>> music, departing from Pythagorean tuning, then, but the microtonal
The flats and sharps of Arabic music are semantically the same as in Western
music, departing from Pythagorean tuning, then, but the microtonal accidentals
are different: they simply reused some that were available. By contrast,
Persian music notation invented new microtonal accidentals, called
Philippe is entirely correct here. The fact that a symbol has somewhat
different meanings in different contexts does not mean that it is actually
multiple visually identical symbols. Otherwise Unicode would be re-encoding
the Latin alphabet many, many times over.
During most of Bach's career, the
Even flat notes or rythmic and pause symbols in Western musical notations
have different contextual meaning depending on musical keys at start of
scores, and other notations or symbols added above the score. So their
interpretation are also variable according to context, just like tuning in
a
> On 17 May 2018, at 16:47, Garth Wallace via Unicode
> wrote:
>
> On Thu, May 17, 2018 at 12:41 AM Hans Åberg wrote:
>
> > On 17 May 2018, at 08:47, Garth Wallace via Unicode
> > wrote:
> >
> >> On Wed, May 16, 2018 at 12:42
On Thu, May 17, 2018 at 12:41 AM Hans Åberg wrote:
>
> > On 17 May 2018, at 08:47, Garth Wallace via Unicode
> wrote:
> >
> >> On Wed, May 16, 2018 at 12:42 AM, Hans Åberg via Unicode <
> unicode@unicode.org> wrote:
> >>
> >> It would be best to encode
> On 17 May 2018, at 08:47, Garth Wallace via Unicode
> wrote:
>
>> On Wed, May 16, 2018 at 12:42 AM, Hans Åberg via Unicode
>> wrote:
>>
>> It would be best to encode the SMuFL symbols, which is rather comprehensive
>> and include those:
>>
On Wed, May 16, 2018 at 12:42 AM, Hans Åberg via Unicode <
unicode@unicode.org> wrote:
>
> > On 16 May 2018, at 00:48, Ken Whistler via Unicode
> wrote:
> >
> > On 5/15/2018 2:46 PM, Markus Scherer via Unicode wrote:
> >> I am proposing the addition of 2 new characters to
> On 16 May 2018, at 09:42, Hans Åberg via Unicode wrote:
>
>> On 16 May 2018, at 00:48, Ken Whistler via Unicode
>> wrote:
>>
>>> A proposal should also show evidence of usage and glyph variations.
>>
>> And should probably refer to the
Hi Garth,
You are right, I sent a similar posting to the list 3 years ago. at that
time I was hoping get help from some of the more experienced members on the
list to write a proposal. this is a very specialized job and it could take
me months to figure out the process and learn the language. But
> On 16 May 2018, at 00:48, Ken Whistler via Unicode
> wrote:
>
> On 5/15/2018 2:46 PM, Markus Scherer via Unicode wrote:
>> I am proposing the addition of 2 new characters to the Musical Symbols table:
>>
>> - the half-flat sign (lowers a note by a quarter tone)
>> -
What happened to the previous proposal? As I recall, there was some good
discussion after an email from you back in 2015 <
http://www.unicode.org/mail-arch/unicode-ml/y2015-m03/0118.html> and
Michael Everson offered assistance, but no formal proposal has been
submitted to the Documents Register
On 5/15/2018 2:46 PM, Markus Scherer via Unicode wrote:
I am proposing the addition of 2 new characters to the Musical
Symbols table:
- the half-flat sign (lowers a note by a quarter tone)
- the half-sharp sign (raises a note by a quarter tone)
In an actual proposal, I
On Tue, May 15, 2018 at 10:47 AM, Johnny Farraj via Unicode <
unicode@unicode.org> wrote:
> Dear Unicode list members,
>
> I wish to get feedback about a new symbol submission proposal.
>
Just to clarify, this is a discussion list where you may get some useful
feedback. This is not where you
Dear Unicode list members,
I wish to get feedback about a new symbol submission proposal.
