I asked:> "And why, though the drama-a.e. seems palpably different from what we get from a Bach cantata etc, are we inclined to call them both "a.e.'s"?"
Mike Mallory responded: > > If there is no identifying characteristic in either the nature of the > subject or the subjective response to the aesthetic object, what we have > left is the structure or form of the aesthetic experience. I believe the > aesthetic experience has a unique structure that can stand as the > identifying characteristic. > I'm glad to hear it, Mike. Would you care to elaborate on that "unique structure"? ************** Wondering what's for Dinner Tonight? Get new twists on family favorites at AOL Food. (http://food.aol.com/dinner-tonight?NCID=aolfod00030000000001)
