---------- Original Message ----------------------------------
From: [EMAIL PROTECTED]
>in the case you make here, repressing is an effect, not a cause.
why are
>people buying repressings? how are they discovering the older
music. mybe
>their hipsters who got turned on my kompakt or miss kittin?
who knows the exact reason why people are into it. i know ive sold
more moodymann represses at the shop i work at to hiphop heads
than to house music people. they liked it because they heard it,
not because they heard about it. people are out pushing all
different kinds of stuff from the trendy to the not at all trendy.
all of it will add up to bringing in new people who want to buy
the represses of the classics. its not strictly because of the
hipster contingent.
>the implication that you'e making here supposes that the music
being made
>and played by kompakt and co. is bad. i think the general
concensus is
>that's not the case.
ive been clear multiple times in saying that i was not making a
value judgement on the music. i did mention that i wasnt really
into much of it, but that wasnt involved in making my argument.
all im saying is that good growth is from the ground up, not
people randomly attatching themselves to a trendy movement.
tom
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