Currently the Miscellaneous Symbols table (2600-26FF) includes the
following characters:
266D ♭ MUSIC FLAT SIGN
266F ♯ MUSIC SHARP SIGN
while the Musical Symbols table (1D100 - 1D1FF) includes the
On Sun, May 24, 2015 at 01:00:59AM +0200, Philippe Verdy wrote:
2015-05-23 20:50 GMT+02:00 Petr Tomasek toma...@etf.cuni.cz:
Hm, it seems that there is much more to be encoded in Unicode than just
the quarter-tone signs..
Clearly not a valid arguments against encoding a character.
2015-05-23 20:50 GMT+02:00 Petr Tomasek toma...@etf.cuni.cz:
Hm, it seems that there is much more to be encoded in Unicode than just
the quarter-tone signs..
Clearly not a valid arguments against encoding a character. There are
plenty of characters still not encoded even in scripts already
On Mon, Mar 30, 2015 at 12:07:38AM +0200, Werner LEMBERG wrote:
That’s quite some variety. There are also the three-quarter flat and
sharp in Western music to consider. I’ll be able to dig into this
after I get back to Ireland from Sweden on Friday.
You should check the Standard Music
On 31 Mar 2015, at 05:09, Asmus Freytag (t) asmus-...@ix.netcom.com wrote:
On 3/30/2015 1:54 PM, Hans Aberg wrote:
On 30 Mar 2015, at 00:49, Asmus Freytag (t) asmus-...@ix.netcom.com wrote:
It would be worth to bring the collection of music symbols up to a more
comprehensive set in one
Johnny Farraj johnnyfarraj at yahoo dot com wrote:
The Arabic half-flat and half-sharp symbols do not mean exact
quartertones, but that's understood by Arabic music performers as the
exact intonation is then learned by ear. That fact does not make them
impractical to use, as they are used
On 30 Mar 2015, at 00:49, Asmus Freytag (t) asmus-...@ix.netcom.com wrote:
It would be worth to bring the collection of music symbols up to a more
comprehensive set in one go, rather than to do it piecemeal.
There is a similar issue to that of the math symbols, namely, one might add
some
On 30 Mar 2015, at 23:13, Johnny Farraj johnnyfar...@yahoo.com wrote:
The same problem arises in Arab music notation,
Hi Hans,
I'm not sure what you mean by that statement?
The Arabic half-flat and half-sharp symbols do not mean exact quartertones,
but that's understood by
On 31 Mar 2015, at 00:06, Doug Ewell d...@ewellic.org wrote:
Johnny Farraj johnnyfarraj at yahoo dot com wrote:
The Arabic half-flat and half-sharp symbols do not mean exact
quartertones, but that's understood by Arabic music performers as the
exact intonation is then learned by ear.
On 31 Mar 2015, at 00:48, Johnny Farraj johnnyfar...@yahoo.com wrote:
That's a good point. I was thinking in the confines of equal temperament.
The basis for music from Middle Ages, from West down to Persia at least, is the
Pythagorean tuning. Then in Western art music, CPP (Common Practise
On 3/30/2015 1:54 PM, Hans Aberg wrote:
On 30 Mar 2015, at 00:49, Asmus Freytag (t) asmus-...@ix.netcom.com wrote:
It would be worth to bring the collection of music symbols up to a more
comprehensive set in one go, rather than to do it piecemeal.
There is a similar issue to that of the math
Johnny,
I’m interested in working with you and Sami on this.
These two characters are often referred to as quarter sharp and quarter flat as
well. The symbols are also widely used outside Arabic music. The western
classical tradition from the 20th century on is full of them. They're not
Wouldn't it be easier just to change the example glyphs for U+1D132 MUSICAL
SYMBOL QUARTER TONE SHARP and U+1D133 MUSICAL SYMBOL QUARTER TONE FLAT? The
ones currently in the charts do not appear to be in common use.
The most common symbol for the quarter tone flat, from what I've gathered,
is a
On 2015-03-29, Johnny Farraj johnnyfar...@yahoo.com wrote:
Michael,
Thanks for the swift response, and your interest.
