On Wed, 31 Mar 2004, Thomas D. Cox, Jr. wrote:

> ---------- Original Message ----------------------------------
> From: [EMAIL PROTECTED]

in the case you make here, repressing is an effect, not a cause. why are
people buying repressings? how are they discovering the older music. mybe
their hipsters who got turned on my kompakt or miss kittin?



>
> >no- repressing will only reconfirm the music's greatness to all
> the people
> >who are already into it. preaching to the choir.
>
> how exactly is that? is everyone just gonna buy their second and
> third copies of all these records? theyre obviously being
> repressed because new people demand the old tunes that started it
> all. thats the most encouraging thing i can think of for this
> music. keeping it obscure and out of print is bad news for letting
> more people get into it.



the implication that you'e making here supposes that the music being made
and played by kompakt and co. is bad. i think the general concensus is
that's not the case.



>
> >a 'trendy' movement within this type of music (it amazes me how
> purist can
> >always pull the wagons in tighter) will encourage some much needed
> >economic growth for artists as well as encourage some new musical
> ideas
> >and bring forth at least a small contingent who went in as
> trendies and
> >came out as life long fans.
> >
> >that's how you build
>
> actually, thats how you destroy things. music can obviously grow
> just fine without massive press and hipster cred and money behind
> it. if it didnt there would be no real underground music. the way
> you build is by releasing good distincitve records, not trendy
> records. i mean look at the ravey era of underground resistance
> tunes. how well have they held up compared to their other older
> joints?
>
> tom
>
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