I think this is a very interesting comment.

What does it mean to 'understand' a work of art?

I was at a conference recently where one of the speakers, who writes a
lot about music, kept talking about understanding music. In question
time I asked her what she meant by 'understanding' in this context.  I
said I could see how one could talk about understanding a mathematical
proof, for example, but what did the word mean in relation to music
(and I really meant all art).

She first began to answer by saying that one understood if one could
recognise shifts in keys etc.  But I said I was talking about the
average person not someone schooled in the techniques if music.
(After all, that clearly can't be the point.)  So then she said  in a
rather flippant way as if to make light of the matter  that one
understood music if one could recognise its tunes and hum them.

I didn't pursue the question further but this obviously can't be
right.  How does humming tunes equate to understanding?  Moreover,
there is a lot of music I love  medieval and Renaissance liturgical
music for example - where I couldn't hum the tunes to save myself.
(The same goes for certain forms of non-Western sacred music  which
often has no recognisable 'tunes').

I came to the conclusion that the person concerned had not really
given any serious thought to the problem (leading aesthetician though
she was). But it *is* a problem  and Monet's comment highlights it
nicely. What does 'understanding' a work of art mean?

DA

----------------------------------------------


On Fri, Jun 6, 2008 at 10:15 AM, aesthete aesthete
<[EMAIL PROTECTED]> wrote:
> - Everyone discusses my art and pretends to understand, as if it were
> necessary to understand, when it is simply necessary to love.
>
> Monet
>
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--
Derek Allan
http://www.home.netspeed.com.au/derek.allan/default.htm

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