Your collaboration is greatly appreciated.
Do you have any experience in submitting new Unicode character proposals?
And/or with creating the reference copy of a symbol in
On 29 Mar 2015, at 19:53, Johnny Farraj johnnyfar...@yahoo.com wrote:
Michael,
Thanks for the swift response, and your interest.
Your collaboration is greatly appreciated.
My pleasure.
Do you have any experience in submitting new Unicode character proposals?
And/or with creating the
Shumays
Subject: Re: preliminary proposal: New Unicode characters for Arabic music
half-flat and half-sharp
Wouldn't it be easier just to change the example glyphs for U+1D132 MUSICAL
SYMBOL QUARTER TONE SHARP and U+1D133 MUSICAL SYMBOL QUARTER TONE FLAT? The
ones currently in the charts do
On 29 Mar 2015, at 22:02, Garth Wallace gwa...@gmail.com wrote:
Wouldn't it be easier just to change the example glyphs for U+1D132 MUSICAL
SYMBOL QUARTER TONE SHARP and U+1D133 MUSICAL SYMBOL QUARTER TONE FLAT? The
ones currently in the charts do not appear to be in common use.
It would be
On 29 Mar 2015, at 22:41, sami shumays abushum...@hotmail.com wrote:
Just one comment: the reversed flat is not commonly used in Arabic notation,
But is it used?
it is primarily a Turkish symbol. The symbols Johnny is proposing are
important so that we can have easy access to the symbols
On 29 Mar 2015, at 23:29, Garth Wallace gwa...@gmail.com wrote:
Right, I was just pointing out that Turkish music is a potential
complication if changing the glyph for MUSICAL SYMBOL QUARTER TONE
FLAT.
Here's how I understand it:
Arabic music - uses the flat-with-stroke exclusively as a
That’s quite some variety. There are also the three-quarter flat and
sharp in Western music to consider. I’ll be able to dig into this
after I get back to Ireland from Sweden on Friday.
You should check the Standard Music Font Layout (SmuFL) for details;
it also has a freely available font
On 3/29/2015 2:39 PM, Michael Everson wrote:
On 29 Mar 2015, at 22:02, Garth Wallace gwa...@gmail.com wrote:
Wouldn't it be easier just to change the example glyphs for U+1D132 MUSICAL
SYMBOL QUARTER TONE SHARP and U+1D133 MUSICAL SYMBOL QUARTER TONE FLAT? The
ones currently in the charts do
It would be worth to bring the collection of music symbols up to a more
comprehensive set in one go, rather than to do it piecemeal.
A./
On 3/29/2015 3:07 PM, Werner LEMBERG wrote:
That’s quite some variety. There are also the three-quarter flat and
sharp in Western music to consider. I’ll
On 30 Mar 2015, at 00:49, Asmus Freytag (t) asmus-...@ix.netcom.com wrote:
It would be worth to bring the collection of music symbols up to a more
comprehensive set in one go, rather than to do it piecemeal.
Yup.
Michael Everson * http://www.evertype.com/
On 03/29/2015 06:51 PM, Michael Everson wrote:
On 30 Mar 2015, at 00:49, Asmus Freytag (t) asmus-...@ix.netcom.com wrote:
It would be worth to bring the collection of music symbols up to a more
comprehensive set in one go, rather than to do it piecemeal.
Yup.
Just read through (most of)
On 30 Mar 2015, at 00:07, Werner LEMBERG w...@gnu.org wrote:
You should check the Standard Music Font Layout (SmuFL) for details;
it also has a freely available font that covers it.
http://www.smufl.org
The recent version of the specification can be found at
On 29 Mar 2015, at 22:02, Garth Wallace gwa...@gmail.com wrote:
The most common symbol for the quarter tone flat, from what I've gathered, is
a reversed flat sign. Some composers use the flat with stroke. One potential
complication: AIUI the Arel-Ezgi-Uzdilek system for notating Turkish
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