It's not just I playing the philosopher of language when I say the fuzziness
is appalling in all you guys as you talk about "achievement" and "excellence".


For openers, it's not clear if you think of these whatever-they-are as
something you are ascribing to a creator, or the created thing, or in some
blurry
way to a "career", or to an event, or.....

William seems to think of it as a "quality/property" in a work that causes a
certain feeling. He reaches for poetry to convey something of what's on his
mind: "You
won't forget its presentation of the moment, the
precise moment of consciousness of the "frozen right
now", fusing spectator and painting in a sphere of
infinitude." William here appears to be trying to describe an "aesthetic
experience" -- a phenomenon that I applaud examining.   Notice: it can't be
the
"consciousness" of the artist that's doing this fusing of spectator and
painting. And yet it hard to think of the spectator's moment of consciousness
doing
the fusing. Or maybe William in some way means the painting is doing the
fusing
of a moment.... And so forth, or, rather not forth, sideways maybe, or
backward...

William writes: "excellence is a one-time experience in relation
to an object". Wait -- the contemplator's experience is the excellence??? So
it isn't that Delacroix had "excellence". It's not even that the painting has
"excellence".

William goes on: "whereas achievement is abstract, a standard, a measure."
But others on this thread seem to think of a given work's being an
"achievement", or winning a prize, or being elected to the Academy at a very
young age.

If one wants to call "excellence" a quality/property that a work "has" that
produces an a.e., then a work can "have" "excellence" for one man, and   not
for the next.  

As for "achievement" as an "abstract, a standard, a measure", then no work is
an "achievement", no prize, no election. And it prompts the questions: A
"measure" how? Of what? When? Moreover, go look at the various winners of
prizes
for literature.  Sometimes the winner is a work -- Pulitzer Prize -- sometimes
it's the writer.

William may again claim I'm kicking a dead horse. But I assert the listers in
this thread are monumentally fuzzy and confused, and the dead horse looks
very lively as it extrudes a great deal from its anal aperture. (Don't fash
yourselves; I'm just a fellow lister trying to reinject some liveliness into
the
forum.)


**************
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